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Jun Fukuda Movies

1975  
 
In this Japanese-made sci-fi/action thriller, Interpol has nothing on ESPY, an elite international law-enforcement agency. Its members have supernormal powers, including telepathy and clairvoyance. Discerning a pattern to the series of political assassinations which have rocked the world, ESPY dispatches its best agents to Istanbul, to counter the efforts of an anti-ESPY organization, masterminded by Ulrov (who has super-powers himself), before the Prime Minister of Baltonia is killed. The combined force of the battling telepaths causes natural disturbances around the world including earthquakes and auroras. ~ Clarke Fountain, Rovi

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Starring:
Hiroshi FujiokaKaoru Yumi, (more)
 
1972  
PG  
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One of the cheapest entries in Toho's Godzilla franchise, this alternately noisy and talky entry finds yet another batch of goofy-looking insectoid aliens plotting to conquer humanity -- from their headquarters deep within a Godzilla theme park! -- using the double-team monster threat of Gigan (a metallic bird-creature with a handy table saw in his belly) and the three-headed Ghidorah. It is somehow apropos to the movie's comic-book premise that the nominal human "hero" is a washed-up cartoonist, who teams up with his equally-ineffectual pals (not counting his butt-kicking girlfriend). Eventually it is left to the Big G to square off against the extraterrestrial foes, with the occasional (but mainly inadequate) aid of Angilus for some tag-team wrestling action (which ranks among the silliest in Toho history). The paltry budget is also quite apparent this time out, as indicated by frequent use of recycled footage from previous monster films, particularly Destroy All Monsters. The film's only real highlight comes in the form of a plot twist which grants Godzilla his first speaking role. ~ Cavett Binion, Rovi

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Starring:
Yuriko HishimiTomoko Umeda, (more)
 
1974  
PG  
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This time, the overgrown-lizard hero is confronted by a mechanical doppelganger, courtesy of an army of extraterrestrial apes. Unable to best his metallic twin in combat, Godzilla seeks out the aid of Okinawan monster god King Seeser. The film is peppered with moments of humor; so much happens in the final reel that one is disappointed not to see the kitchen sink. After the TV popularity of The Six Million Dollar Man and The Bionic Woman, Godzilla vs. Mechagodzilla was rechristened Godzilla vs. the Bionic Monster. ~ Hal Erickson, Rovi

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Starring:
Masaaki DaimonKazuya Aoyama, (more)
 
1973  
 
Japan's Toho Studios were clearly slumming for this crudely fashioned installment in the Godzilla franchise -- a clear indication that the series was running out of creative steam and lapsing into self-mockery. The threadbare plot involves the advanced subterranean nation of Seatopia, whose leaders plan to take over the surface world with the aid of their monster Megalon, a springy cockroach-monster with a power drill mounted on his head. To this end, they steal the robot Jet Jaguar, an Ultraman look-alike invented by the amiable Goro (Katsuhiko Sasaki), to help guide Megalon's assault. Goro manages to regain control of the robot, who is capable of enlarging himself to Godzilla-like proportions, but remains ineffectual against the big bug, particularly after the Seatopians enlist the off-world aid of Gigan, the buzzsaw-sporting bird-beast. Goro sends Jet Jaguar to fetch Godzilla, who soon puts things right... more or less. Silly effects and recycled footage abound, coupled with some seriously nutty monster battles -- the highlight of which comes when the Green One executes a massive drop-kick on Megalon. The film got its U.S. premiere in 1977 in a drastically-cut version on prime-time television, which included a bumper segment featuring John Belushi in a Godzilla suit! ~ Cavett Binion, Rovi

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Starring:
Katsuhiko SasakiHiroyuki Kawase, (more)
 
1966  
PG  
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The seventh film in Toho's Godzilla series (and the first without the direction of Inoshiro Honda), this colorful installment finds the natives of a volcanic island enslaved by the armies of an unnamed country claiming to be in control of a giant crustacean named Ebirah. A boatload of teens and a wanted criminal are washed ashore on the same island, where they encounter a large group of escaped slaves who hail from Mothra Island, home of another popular Toho monster. They pray to their moth-god to liberate them, oblivious to the fact that a certain green lizard is trapped beneath their cavern hideout. The teens soon discover this and release Godzilla from the rock with a well-placed lightning rod. Released and re-energized, Godzilla soon goes head-to-head with Ebirah, while Mothra eventually flaps into action to free the captives. Silly and cartoonish despite some more menacing elements, this is nevertheless one of the more interesting chapters in the Godzilla pantheon. ~ Cavett Binion, Rovi

