Mario Gallo Movies

On convalescent leave on his birth-island off Dalmatia, Franco (Marco Leonardi), a Croatian-speaking soldier in the Italian army, sees things that cause him to question his loyalty to the Italian rulers in the area. Thus, he does not think too harshly of the local children's efforts to sabotage the Italian army, and he seeks the wisdom of his older mentor Simeone (Omero Antonutti). From him, he hears the story of another young man who, in the time of World War I, faced a similar dilemma. Emidio (Raoul Bova), the other young man, was a soldier in the Austrian army (Austria ruled the island at that time). Prompted perhaps by a love affair, he was killed while attempting to desert to the Italian side. This film is in Italian. ~ Clarke Fountain, All Movie Guide

This made-for-television film Voyage of Terror: The Achille Lauro Affair chronicles the true story of the 1985 hijacking of an Italian cruise ship by a group of Palestinians. Voyage of Terror is primarily told through the viewpoint of Leon and Marilyn Klinghoffer (Burt Lancaster and Eva Marie Saint), an elderly couple who happen to be on board during the hijacking, yet the film also follows the ordeals of other hostages and the terrorists themselves, who are led by Joseph Nasser in a compelling performance. Voyage of Terror was shot on the actual Achille Lauro cruise ship and was originally aired as a two-part mini-series. ~ Stephen Thomas Erlewine, All Movie Guide

Sam Firstenberg directs Sho Kosugi in the martial arts action film Revenge of the Ninja. Kosugi plays a former ninja assassin whose family is killed by other ninjas. He begins life anew in America, but unexpectedly comes to work for drug traffickers who he must face off against. ~ Perry Seibert, All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

Saverio is a young man with ambitions different from those of his father. Unfortunately, his father is a disciplinarian and a school educator who insists that his son should follow in his own footsteps. When the boy misses an examination which would qualify him for a teaching post, the pair have a long-delayed confrontation. ~ Clarke Fountain, All Movie Guide

The Incredible Hulk, the live-action TV series based on the popular Marvel Comics character, was preceded by a 2-hour TV-movie pilot. Bill Bixby stars as Dr. David Banner (Bruce Banner in the original comic books), a scientist whose experimentation with gamma rays has a most dramatic effect. Whenever his anger is aroused, Dr. Banner turns into a huge, green, rampaging monstrosity called the Hulk (played by bodybuilder Lou Ferrigno). Unjustly accused of being a criminal in his "Hulk" guise, Dr. Banner is forced to take it on the lam. In Fugitive fashion, the subsequent series found Dr. Banner and his alter-ego Hulk helping people in distress. Written, produced and directed by Kenneth Johnson, the Incredible Hulk pilot was first broadcast November 4, 1977. ~ Hal Erickson, All Movie Guide

A pre-One Day at a Time Mackenzie Phillips guest stars as Mindy, a runaway teenager. Undercover cop Tony Baretta (Robert Blake) manages to catch up to Mindy and to handcuff himself to the girl. Anxious to return to headquarters, Baretta and Mindy clamber into a police squad car and ask the uniformed drivers for a lift. Unfortunately, the two "cops" at the wheel turn out to be a pair of homicidal holdup men (played by Strother Martin and Gary Busey). ~ Hal Erickson, All Movie Guide

Based on the story by Mikhail Bulgakov, this Italian film tells the story of Preobrazhensky (Max Von Sydow), a surgeon, who is a professor of medicine in Moscow. Because he occupies a "big" 5-room apartment, after the Russian revolution is thoroughly in place, he is visited by the housing committee, who feels that he should share this spaciousness with several others. In an experiment he implants a dog with the heart and brain of a tramp. The dog gradually transforms into a man (Cochi Ponzoni), but still has some doggy attitudes: for instance, in the original story he chooses to call himself Sharikov (in the film he is called Bobikov). Since Sharik is a common Russian dog name, just as "Rex" might be in the West, it is clear where the man-dog's sympathies lie. Bobikov becomes associated with the local Party officialdom, and begins to terrorize the professor and his assistant, Dr. Bormental (Mario Adorf). After he becomes a member of the housing committee, he wangles a room in the professor's apartment. And after becoming a member of a state committee to deal with stray animals, Bobikov refuses to allow dogs to be killed, only cats. Bulgakov's works were very hard to find in Russia. After perestroika people began reading them for the first time, and were amazed to discover how daringly he criticized the emerging Soviet system. This Italian production is perhaps not the most successful realization of the story: a Russian TV version was made in 1987. ~ Clarke Fountain, All Movie Guide

