Herb Gardner Movies

Considered one of the great box-office turkeys of its decade, Ishtar was an attempt by writer/director Elaine May and stars Dustin Hoffman and Warren Beatty to do a modern-day road picture in the style of the much-loved Bob Hope and Bing Crosby comedy classics. Beatty is Lyle Rogers, a dimwitted songwriter who befriends and partners with Chuck Clarke (Hoffman), who is only slightly more intelligent but every bit as untalented. Together the duo dreams of becoming a big-time lounge act, but their songs, with titles like "That a Lawnmower Can Do All That," are unintentionally hilarious. Chuck becomes suicidal, but just when it seems they'll never strike it rich, the boys are offered a shady gig at a North African hotel, entertaining U.S. troops stationed in the tiny nation of Ishtar. On their way to accept the job, Lyle, Chuck, and their blind camel are sidetracked by a mysterious woman (Isabelle Adjani) and a scheming CIA agent (Charles Grodin), who are involved in a rebellion against the country's emir. The memorable songs crafted by Chuck and Lyle were written by actor and composer Paul Williams. ~ Karl Williams, Rovi

In this comedy based on a play by Herb Gardner, a zany, disparate couple tries to beat the odds and stay together. The man runs a posh private school and cannot see why his lover prefers teaching in the Lower East Side where they were raised. The two temporarily split, and each of them has an affair. The experience teaches them that they are meant to be together. Unfortunately, when the humbled two return to their luxurious apartment, they again begin arguing. In the heat of anger, the man grabs the gun her father gave him and fires three shots into the ceiling. With the police sirens encroaching, the woman realizes that inside, he is still the wild and crazy guy she fell for years before, and romantic bliss ensues. ~ Sandra Brennan, Rovi

Jason Robards Jr. superbly re-creates his Broadway role in this 1965 film version of Herb Gardner's play. Robards plays Murray Burns, head writer of TV's popular Chuckles the Chipmunk show. Fed up with the rat race, Murray quits his job and retreats to his cluttered Manhattan apartment, where he carries on a nonconformist, laissez-faire existence with his 12-year-old nephew Nick (Barry Gordon). Though they're as close as father and son, Robards has never gotten around to legally adopting Nick, which brings him to the attention of social workers Sandra (Barbara Harris) and Albert (William Daniels). While Albert is disgusted by Murray's irreverence, Sandra falls in love with the free-spirited writer. Teaming up with Nick, Sandra tries to convince Murray to get another job. Arnold Burns (Oscar-winner Martin Balsam), Murray's agent-brother, is amused by his sibling's independence, but can find no work for him. Desperate not to lose Nick to the authorities, Murray offers to go back to Chuckles the Chipmunk -- aka Leo (Gene Saks), a neurotic bug who bullies his staff and hates kids. Young Nick is disillusioned by Murray's willingness to conform, and he throws an uncharacteristic temper tantrum. But the boy comes around to Murray's sudden realization that compromise is sometimes necessary if it's for the sake of someone you love. While the central message of A Thousand Clowns may grate on some viewers, the film is saved by the exuberance of the cast. ~ Hal Erickson, Rovi

In his film debut, Ben Gazzara repeats his stage portrayal of Jocko De Paris, a manipulative psychotic who holds a Southern military school in thrall. With the help of his flunkies, cadets Harold Knoble (Pat Hingle) and Roger Gatt (James Olson), Jocko sadistically terrorizes the underclassmen, forcing them to do his bidding. Efforts made by Major Avery (Larry Gates) to expose Jocko are constantly thwarted by the students' conspiracy of silence and by Jocko's own efforts to destroy Avery. Finally, cadet Robert Marquales (George Peppard, likewise making his first film appearance) can stand no more: turning the tables on Jocko, Marquales reveals the monster for the snivveling coward he really is. This filmization of Calder Willingham's play and novel End as a Man almost didn't make it to the screen due to its pronounced homosexual subtext. The filmmakers managed to circumvent the censors by removing three minutes of allegedly offensive footage, and by making the film's most overtly gay character a slimy, repulsive creep (another implicitly homosexual character, played by Arthur Storch, is depicted as merely wimpish and withdrawn). As a box-office come-on, Calder Willingham added the superfluous character of good-time gal Rosebud (Julie Wilson). ~ Hal Erickson, Rovi