Roger Aaron Brown Movies

Based on a true story, this made-for-cable drama concerns Justin Yoder (Frankie Muniz), a 12-year-old boy who is confined to a wheelchair. Despite his handicap, Justin is an outgoing kid with a sense of humor and a taste for adventure, and his older brother's accomplishments as an award-winning athlete spark his ambition to find a sport in which he can excel. Justin thinks he has found just such an activity in the local soap-box derby competition, but he finds he has to combat red tape and prejudice before he can compete in the race. Produced for The Disney Channel, Miracle in Lane 2 also stars Patrick Lewis, Roger Aaron Brown, and Molly Hagan. ~ Mark Deming, Rovi

This enjoyable sci-fi actioner from director William R. Mesa succeeds despite stealing items from nearly every monster movie of the last twenty years. The plot concerns an idealistic tribal doctor, Ash Mattley (Mark Dacascos), who runs an underfunded provincial clinic in Sarawak, Borneo while trying to develop an immunity-boosting enzyme found only in certain rare beetles. Ash's plans are thwarted by mad scientist Carl Wessinger (Jurgen Prochnow), who steals the doctor's discovery and uses it to reanimate a nasty alien skeleton named Balacau. Ash must team with a pretty CIA operative (Robin McKee) and a precocious native boy (Thomas Taus, Jr.) to stop Wessinger and his hired commandos from selling Balacau to the highest bidder for use as a biological weapon. The monster chases the cast through many dark slimy corridors like the titular beast in Alien (1979), which it also resembles. The monster occasionally uses the cloaking ability of Predator (1987), and there's also a self-sacrificing black computer pro who explodes like Joe Morton in Terminator 2: Judgement Day (1991). Despite these and other obvious steals, the film is fast-moving, exciting, and manages to avoid many of the pitfalls which plagued dozens of similar efforts in the 1990s. John Hartigan's pyrotechnic effects are especially well-done, and one scene in which a speedboat is chased by a bazooka-firing helicopter is among the best of its type. ~ Robert Firsching, Rovi

This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, Rovi

China Moon is a slick noir thriller, nice to look at, well-acted and directed, but ultimately predictable, even to its "surprise" ending. Kyle Bodine (Ed Harris) falls in love with Rachel Munro (Madeleine Stowe), the unhappily married wife of a drunken Southern aristocrat Rupert (Charles Dance). One night, tired of his beatings and abuse, Rachel kills Rupert, apparently in self-defense. Kyle helps her cover-up the crime and establish an alibi. However, Kyle's young partner Lamar (Benecio Del Toro) suspects Rachel of the murder and begins an investigation. In fairly predictable plot twists reminiscent of the far superior Body Heat Kyle finds his life falling apart. While the plot is contrived, the performances are convincing, particularly that of Madeline Stowe as the treacherous Rachel. Ed Harris gives the character of Kyle depth and complexity. Cinematographer-turned-director John Bailey gives the film a great, dark, rain-slicked noir look and feel and lingers on details which take an otherwise predictable mystery/thriller and make it seem like a game of wits. ~ Linda Rasmussen, Rovi

The Applegates is the video title for the darkly satirical comedy Meet the Applegates. The titular family, for all intents and purposes human beings, are actually a clan of giant Brazilian Cocorada bugs. Paterfamilias Dick Applegate (Ed Begley Jr.) takes a job with an Ohio nuclear power plant, with the intention of triggering an explosion, thereby exterminating all humankind and allowing the bugs to live in safety. Alas, every one of the Applegates falls victim to assimilation: Dick becomes a typical suburban philanderer, his wife Jane (Stockard Channing) succumbs to the seductions of the credit card, and the Applegate kids transform into obnoxious mall-cruising teens. By the time the Applegates' Aunt Bea (Dabney Coleman) links up with them to supervise the nuclear explosion, the family considers Auntie a nuisance and plots a fitting demise for her. Director Michael Lehmann had previously skewered upper-middle class values in Heathers; completed in 1989, Meet the Applegates buzzed into local cineplexes in 1991. ~ Hal Erickson, Rovi

