Tak Fujimoto Movies

Lady in the Water director M. Night Shyamalan puts PG-13 suspense on pause to tell this grim apocalyptic tale about a family fleeing a natural disaster that poses a grave threat to the whole of humanity. Philadelphia high-school science teacher Elliot Moore (Mark Wahlberg) is discussing the disappearance of the bees with his students when the staff is summoned to the theater and briefed about a mysterious event that is currently unfolding in New York City. According to reports, citizens in the vicinity of Central Park have suddenly and inexplicably begun seizing up just before killing themselves by whatever means are at their disposal. As the phenomena begins to spread and talk of terrorism fills the airwaves, Elliot, his wife, Alma (Zooey Deschanel), their friend Julian (John Leguizamo), and his daughter, Jess (Ashlyn Sanchez), board a train bound for the presumed safety of the country. When the train screeches to a halt before arriving at its final destination, however, the frightened passengers are forced to fend for themselves as each consecutive news report paints an increasingly grim picture of the situation in more urbanized areas. Theories abound on what could be causing the unexplainable rash of suicides, but the only thing that everyone seems to agree on is that it's some kind of airborne contagion that is carried in the wind. It would appear that humankind's reign on planet Earth has come to an end, but perhaps if this small band of survivors can find a safe place to lie low until this all blows over, all hope for survival of the species might not be lost just yet. ~ Jason Buchanan, All Movie Guide

Emmy Award-winning director Tom Hopper takes the helm for this epic, seven-part miniseries produced by Playtone's Tom Hanks and Gary Goetzman, and presenting American history as seen from the perspective of fiercely independent founding father John Adams (Paul Giamatti). Based on author David McCullough's Pulitzer Prize-winning biography, the film tells the tale of a leader whose remarkable vision helped to guide a burgeoning republic through an especially tumultuous period. Thanks to the tireless support of his loving wife Abigail (Laura Linney), and lifelong friendship with political rivalry Thomas Jefferson (Stephen Dillane), John Adams rose to prominence as the spokesman for the American independence movement before moving on to become America's first ambassador to Holland and England, the first American Vice President, the second American President, and the father of the sixth American President. As with McCullough's best-selling biography, the film draws on a comprehensive collection of letters, diaries, and family papers in order to create the most accurate representation of Adams' life and achievements ever captured on film. ~ Jason Buchanan, All Movie Guide

First-time filmmaker Omar Naim writes and directs the sci-fi drama The Final Cut. Set in the near future, the story concerns a microchip that is capable of recording a person's entire life. Robin Williams plays Alan Hakman, an editor who cuts together the footage to make pleasant movies for funerals. Tormented by his job and his own memories, Alan also has a troubled romantic relationship with bookseller Delilah (Mira Sorvino). While looking through footage for his next project, Alan discovers a man whom he believes is from his own past. Meanwhile, former editor Fletcher (James Caviezel) wants the footage for his own purposes. The Final Cut was shown at the Berlin Film Festival in 2004. ~ Andrea LeVasseur, All Movie Guide

Following the smash hit The Sixth Sense (1999) and the under-performing follow-up Unbreakable (2000), directing phenom M. Night Shyamalan returns to the summer box office landscape that served as the backdrop for his cinematic breakthrough. In Signs, another paranormal outing for the writer-director, Shyamalan explores the eerie implications of a 500-foot crop circle that mysteriously appears on the Bucks County, PA farm of reverend Graham Hess (Mel Gibson). As Hess and his family (Joaquin Phoenix, Rory Culkin, Abigail Breslin) try to take stock of what the sign means, and how its message incorporates into their faith, they start to get the feeling they are not alone in the fields behind their house. Shyamalan re-teams with producers Frank Marshall, Sam Mercer and Kathleen Kennedy, and produces the project in association with his Blinding Edge Pictures banner and Touchstone Pictures. ~ Derek Armstrong, All Movie Guide

The 1987 National Football League players' strike inspired this sports-themed comedy. The Washington Sentinels are one of the strongest teams in pro football -- until contract negotiations break down and the Sentinels go on strike. Determined to play the team's schedule, owner Edward O'Neil (Jack Warden) recruits a ragtag band of scab players, to be headed up and whipped into shape by the retired veteran coach Jimmy McGinty (Gene Hackman). At the top of the recruitment list is quarterback Shane Falco (Keanu Reeves), a promising athlete until a catastrophic defeat in the Sugar Bowl dashed his confidence. Joining Falco on the team are Clifford Franklin (Orlando Jones), a receiver who can't catch the ball; Nigel Gruff (Rhys Ifans), a chain-smoking Welsh soccer player; Bateman (Jon Favreau), a former cop with anger management problems; Fumiko (Ace Yonamine), a sumo wrestler new to football; and Wilkinson (Michael Jace), a convict on parole to the Sentinels. Can McGinty mold his new squad of misfits and no-hopers (who truly love the game) into a winning team? Brooke Langton plays Annabelle, head of the Sentinels' cheerleading squad (who has to contend with replacements of her own), and football commentators John Madden and Pat Summerall appear as themselves. ~ Mark Deming, All Movie Guide