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Starring:
Akira TakaradaToru Watanabe, (more)
 
1967  
PG  
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The Japanese gargantuan reptile fathers a son who is a chip off the old eggshell. The men of the family take on oversized mantises and arachnids in this exotic sci-fi adventure. ~ Kristie Hassen, Rovi

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1967  
 
In this moral drama, the captain of a Japanese trawler must make a difficult decision. The story begins as the boat returns to port after yet another unsuccessful fishing expedition. The company that he works for is most upset and on his next trip, assigns a company official to supervise their procedures. The captain is most displeased with his new passenger, but eventually comes to respect him. Finally, they discover an enormous school of fish. Just as they are bout to haul it in, the captain receives a distress signal from a foundering yacht. Now he must decide: the fish, or the people aboard the other boat? ~ Sandra Brennan, Rovi

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1961  
 
The Japanese Secret of the Telegian features Koji Tsurata as a reporter and Akihiko Hirata as a detective, both investigating a series of interrelated murders. All the victims had been in on a wartime scheme to steal a fortune in gold. The killer (Tadao Nakamaru) also one of the thieves, has stumbled upon a scientific discovery that enables him to reduce himself to mere particles, thereby enabling him to escape without detection. The murderer utilizes a transmission machine to ship himself from one place to another--so long as the machine is kept in a state of "4.2 degrees below zero." The villain's complex scheme to eliminate his old comrades in crime and claim the gold for himself comes to grief when his marvelous machine malfunctions. Our question: if Nakamaru is in possession of a revolutionary machine that could potentially net him billions in marketing, why does he bother with such mundane matters as murder and theft? ~ Hal Erickson, Rovi

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1977  
 
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This Japanese-American co-production is set sometime in the near future. The United Nations Space Bureau sends its star vessels to the treacherous terrain of Venus. The traveller's initial encounters with the Venusians do not bode well for a lasting peace. However, when another planet invades the 2nd rock from the sun, Earthlings and Venusians band together to ward off their common foe. Kensaku Marita, Yuko Asano and Ryo Ikebe top the cast. ~ Hal Erickson, Rovi

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1977  
 
In this Japanese sci-fi adventure Earthly space explorers engage in a deadly battle with an alien ship just outside the atmosphere of Venus. The fate of our planet hangs in the balance. ~ Sandra Brennan, Rovi

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1965  
 
In this crime drama, Hong Kong morphine smugglers successfully ply their trade until an intrepid detective begins investigating. ~ Sandra Brennan, Rovi

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Starring:
Tsutomu YamazakiAkira Takarada, (more)
 
1969  
 
In this Japanese drama, recent university graduate Young Guy makes a bad impression when he is late on his very first day at his new company because he had to help an old man and his daughter find a cab. Fortunately, his employers accept his excuse. Later, the Young Guy meets a girl and a friend who works with a rival company. Both men want this girl. Later, a highly valued customer suddenly cancels his contract and the new man must look into a complaint about defective motors. He and his friend from the rival company investigate together and go to the home of the unhappy customer. They meet the customer's daughter and realize that each can use her to get at the customer. When the girl learns of their conspiracy, she gets jealous. In the end she meets with both rivals, but chooses Young Guy as her man. ~ Sandra Brennan, Rovi

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1969  
 
In this sequel to Young Guy Graduates, Young Guy has become a sales engineer for a Japanese auto company and lives in Sydney, Australia. When a former schoolmate comes to visit, poor Young Guy is so busy that he cannot show him the sights. Instead he asks a good friend to take the visitor around. The tourist soon falls in love with his guide, who is really in love with Young Guy. Later, the salesman is sent back to Japan where he sees his father, who is starting a restaurant. Though it is not going well, his father still has time to woo the lovely owner of a nearby boutique. Young Guy meets a Young Gal who works for a company promoting development in New Zealand. He falls head over heels for her. The trouble is, his Australian girl shows up to be with him and the young gal jilts him. Later he is sent to New Zealand and must work beside Young Gal. Eventually their love overcomes all and upon Mt. Cook, they proclaim their undying love. ~ Sandra Brennan, Rovi

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