Charles Gassot Movies

In this suspense thriller inspired by the novel Eye of the Beholder by Marc Behm, Catherine (Isabelle Adjani), a serial killer, seduces men and then murders them just before moving on to the next victim. She spreads her mayhem through various countries in Europe, only slightly ahead of the mentally anguished detective (Michel Serrault) who tracks her -- he fantasizes she is his long-lost daughter and disposes of her trail of corpses to foil the police. Catherine pauses for a real love affair with a blind architect (Sami Frey) but the detective is overcome by jealousy and causes the man's death. This drives Catherine into despair -- and a return to her psychotic killing. As the police dragnet closes in, both Catherine and the detective are brought closer to a final confrontation with their internal demons. The version released in the U.S. runs only 96 min. ~ Eleanor Mannikka, Rovi

Life is a Long Quiet River is the satirically philosophical title for this French domestic comedy. Borrowing a page from The Corsican Brothers, the film begins with a castoff mistress spitefully switching a pair of newborn babies at the maternity ward managed by her doctor lover. As a result, the daughter (Valerie Lalande) of a family of tramps and thieves is raised in a comfy bourgeois household, while the lowlife family ends up with the middle-class family's offspring (Benoit Magimel). Twelve years after the fact, the discarded mistress confesses to her misdeed. The mistress' ex-lover, doctor Daniel Gelin, tries to set things right, with hilariously disastrous consequences. Director Etie Chatiliez had received his training in French TV commercials, so it's not surprising that Life is a Long Quiet River is a string of anecdotes and punchlines. ~ Hal Erickson, Rovi

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains. ~ Stephen Thomas Erlewine, Rovi

This French comedy parodies horror movies and detective films. It is set at the Cannes Film Festival. There, Odile, a sincere publicist, tries to promote the horror movie "Red Is Dead." The movie tells of a killer in a welding mask who wields a hammer and sickle with deadly results. The trouble begins when a real killer with the same m.o. begins knocking off projectionists at market screenings. In true publicist form, Odile immediately brings the film's star to the festival. To protect him, Odile hires a handsome bodyguard. Odile finds herself romanced by a police commissioner. Meanwhile a stranger lurks in the distance. ~ Sandra Brennan, Rovi

For 30 years the title eatery has delighted its customers with good family style French cooking, but as with many good things, its time has come and it must close. This semi-autobiographical French drama, adapted from screenwriter/director Laurent Benegui's novel, chronicles the final meal served to 15 loyal patrons on closing day. Amidst affectionate humor and occasional pathos, much attention is paid to the conversations, personal situations, and emotions of the diners and the staff. ~ Sandra Brennan, Rovi

This sumptuous French drama offers episodes from the notorious life of 18th century socialite and playwright Pierre-Augustin Caron de Beaumarchais. The story begins in the 1770s with a rehearsal of his "The Barber of Seville." Young friend of Voltaire, Philipp Gudin introduces himself to the great playwright and offers to become his personal secretary. He then becomes the adventurous Beaumarchais' keeper as the author gets involved in a variety of situations including a duel with an angry husband, his battle with the corrupt French government and a serious long-term affair with Marie-Theres de Willer. It all comes to a climax when King Louis XV assigns the playwright a secret mission to London. There he must find and retrieve a damning document from transvestite aristocrat Chevalier D'Eon. Unfortunately, Beaumarchais gets tangled up with supporting American rebels and ends up tossed in jail. Louis XVI sees that he is finally released and then the writer becomes an arms smuggler for American revolutionaries. All of his activities bankrupt him and so Beaumarchais must return to writing plays. ~ Sandra Brennan, Rovi

In this black comedy from France, a family gathers in a tavern, ostensibly to celebrate a birthday, but poking each other's sore spots turns out to be the main order of business. Henri (Jean-Pierre Bacri) runs a saloon that he inherited from his father called "The Sleepy Dad," and in the near-empty bar, he plays host to several members of the family as they mark the 35th birthday of his sister-in-law, Yolande (Catherine Frot). Henri's sister, Betty (Agnès Jaoui), is 30, single, and not very happy about it; his brother (and Yolande's husband), Phillipe (Vladimir Yordanoff), runs a growing software company; Mother (Claire Maurier) is the siblings' strong-willed matriarch; and Henri's dog is on hand, whom someone describes as "like a rug, but alive." It's not been a good day for most of them: Phillipe is convinced that his business will go out the window as a result of the ugly tie that he wore on television; Betty is depressed about the sad state of her current relationship; Henri has just learned that his wife is leaving him; and Mother is tossing caustic barbs at everyone left and right. Henri's bartender Denis (Jean-Pierre Darroussin) is the one neutral party on hand, and he provides the voice of reason in the midst of the bickering. ~ Mark Deming, Rovi