Jonathan Demme directed this adaptation of Toni Morrison's fact-based fifth novel (winner of a 1988 Pulitzer Prize), written in an experimental stream-of-consciousness flow and capturing the impact and aftermath of slavery on the human soul. In 1873, middle-aged Sethe (Oprah Winfrey) lives near Cincinnati with her teenage daughter, Denver (Kimberly Elise). She gets a surprise visit from her old friend Paul D (Danny Glover), whom she knew when they were both slaves on the Kentucky plantation Sweet Home. Paul D moves in, and a number of mysteries are introduced, including Sethe's memories of her dead older daughter and the fact that Sethe has been abandoned by her husband, two sons, and Denver's grandmother, Baby Suggs (Beah Richards). When a feral, insect-covered, stuttering teenager (Thandie Newton) turns up at Sethe's house, she is nursed back to health by Denver and called "Beloved." Violent flashbacks begin to explore shocking episodes from Sethe's past. (The film is rated R "for violent images, sexuality and nudity.") Hints of the supernatural surface as the question arises -- could Beloved be Sethe's older daughter, back from the dead? This film was a pet project of producer-star Oprah Winfrey, who spent over a decade bringing this work to the screen after she bought the film rights in 1987. With titles fashioned by leading poster/titles designer Pablo Ferro and music by Rachel Portman, director Demme filmed in a variety of locations, including Pennsylvania (Philadelphia Civic Center, Lancaster's Landis Valley Museum), Maryland (Fair Hill Natural Resources Area), and Delaware (Old New Castle). ~ Bhob Stewart, All Movie Guide

Tom Hanks made his directorial debut in this bright comedy set in the mid-1960's about a rock group and their brief fling with fame. Guy Patterson (Tom Everett Scott) works as a salesman at his father's appliance store and plays the drums in his spare time, fancying himself a jazz musician. One day, a buddy of Guy's tells him a local rock band, The One-Ders (it's pronounced "wonders"), are in need of a drummer -- they have Battle of the Bands coming up and their usual timekeeper has broken his arm. Guy agrees to sit in, but when it's time to play their best original, a love ballad called "That Thing You Do," Guy lays in a sharp, driving beat that turns the tune into an uptempo pop-rocker. Lead singer Jimmy (Johnathon Schaech) isn't happy at first, but guitarist Lenny (Steve Zahn) and the nameless Bass Player (Ethan Embry) think the song sounds better that way -- and they notice the girls like it just fine. Soon people are actually requesting the song at their shows, and the One-Ders scrape together some money to press a single of "That Thing You Do" to sell between sets. A DJ puts the song on the radio, and opportunity knocks in the form of Mr. White (Tom Hanks), who works for the very major Play-Tone Records label. Play-Tone buys the rights to "That Thing You Do" and puts the band on the road as their song makes it way to the top of the national charts. But what can The Wonders (as Play-Tone have re-named them) do for an encore? And what should Guy do about his infatuation with Jimmy's girlfriend, Faye (Liv Tyler)? Real-life 60's obsessed rocker Chris Isaak has a small part as a recording engineer, and fans of real 60's garage bands will appreciate the wealth of small, accurately observed details (for example, halfway through the film, when a few "That Thing You Do" royalty checks have presumably kicked in, the band's inexpensive Danelectro guitars disappear and the Wonders are suddenly playing on brand new Fender gear -- the height of rock style in 1965). ~ Mark Deming, All Movie Guide

In this sequel to the surprise hit Grumpy Old Men, life goes on much as it usually does in Wabasha County, Minnesota, with the only notable differences being that John Gustafson (Jack Lemmon) and Max Goldman (Walter Matthau) are getting along all right (or at least to the extent that they're capable of getting along with each other), and that John's marriage to free-spirited Ariel (Ann-Margret) is working out quite nicely. John and Max's great obsession in life remains fishing, and both are vying to reel in "Catfish Hunter," a trophy fish that local anglers have been trying to catch for ages. However, Max is outraged when Maria Ragetti (Sophia Loren) and her mother Francesca (Ann Morgan Guilbert) arrive in town and take over the local bait and tackle shop, only to announce that they're going to close it down and open an Italian restaurant in its place. Max goes to remarkable lengths to foil Maria's plans, but John thinks that his friend needs a wife, and that Max and Maria might make a good match. Grandpa Gustafson (Burgess Meredith) seems to think he'd be a good mate for Francesca, but then again he's not known for being very fussy about women. John's daughter Melanie (Daryl Hannah) and Max's son Jacob (Kevin Pollak) are trying to work out their own plans to get married, and they might just make it to the altar if John and Max can stop interfering. Grumpier Old Men proved to be the last role for veteran actor Burgess Meredith, who died two years after it was released. ~ Mark Deming, All Movie Guide