When suburban police officer Alex Kearney (Anthony Edwards) angers a wealthy, influential citizen by stopping him for a traffic violation, he finds himself transferred to the city's worst precinct. Struggling to adapt to his new inner-city surroundings, Kearney must deal with his gruff new partner, Dennis Curren (Forest Whitaker), as the two attempt to break up a crime ring. ~ Iotis Erlewine, Rovi

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner, Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, Rovi

Quon Le (Denice Kumagai) races against the clock to be sworn in as a US citizen before her baby is born. Ah, you're way ahead of us: The moment she raises her right hand, Quon Le goes into labor--and at the same time, her husband Mac (Charlie Robinson) is stricken with appendicitis. As things turn out, Quon Le's child may very well be delivered by a podiatrist! ~ Hal Erickson, Rovi

Crime is the disease and Sylvester Stallone is the cure in Cobra, a high-octane rehash of the Clint Eastwood/Dirty Harry films, burnished to a 1980s action sheen. Stallone is Marion Cobretti, a cop called in when regular police methods have failed. Cobra is sent to get a cult of Charles Manson-like serial killers and to protect Ingrid (Brigitte Nielsen), a beautiful, statuesque witness who is set to testify against them. Cobra deposits Ingrid in an out-of-the-way town for safe-keeping, but a mole in the police department tips off the killers. The gang comes racing into town to get Ingrid, but Cobra is there waiting for them, ready to spring into action. ~ Paul Brenner, Rovi

In this drama, an angry, bereaved husband decides to get his own kind of justice after the man who killed his wife and son is freed on a legal technicality. ~ Sandra Brennan, Rovi

This heartwarming tale of courage and devotion is set during the Vietnam war and centers upon a young medic who makes extra money on the side dealing drugs. His life is forever changed when he meets an Army doctor who persuades him to help her save a group of war orphans. First she appeals to his sense of guilt; then she blackmails him into assisting. The children are cared for by a few Vietnamese nuns. The doctor and the medic bring them badly needed food and supplies. To do this, the brave duo must face enemy bombs and the resistance of the US government. This is based on a true story and though wrenching, it is not syrupy or sentimental. ~ Sandra Brennan, Rovi

When plans to launch a second Star Trek television series in the late 1970s were scrapped by Paramount Pictures, the show's creator, Gene Roddenberry, instead transformed the aborted program's 2-hour pilot into this big budget theatrical feature. Five years after the legendary voyages of the starship Enterprise, James T. Kirk (William Shatner) is an unhappy, desk-bound admiral at Starfleet headquarters. Kirk goes aboard his old vessel to observe its re-launch under new captain Will Decker (Stephen Collins). Soon, however, an escalating crisis causes Kirk to take command of his old ship. A mysterious, planet-sized energy force of enormous power is headed for Earth. Reunited with Spock (Leonard Nimoy), Dr. Leonard "Bones" McCoy (DeForest Kelley), and the rest of his former colleagues, Kirk takes the Enterprise inside the massive energy cloud and discovers that it is the long-lost NASA space probe Voyager. Now a sentient being after accumulating centuries of knowledge in its deep space travels, the alien, which calls itself V'ger, has come home seeking its creator. Although not a critical home run, box office receipts for Star Trek: The Motion Picture (1979) were strong enough to inspire a revamped television series and a long-running line of theatrical sequels. ~ Karl Williams, Rovi

A casual glance at the cast list for the made-for-TV 3000 Mile Chase might lead one to conclude that stars Cliff De Young and Glenn Ford play dual roles. In fact, De Young is a bonded courier, and Ford is a government witness. Both men are obliged to assume false identities while en route to a murder trial, lest they be shot full of holes by syndicate henchmen. Produced by Roy Huggins, 3,000 Mile Chase was a revamping of his earlier busted pilot film Target Risk (1974). Originally telecast June 16, 1977, Chase likewise failed to graduate to a weekly series. ~ Hal Erickson, Rovi