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Antonio Gades Movies

1986  
 
El Amor Brujo is a filmed record of the little-known Spanish ballet by Manuel de Falla. The plot involves two gypsies, male and female, who are united in an arranged marriage. Each loves someone else, a circumstance that results in a fatal knife duel. The climax of the ballet involves the girl's torn loyalties between the ghost of her dead husband and her living lover. Antonio Gades, Cristina Hoyos, Laura del Sol and Juan Antonio Jimenez are the principal dancers in this well-photographed oddity. El Amor Brujo was the third in director Carlos Saura's flamenco trilogy, preceded by his far more successful Blood Wedding (1981) and Carmen (1983). ~ Hal Erickson, Rovi

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Starring:
Antonio Gades
 
1984  
PG  
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Georges Bizet's 1875 opera about Carmen, the colorful cigarette factory worker whose flirtations with the soldier Don José are forgotten in her love for the matador Escamillo, is the source for director Francesco Rosi's cinematic version of the same story. Plácido Domingo sings the part of Don José, Julia Migenes-Johnson sings Carmen, and Ruggero Raimondi is Escamillo. Although there is nothing to fault in the singing itself, some viewers may feel that director Rosi has stayed closer to a stage production than the medium of film would warrant. Carmen received the 1984 Cesar award for "Best Sound." ~ Eleanor Mannikka, Rovi

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Starring:
Julia MigenesPlácido Domingo, (more)
 
1983  
 
Director Carlos Saura's Carmen develops a fictional story revolving around the rehearsals of Georges Bizet's opera about the brash and colorful cigarette factory woman and her dalliance with the soldier Don José, and eventual love for Escamillo, the bullfighter. Saura introduces exciting flamenco dance scenes and a love story between Antonio (Antonio Gades), the choreographer of the opera, and the actress playing Carmen, Laura del Sol. Joan Sutherland and Paco de Lucía also perform segments from Bizet's 1875 opera. The mix of magical choreography, rousing flamenco dances, and operatic insertions as well as the tongue-in-cheek parodies of the French opera and foreign stereotypes of Spaniards keeps most viewers well entertained throughout. Saura's Carmen won an award for "Artistic Contribution" and for "Technical Achievement" at the Cannes Film Festival in 1983, another award for "Technical Achievement" at the 1983 Venice Film Festival, and the "Best Foreign Language Film" award at the 1984 British Academy Awards. It was the second in a trilogy of films choreographed in a similar style by Antonio Gades. ~ Eleanor Mannikka, Rovi

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Starring:
Antonio GadesLaura del Sol, (more)
 
1981  
 
Federico Garcia Lorca's revenge play Blood Wedding was adapted into a flamenco-ballet by Alfredo Manas. This piece, in turn, was committed to film by director Carlos Saura. Rather than adopt the usual soft-focus, "in performance" approach to his material, Saura aims his camera at a dress rehearsal, where the actors perform upon a bare stage. Choreographer and principal dancer Antonio Gades is interviewed backstage, as are several of his troupe members. Many consider Blood Wedding to be among the best dance films ever made. ~ Hal Erickson, Rovi

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Starring:
Antonio GadesChristina Hoyos, (more)
 
1978  
 
At the end of the Spanish Civil War (1936-39), there was still some resistance from small groups hiding in Spain's numerous small rural mountain regions. In this story, Juana is a schoolteacher who misses her lover, one of those hold-out guerillas who is hiding in the hills to continue fighting the Guardia Civil. She takes a school-teaching job in a remote area of the Santander Province in order to have a chance to see him once more. ~ Clarke Fountain, Rovi

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Starring:
MarisolAntonio Gades, (more)
 
1969  
 
Forntunata (Emma Panella) is the working class girl employed in a market place who falls for the wealthy Juan (Maximo Valverde). His family discourages the relationship, and he yields to pressure by marrying Jacinta (Liana Orfei), daughter of a wealthy noble. The heartbroken Fortunata tries to win Juan back, but she relents and marries another man. He meets her again after many years and they rekindle their affair. For Juan, it is merely another sexual conquest, but Fortunata carries the memory of their affairs in her heart for the rest of her life in this romantic drama of unrequited love. This film captured several international awards upon its initial release in 1969. ~ Dan Pavlides, Rovi

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Starring:
Emma PanellaMaximo Valverde, (more)
 
1967  
 
This tragic drama is based on the ballet by famed composer Manuel De Falla. A young woman is caught between the violent struggle of two rival suitors who love her passionately. Candelas (La Polaca) is pursued by kind-hearted Antonio (Antonio Gades) and the evil diablo Diego (Rafael Cordova). Lucia (Morucha) is the cryptic gypsy fortune teller, with Fernando Sanchez Polack as Caldelas' beloved father. ~ Dan Pavlides, Rovi

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Starring:
Antonio GadesLa Polaca, (more)
 
1965  
 
Sebastien Antonio Gardes is a young rebel who longs to find a cause to fight for in this Spanish crime drama. He is forced into hiding after he accidently kills a policeman. Sebastien continues his fruitless search for help and finds no one willing to take the risk. He considers giving himself up after he realizes no one will help him. A few flamenco dances and some pretty scenes of the Spanish countryside are the highlights of the film. ~ Dan Pavlides, Rovi

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Starring:
María José Alfonso
 
1964  
 
20th Century-Fox gussied up its 1954 hit Three Coins in the Fountain for the 1960s, and the result was The Pleasure Seekers. Three American girls in search of wealthy husbands head to Madrid. Ann-Margaret is an aspiring performer, Carol Lynley is a secretary, and Pamela Tiffin is an art student. Ann-Margaret ends up with a Spanish doctor (Andre Lawrence), Carol with an American journalist (Gardner McKay), and Pamela with a man of noble birth (Anthony Franciosca). Gene Tierney, once a leading lady at 20th Century-Fox, takes a back seat to the studio's new starlet crop in a glorified "guest star" stint. ~ Hal Erickson, Rovi

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Starring:
Ann-MargretAnthony Franciosa, (more)