Gladiator is the kind of boxing movie that goes that extra mile -- a self-loathing boxing saga that relishes in bare-knuckled sucker punches, illegal eye-rubs, and gentlemen boxers who obey the Marquis of Queensbury rules by drop-kicking opponents when the are not only down but unconscious. James Marshall plays Tommy Riley, a Windy City high school student conned into participating in the illegal underground boxing arenas of the South Side of Chicago. In high school, Tommy was a prize boxer, and this skill comes in handy when his Father (John Heard) runs up a large gambling debt. When a sleazy boxing manager (Robert Loggia) spots Tommy defending himself during recess, he offers him quick money to box. Tommy, although he hates the sport, readily agrees, thinking his winnings will help his father pay off his debts. He quickly comes under the thumb of unscrupulous boxing promoter Horn (Brian Dennehy), who is involved in fight-fixing and dirty fighting. Manipulating the odds and exploiting his boxers make Horn rich and more venal. In the rancid environment, Tommy befriends another fighter, Lincoln (Cuba Gooding Jr.), a black fighter who sees fighting as his way out of poverty. Inevitably, Horn arranges for the two friends to duke it out in the ring together. ~ Paul Brenner, All Movie Guide

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, All Movie Guide

Based on the late Charles Willeford's series of hard-boiled crime novels featuring Miami cop Hoke Moseley, the Jonathan Demme-produced Miami Blues opens with the prison release of Frederick Frenger Jr. (Alec Baldwin), a deranged killer who has barely de-boarded his plane before he's killed a Hare Krishna in the airport. Checking into his hotel, Frenger meets up with Susie Waggoner (Jennifer Jason Leigh), a young prostitute with dreams of domestic life, and the two quickly become romantically involved. Meanwhile, the Hare Krishna murder case is given to Moseley (Fred Ward), a grizzled vet who vows to hunt down Frenger, but may be getting too long in the tooth for the demands of his job. ~ Matthew Tobey, All Movie Guide

Cocoon 2: The Return, like most sequels, relies a bit too heavily on one's familiarity with the first film. Without dwelling too long on Cocoon #1, we can observe that it ended with a group of senior citizens heading for the distant planet of Antarea, hoping to find a new, rewarding and elongated life. Cocoon 2 picks up the action five years later: The Antareans return to earth to check on the damage caused to their life-regenerating cocoons by earthquakes. Coming along for the ride are the elderly couples whom we met in the first film. Also carried over from the first Cocoon are young ferryboat captain Steve Guttenberg and gorgeous Antarean Tahnee Welch, who resume their interplanetary romance. Oldster Jack Gilford, whose beloved wife died in Cocoon, likewise finds romance in the form of Elaine Stritch. A secondary plot involves an insidious secret government plan to exploit the Antareans, which is foiled by sympathetic researcher Courteney Cox. ~ Hal Erickson, All Movie Guide

Michelle Pfeiffer is Married to the Mob in this comedy. The wife of Mafia hitman Alec Baldwin, Pfeiffer regularly chastizes her husband for his underhanded line of work. Baldwin refuses to entertain any thoughts of quitting the mob-and besides, he's got a good thing going with Nancy Travis, the promiscuous girl friend of gang boss Dean Stockwell. When Stockwell catches on to Travis' peccadilloes, he murders both his mistress and the unlucky Baldwin. At Baldwin's funeral, Stockwell is overwhelmed by Pfeiffer's beauty, and immediately begins plying her with expensive gifts. But Pfeiffer is through with this sort of thing, and with her young son in tow, she leaves town, hoping to start life anew. Upon making the acquaintance of bumbling, seemingly sincere Matthew Modine, Pfeiffer is convinced that Modine is just another mob flunkey. But it's even worse: Modine is an FBI agent, ordered to get to Stockwell by using Pfeiffer as bait. Reluctantly (he's grown quite fond of her himself), Modine blackmails Pfeiffer into setting up a rendezvous with Stockwell. ~ Hal Erickson, All Movie Guide