Philippe Garrel Movies

Neglected by her husband and longing for companionship, lonely Hollywood actress Carole enters into a passionate affair with a photographer who has been assigned to capture her portrait. Filmmaker Philippe Garrel directs a drama starring Louis Garrel, Clémentine Poidatz, and Laura Smet. ~ Jason Buchanan, Rovi

Henri Langlois was, in many respects, the ultimate film fan. In 1936, at the age of 22, Langlois became (along with Jean Mitry and Georges Franju) one of the founders of the Cinémathèque Française, a theater and museum devoted to preserving the history of the motion picture. Initially a tiny operation financed by private funds, the Cinémathèque, with time, grew into Europe's most important film archive, collecting and preserving prints of rare films from all over the world and protecting many rare gems of the French cinema from destruction during the Nazi occupation of World War II. Langlois' enthusiasm for sharing the treasures of his collection with others helped spawn a film-crazy generation who created the French New Wave of the '50s, and in time, the French government acknowledged the importance of the Cinémathèque's work by financing their endeavors. In 1968, the French minister of culture, André Malraux, responded to Langlois' difficult personality and sloppy bookkeeping by pulling the government's financing of his projects, which led to an international outcry leading to the shutdown of the Cannes Film Festival by activists and film buffs. The Cinémathèque's funding and Langlois' leadership were later restored, and in 1973, his work in film preservation was honored with a special Academy Award. Henri Langlois: The Phantom of the Cinémathèque is a documentary which chronicles the life, times, and passions of the legendary archivist and includes interviews with his friends, contemporaries, and colleagues -- including Claude Berri, Claude Chabrol, Jack Valenti, and Daniel Cohn-Bendit. ~ Mark Deming, Rovi

French superstar Catherine Deneuve stars in this downbeat drama about the fine line between love and need. Deneuve plays Hélène, an attractive but aging housewife who keeps a lover, a young artist named Paul (Xavier Beauvois). Hélène is strongly attracted to Paul, but isn't sure if he's interested in her mind, her body, or merely her checkbook. Paul, on the other hand, is attracted to Hélène, but finds her too clingy and possessive; he wants to get away, and sometimes uses heroin as a means of escape. One day, Paul meets Serge (Daniel Duval), a well-known artist Paul would like to work for some day. Paul learns Serge's story is a troubled one; he took part in the student uprisings of the May '68 General Strike, ended up in a mental hospital, and lost a wife to suicide. Le Vent de la Nuit (Night Wind) features an original score by John Cale, a founding member of the ground-breaking rock band the Velvet Underground. ~ Mark Deming, Rovi

As a young man, Gerard was in a relationship with Marianne, a woman he called the love of his life, someone he would love even beyond the veils of death. However, somehow he drifted out of his relationship with her, though they were occasionally in touch with one another. Many relationships later, he is now married and has children by a wonderfully solid and nurturing woman (whom he is not faithful to). When he hears of the death of his first love, it causes him to reevaluate his relationships, and he realizes that Marianne was indeed the one great love of his life. Only his own lack of a real center caused him to lose that precious relationship. ~ Clarke Fountain, Rovi

This anthology is comprised of six vignettes made by different Noveau Vague filmmakers. Each short film centers on a different aspect of Parisian life. The films and their directors include: J'ai Faim, J'ai Froid by Chantal Akerman; Place Clichy by Bernard Dubois; Rue Fontaine by Philippe Garrel; Rue Du Bac by Frederic Mitterand; Paris Plage by Vincent Nordon, and Canal Saint-Martin by Philippe Vernault. ~ Sandra Brennan, Rovi

This is a highly experimental French film consisting of no more than 23 camera shots, total. It resembles nothing so much as one of Warhol's earlier films, except that it is more episodic. Nico of the Velvet Underground portrays a different woman in each of the episodes. The first three concern her "rescues" from Death Valley, Egypt and Iceland by a young man to whom she eventually says "stay away from me." Following that, she recites from various texts in German, French and English, makes various gnomic observations and encounters various men in various guises. All the men are played either by director Philippe Garrel or Pierre Clementi. ~ Clarke Fountain, Rovi

Philippe Garrel's 1969 feature La lit de la vierge (The Virgin's Bed) represents a spiritual and thematic cousin to his 2005 film The Regular Lovers; whereas the latter revisits the tumultuous Parisian events of May 1968 over 35 years later, and carefully reconstructs those days with docudrama technique, Garrel and his cast and crew of shot La lit in the summer of '68 (reportedly under the influence of acid and without a script), just a few months after the bouleversement of the riots. In that picture, the filmmakers adapt the Biblical story of Jesus very loosely and non-narratively, using Christ as a metaphoric symbol of the late '60s protest movement - the "ultimate hippie." The picture also reflects the filmmakers' self-mythologies of existing and functioning as a "religious sect." Pierre Clementi plays Jesus; Zouzou portrays both the Virgin Mary and Mary Magdalene. ~ Nathan Southern, Rovi