Chiu Fu-Sheng Movies
Noted Hong Kong director Johnny To creates this Chinese Western set in Macao. Lau Ching-wan plays Michael Cheung, a triad member and newly released ex-con, who is trying to track down his wife and the $2,000,000 she stole. On the way, he runs into lonely workaholic Judy (Ruby Wong), who lives with her young son. Gun-shy, the two adults slowly edge toward something like a relationship, until outside events complicate matters. Where a Good Man Goes was screened at the 1999 Pusan Film Festival. ~ Jonathan Crow, All Movie Guide
- Starring:
- Lau Ching-Wan, Ruby Wong, (more)
Veteran Hong Kong director Johnnie To spins this wild, kinetic crime thriller. Following a failed assassination attempt on his life, crime boss Lung (Ko Hung), instructs his henchman Frank (Simon Yam) to find the villain behind the plot. Frank soon hires a quintet of hired guns to guard the boss, including the laconic Curtis (Anthony Wong), the flinty Roy (Francis Ng) and his protégé Shin (Jackie Lui), the haggard Mike (Roy Cheung), and firearms expert and peanut enthusiast James (Lam Suet). The group manages to thwart three attempts on the old man's life -- one from a sniper, a second in a shopping mall, and the third in an old warehouse -- until they figure out that rival crime boss Fat Chung (Wong Tin-lan) had order the hit. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, All Movie Guide
- Starring:
- Anthony Wong, Francis Ng, (more)
Zhang Yimou, often regarded as China's leading contemporary filmmaker, directed this drama chronicling the ebb and flow of one family's fortunes, set against the backdrop of China's tumultuous history between the 1940s and the 1970s. Fugui (Ge You) is the father of a once-wealthy family whose addiction to gambling and chronic bad luck causes him to lose his home in a game of dice with Long'er (Ni Dabong). Fugui's wife Jiazhen (Gong Li) abandons him, and he finds himself working as a peddler, until the man who now owns his home gives him a pair of shadow puppets. Fugui learns the art of puppetry and travels as a performer; while on the road, he is arrested by Nationalist forces, until he is liberated by advancing Red Army factions, and he comes him home to his wife and children as they adapt to the nation's new leadership. While once a lazy spendthrift, Fugui vows to change his ways, and he struggles to become a better worker and citizen. But Fugui and his family soon realize that there is adversity waiting for them around every corner, and the onset of the Cultural Revolution makes it clear that China's new regime can be as corrupt and callous as the old order. While a Grand Prize winner at the 1994 Cannes Film Festival and recipient of the Best Foreign Language Film award at the 1995 BAFTA Awards, Huozhe did not fare well in its homeland. Chinese censors objected to the film's commentary about political abuses in China's past, as well as Zhang Yimou's attempts to present the film at several international festivals. As punishment, he was forced to write a formal apology and was not allowed to make another film for two years. ~ Mark Deming, All Movie Guide
This Hou Hsiao Hsien masterpiece is a portrait of the childhood and adolescence of octogenarian Taiwanese puppet master and actor Li T'ien-lu, who narrates the film both off-screen and on-screen. In this second installment of a trilogy on Taiwanese life in the 20th century (City of Sadness is the first and Good Men, Good Women is the third), Li's development as an artist and husband plays out between 1908 and 1945 under the heavy hand of Japanese rule, paralleling the development of Taiwan's own political consciousness. The movie deftly shifts from a dramatization of Li's life, to Li speaking directly to the camera about his experiences, to his puppet performances in a semi-documentary style that recalls The Thin Blue Line (1988). Here, as in most of his films, Hou uses long takes and off-screen space to create a complex, richly layered meditation on personal, artistic, and national aspirations. ~ Jonathan Crow, All Movie Guide
- Starring:
- Li Tian-lu
The phenomenal success and international acclaim of Raise the Red Lantern, cemented Zhang Yimou's status as a leading figure in world cinema and reaffirmed the vibrancy of Chinese cinema. Though the film was the topic of great political controversy in China upon its release, it received armfuls of awards from Belgium, Italy, the United Kingdom and a nomination for an Academy Award.
This sumptuously photographed drama, set in Northern China in the 1920s and based on the novel Wives and Concubines by Su Tong, stars Gong Li as Songlian, the fourth wife of an elderly landlord. Songlian is a college student who has been married off by her stepmother, so it is with tremendous frustration that this woman, who had hopes of using her education to broaden her horizons, now finds herself reduced to a small enclosure at the beck and call of her husband. Despite being given a maid (Kong Lin) and luxurious surroundings, she feels trapped inside the cheerless walls. Upon her arrival, Songlian realizes that she must keep one step ahead of her rivals, the three other wives. She also learns of her husband's tradition of lighting a lantern outside of the house of the wife with whom he intends to spend the night. During the first night together with her husband, she finds he is called away to tend to his spoiled third wife (He Caifei). Songlian then becomes acquainted with his other wives -- his first wife (Jin Shuyuan), an elderly woman who ignores Songlian; the third wife, an ex-opera singer; and the second wife (Cao Cuifeng), who offers Songlian friendship and helpful advice. But it turns out that the second wife's motives are not exactly innocent--she is conspiring with Songlian's maid to undermine both the third wife and Songlian. Raise the Red Lantern is a moving exploration of power in a suffocating world of ossified tradition and naked ambition-a masterpiece of 1990s world cinema. ~ Paul Brenner, All Movie Guide
This sumptuously photographed drama, set in Northern China in the 1920s and based on the novel Wives and Concubines by Su Tong, stars Gong Li as Songlian, the fourth wife of an elderly landlord. Songlian is a college student who has been married off by her stepmother, so it is with tremendous frustration that this woman, who had hopes of using her education to broaden her horizons, now finds herself reduced to a small enclosure at the beck and call of her husband. Despite being given a maid (Kong Lin) and luxurious surroundings, she feels trapped inside the cheerless walls. Upon her arrival, Songlian realizes that she must keep one step ahead of her rivals, the three other wives. She also learns of her husband's tradition of lighting a lantern outside of the house of the wife with whom he intends to spend the night. During the first night together with her husband, she finds he is called away to tend to his spoiled third wife (He Caifei). Songlian then becomes acquainted with his other wives -- his first wife (Jin Shuyuan), an elderly woman who ignores Songlian; the third wife, an ex-opera singer; and the second wife (Cao Cuifeng), who offers Songlian friendship and helpful advice. But it turns out that the second wife's motives are not exactly innocent--she is conspiring with Songlian's maid to undermine both the third wife and Songlian. Raise the Red Lantern is a moving exploration of power in a suffocating world of ossified tradition and naked ambition-a masterpiece of 1990s world cinema. ~ Paul Brenner, All Movie Guide