Gillaume Nicloux directed this French comedy drama about amateur sleuth Gabriel Lecouvreur, aka The Octopus (Jean-Pierre Darroussin), a Gallic gumshoe with no fixed address, who travels with his girlfriend Cheryl (Clotilde Courau) to a harbor town in western France. The graves of Cheryl's grandparents have been desecrated, and during their investigation of this, they encounter a half-dozen demented denizens and other looney locals. More than 100 paperbacks by different writers have chronicled The Octopus' adventures; this is the first film featuring the character. ~ Bhob Stewart, Rovi

Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor's first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace. The Eye (Ewan McGregor) is an agent of the British Secret Service, equipped with the latest in high-tech crime fighting gadgetry and assisted by his indefatigable collegue, Hilary (k.d. lang). The Eye's latest assignment is a surveillance project; the son of a well-known politician has been spending a great deal of money on someone, and they would like to know who and why. A little sleuthing reveals that the mysterious person taking the cash is a woman named Joanna (Ashley Judd), but the trail gets much stickier when the Eye witnesses Joanna pulling a knife and killing the politician's son. Normally, he'd take the shortcut to putting her behind bars, but some time ago he lost contact with his daughter when his wife left him; Joanna reminds the Eye of his daughter, and he's too fascinated with her to bring her to justice. The Eye now follows Joanna obsessively, and discovers that she's also involved with a blind man (Patrick Bergin) and has a history of emotional instability from being abandoned by her father at a young age. Eye of the Beholder was directed by Stephan Elliott, best known for the comedy The Adventures of Priscilla, Queen of the Desert. ~ Mark Deming, Rovi

In this bizarre satiric comedy, Kath (Toni Collette) is a chef who decides to leave the family business and strike out on her own. Her former lover Ronald (Daniel Craig) does not take this news well -- he's been trying to run the decaying Hotel Splendide, a resort and health spa, just the way his folks did years before, complete with regularly scheduled enemas and food not marred by flavor. After five years, Kath decides that it's time to bury the hatchet and volunteers to come back and work with Ronald at the Hotel, though the place has hardly improved in her absence. Hotel Splendide also features Stephen Tompkinson, Katrin Cartlidge, and Peter Vaughan. ~ Mark Deming, Rovi

One man's sexual obsessions and emotional weaknesses are laid bare in this controversial drama. Jay (Mark Rylance) is a cold, emotionally distant man who abandoned his wife and children several years ago andnow works in a nightclub. Jay enters into an affair with a married woman, an amateur actress named Claire (Kerry Fox), in which their emotional needs barely enter the picture; they meet once a week and have sex, talking as little as possible and parting ways once they're done. One week, Jay follows Claire after their weekly encounter and sees her meeting her husband Andy (Timothy Spall), a cheerful and good-natured cab driver. Jay becomes curious about Andy and strikes up an acquaintance with him; as they become friendly, Jay begins sharing with Andy the details of his affair with a married woman, without mentioning his lover's name. Claire has already begun moving away from her affair with Jay, and when she discovers that he's been meeting with her husband and sharing information about their relationship, she becomes understandably furious. Intimacy was the first English-language film for French director Patrice Chereau; the film received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, Rovi

He Loves Me ... He Loves Me Not is a black comedy with a dramatic twist. Talented art student Angélique (Audrey Tautou) is wildly in love with Loïc (Samuel Le Bihan of Brotherhood of the Wolf), a married cardiologist whose wife, Rachel (Isabelle Carré) is expecting their first child. She sends him mash notes and gifts, and tells her friend, Héloïse (Sophie Guillemin of With a Friend Like Harry...) that, despite appearances, Loïc plans to leave his wife. Angélique also ignores the attentions of her lovesick friend, David (Clément Sibony), who begins to resent the way Loïc treats Angélique. As Angélique grows less discreet in her affections, Loïc's home life begins to fall apart. His wife grows suspicious, and then miscarries. His career is jeopardized when a patient accuses him of assault. All the while, Angélique is desperate to be by his side. About 40 minutes in, writer/director Laetitia Colombani's film reverses perspective, showing the preceding events from Loïc's (very different) point-of-view. ~ Josh Ralske, Rovi