Aloha, Bobby & Rose was conceived and promoted as a contemporary Bonnie and Clyde. Paul LeMat plays Bobby, an auto mechanic, while Diane Hull is Rose, a car-wash jockey; the two fall in love and dream of heading off to Hawaii, hence the title. Responsible for an accidental homicide, Bobby and Rose are then forced to take it on the lam. ~ Hal Erickson, All Movie Guide

Of the two rape-oriented TV movies of the 1973-74 season, A Case of Rape, first telecast February 20, 1974, is far and away the finer film (the other was the compelling but contrived Cry Rape). Elizabeth Montgomery stars as a housewife who is sexually assaulted not once but twice by a so-called family friend (Cliff Potts). The rape is only the beginning of a long cycle of humiliation and self-doubt: the investigating police are dismissive of Montgomery's charges, the female defense attorney (Rosemary Murphy) tries to put the victim on trial, and Montgomery's reputation and marriage (to Ronny Cox) are irrevocably damaged. Though things don't go well for her in the courtroom, Montgomery emerges from the experience a stronger and more self-reliant person, unwilling to allow herself to be destroyed by outside influences. Don't miss the final confrontation between raper and rapist after the trial--an underplayed but bone-chilling vignette. Had not Cicely Tyson sewn up the Emmy with The Autobiography of Miss Jane Pittman, Elizabeth Montgomery would certainly have copped the prize with A Case of Rape. ~ Hal Erickson, All Movie Guide

Set in the time of Garibaldi's revolutionary efforts to free and unify Italy (1860s), this Italian film brings to the screen the story of a Sicilian participant in the town of Bronte. The story pits two kinds of revolutionaries against one another: idealists, and land-grabbers. When the townspeople execute their local rulers, Garibaldi sends a general to restore order. Ironically, the ones arrested and punished are the moderates who were against the slayings. This film was shot on location in Yugoslavia rather than Sicily. ~ Clarke Fountain, All Movie Guide

After his pioneering independent film Shadows (1960), actor/writer/director John Cassavetes made his major studio directorial debut with this gritty, low-key drama about jazz musicians. Bobby Darin plays John "Ghost" Walefield, a pianist who scuffles from gig to gig with his band, trying to keep body and soul together without betraying his muse. Ghost's agent Benny (Everett Chambers) introduces him to Jess (Stella Stevens), a would-be singer who looks beautiful, even though her voice is fair at best. Ghost falls hard for her and agrees to put her in the band, though it's hard to say if he believes in her musical talent or just wants her companionship. Ghost and his band score a record deal thanks to Jess' presence, but after a humiliating fight in a pool hall and Ghost's discovery that Jess occasionally turns tricks to pay the rent, he puts his integrity up for sale, fires his band, and starts spending his time with a rich woman who likes to hang out with musicians -- and is willing to pay for the privilege. A number of real-life jazz greats appear onscreen and on the soundtrack, including Slim Gaillard, Benny Carter, and Shelly Manne; the role of Ghost was originally written for Montgomery Clift, who was forced to back out at the last minute, leading to Bobby Darin's casting. ~ Mark Deming, All Movie Guide

Ruth Roman proves the old adage about "the female of the species" in the role of ruthless mob wife Georgie Drake. A clever businesswoman, Georgie is the real brains behind the heroin-trafficking racket overseen by her husband Nick Dolov (Grant Richards); all she asks in return is Nick's total and unquestioning fidelity. Alas, Dolov has a yen for sexy showgirl Marian Keyes (Anne Helm), prompting Georgie to take out a contract on her own husband. But though she is able to keep Elliot Ness (Robert Stack) off her trail, Georgie hadn't figured on the vengeful determination of her rival Marian--nor the eleventh-hour treachery of her hired torpedo Maxie (Jay Adler). ~ Hal Erickson, All Movie Guide