Cyril Gardner Movies

Paris-born Cyril Gardner moved to England at an early age, making his first film-acting appearance in his teens. Following several successful seasons as a stage director, Gardner was brought to Hollywood in 1929 to co-write Gloria Swanson's talkie debut, The Trespasser. He went on to co-direct Royal Family of Broadway (1930) and Grumpy (1931) with another stage transplant, George Cukor. Cyril Gardner's final directorial efforts were for Teddington studios, the British headquarters for Warner Bros. ~ Hal Erickson, All Movie Guide
1936  
 
In this British comedy, a poor college porter suddenly becomes an earl and must protect his newly inherited estate from clever con artists who try to convince him that there is oil on his land. ~ Sandra Brennan, All Movie Guide

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1934  
 
The fashion industry provides the satisfaction missing in Taylor's life after her lazy husband dies. ~ All Movie Guide

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1934  
 
In this romantic comedy, a widow listens to the advice of a widowed friend and stages a bogus burglary to win back the affections of her old flame. The women then convince her butler into "confessing the crime. Unfortunately, something goes wrong and mayhem ensues. Fortunately, everything is all straightened out in the end and a romance blooms. ~ Sandra Brennan, All Movie Guide

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1933  
 
Star Gloria Swanson also co-produced this British film, a romantic comedy/drama that teamed her with a young Laurence Olivier. Judy Rogers (Swanson), an American vacationing in England, meets aristocrat Nicholas Randall (Olivier) and the two fall in love. They agree to marry but insist they'll never have any disagreements -- while both intending to maintain their independence. After an idyllic honeymoon, they are separated briefly and Nicholas strays with Lady Stephanie Fitzmaurice (Nora Swinburne). After he confesses to Judy, she decides to date the eligible Ivan Ronnson (John Halliday), but keeps the encounter a flirtation only. Their marriage becomes shaky, but Judy and Nicholas weather their doubts and come to love each other all the more. Note the film's co-writer: Michael Powell, who would later direct, write, and produce Black Narcissus and The Red Shoes (in collaboration with Emeric Pressburger). ~ Nicole Gagne, All Movie Guide

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Starring:
Gloria SwansonLaurence Olivier, (more)
1932  
 
This war drama, set in a snow covered Tyrolean pass during WW I, chronicles a strange situation between an Austrian battalion assigned to guard the snowbound pass and the Italians that plan to blow their position up. The Austrian leader is well aware that the enemy has been digging a tunnel beneath them with the intent to blow them up, but he cannot disobey orders and move. One Austrian, Trenker, slips over Italian lines to learn the exact time of the explosion. He hopes that he will be able to move his troops in time. Meanwhile, the Italian commander, Varconi, stays in Trenker's home. The two men had been mountain climbing partners before the war. ~ Sandra Brennan, All Movie Guide

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Starring:
Tala BirellLuis Trenker, (more)
1931  
 
In this drama, a married couple who own a speakeasy aspire to go legitimate and open a gas station; unfortunately, they are perennially broke because the husband is addicted to gambling on the horses. Their situation makes them easy marks for a racketeer who uses the couple as a front. Fortunately, the couple overcome their weaknesses, save the needed money, and achieve their humble dream. ~ Sandra Brennan, All Movie Guide

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Starring:
Ricardo Cortez
1930  
 
Rubber-legged comedian Leon Errol made his talkie starring bow in Paramount's Only Saps Work. Based on a play by Owen Davis Sr., the film casts Errol as James Wilson, a kleptomaniac who starts with picking pockets and ends up robbing a bank. Wilson's friend Lawrence Payne (Richard Arlen) inadvertently aids our hero during one of his heists, ending up in deep doo-doo with the law. Before Wilson is able to extricate Payne from his dilemma for the sake of heroine Barbara Tanner (Mary Brian), he pauses long enough to pose as a private eye -- and even gives bellboy Oscar (Stu Erwin) tips on how to spot a crook! If only all of Leon Errol's feature films had been as consistently hilarious as Only Saps Work. ~ Hal Erickson, All Movie Guide

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Starring:
Leon ErrolRichard Arlen, (more)
1930  
 
George Cukor received his first film directorial credit for Grumpy, though he was contractually bound to share billing with Broadway director Cyril Gardner. Cyril Maude recreates his stage role as a cranky retired lawyer with the requisite 14-carat heart. The lawyer's daughter (Frances Dade) has a boyfriend who is accused of stealing a valuable diamond. Setting his nightcap and pacing around his living room in his pajamas, "Grumpy" solves the case. Adapted from the play by Horace Hodges and Thomas Percival, Grumpy was previously filmed in 1923 with Theodore Roberts in the title role. ~ Hal Erickson, All Movie Guide

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Starring:
Cyril MaudePhillips Holmes, (more)
1930  
 
Royal Family of Broadway was an abridged but otherwise literal translation of the George S. Kaufman/Edna Ferber Broadway hit The Royal Family. The title referred not to kings and queens but to a prominent theatrical family named Cavendish--based none too loosely on the famed Barrymore clan. Ina Claire plays the "Ethel Barrymore" counterpart, a beloved stage star who wishes to renounce the theatre to marry a millionaire and move to South America. Fredric March steals the show as the "black sheep" of the family, obviously patterned after the rambunctious John Barrymore (March has John Barrymore's legendary gestures and petulant temper tantrums down pat). When it looks as if the Cavendish legacy will break up with the daughter's marriage and the son's peccadillos, the Cavendish matriarch (Henrietta Crosman) delivers an impassioned "show must go on" speech from her deathbed, reuniting the fragmented family. Reportedly, The Royal Family angered Ethel Barrymore to the point of a threatened lawsuit. She need not have worried; despite the histrionic excesses of the Cavendishes in The Royal Family of Broadway, these ersatz Barrymores are depicted with amusement and affection. ~ Hal Erickson, All Movie Guide

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Starring:
Ina ClaireFredric March, (more)
1929  
 
The Trespasser was Gloria Swanson's first all-talking picture. All talk is right. Swanson plays a humble secretary who marries the son (Robert Ames) of a domineering millionaire (William Holden--no, not that William Holden). The father-in-law bullies Swanson into giving up his son; she agrees to step out of his life, proudly withholding the fact that she's about to become a mother. Later, Swanson enters her ex-husband's social class via an inheritance. Unfortunately, he's remarried to Kay Hammond, who is crippled and thus more needful of the man's love and comfort than self-reliant Swanson. Tearfully, Swanson gives up the man she loves, left only with her child and a bulging bank account. When Trespasser was remade by director Edmund Goulding as That Certain Woman with Bette Davis in 1937, a last-minute happy ending was tacked on--if one can call the death of wife number two a joyous event. As for the original film, Gloria Swanson proved (contrary to the popular belief engendered by Sunset Boulevard) that she could have been just as big a star in talkies as she'd been in silents (she even sings well); unfortunately her subsequent judgment in screenplay selection resulted in a string of flops. ~ Hal Erickson, All Movie Guide

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Starring:
Gloria SwansonRobert Ames, (more)

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