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Lee Frost Movies

Lee Frost directed really awful exploitation films in the 1970s. Prior to that he made really awful adult-oriented films during the 1960s. He also occasionally acted in his films. As a director, Frost sometimes billed himself as R.L. Frost, R. Lee Frost and David Kayne. ~ Sandra Brennan, Rovi
1994  
R  
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This erotic drama with an undercurrent of sexual politics stars Shannon Whirry as Emanuelle Griffith, a sexy supermodel who's also an outspoken feminist activist. Emanuelle is kidnapped one night by Richard Tate (Michael Christian), a deranged voyeur who floods her limousine with ether then imprisons the model in a high-tech love nest, where he intends to psychologically torture her into becoming the submissive and attentive "perfect woman." When her several attempts to escape don't work, Emanuelle decides to play Richard's sick game and uses her obvious assets to seduce and then turn the tables on her captor. In the meantime, a private eye (Bo Svenson) and an LAPD detective (Tony Burton) are searching for the famous Emanuelle, but by the time they track her down, she may no longer need any male assistance. ~ Karl Williams, Rovi

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1976  
PG  
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Two sisters (Jane Johnstone, Kathy McHaley) seek vengeance when they are evicted from their farmhouse and a gunslinging sheriff shoots down their moonshining father. ~ John Bush, Rovi

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1975  
 
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An interesting (if extremely violent) twist on the standard blaxploitation formula, this crime film deals with a black militant-group, led by Charles P. Robinson, whose members decide to clean up their Watts neighborhood by ridding it of white gangsters. Extreme mayhem follows, with slimy Caucasian hoodlums being castrated, shot, and flung from windows, but the black heroes begin overstepping their authority. Soon, they are no better than the mobsters and are even goose-stepping and chanting Nazi slogans, leading the community to revolt. Rod Perry stars, and cult pin-up queen Uschi Digart can be seen as a prostitute. ~ Robert Firsching, Rovi

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Starring:
Rod PerryCharles P. Robinson, (more)
 
1975  
PG  
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This novel fusion of car-chase film and spooky horror became a surprise box-office hit in 1975. The story begins with car enthusiasts Frank (Warren Oates) and Roger (Peter Fonda) taking their wives, Kelly (Lara Parker) and Alice (Loretta Swit), on a vacation in a recreational vehicle. Their camping trip goes horribly awry when Frank and Roger accidentally stumble upon a group of hooded cultists committing a human sacrifice. The cultists give chase and the two couples barely escape with their lives. They go to the local police for help, but the officers can find no evidence to back up the story and send the two couples on their way. As they try to continue their vacation, strange events continue to occur that culminate in four protagonists and their cultist tormentors having a brutal automotive showdown on the open road. The end result of all this genre-hopping suffers from a lightweight approach that downplays the story's darker and more interesting elements, but still manages to deliver plentiful action and a few genuine chills. As a result, Race With the Devil became an unexpected success for 20th Century Fox and remains something of a cult favorite. ~ Donald Guarisco, Rovi

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Starring:
Peter FondaWarren Oates, (more)
 
1973  
R  
Long before his tenure on TV's Magnum PI, Roger E. Mosley starred in the blaxploitationer Sweet Jesus, Preacher Man. Mosely plays a streetwise mobster who goes undercover as a ghetto clergyman. This he does at the request of his boss, who wants to get the goods on a rival. "Preacher Man" has a change of heart along the way, but not before whuppin' some butt. The fact that Sweet Jesus, Preacher Man was distributed by Metro-Goldwyn-Mayer was overlooked in the otherwise all-inclusive coffee-table volume The MGM Story. ~ Hal Erickson, Rovi

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1973  
R  
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Lee Frost's police action film Policewomen stars Sondra Currie as officer Lucy Bond. She goes undercover to bring down a group of female convicts who have escaped from jail and joined forces with smugglers. After her true identity is revealed, she must fend off a number of adversaries. ~ Perry Seibert, Rovi

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1972  
R  
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A model prisoner and a desperate thug become unwilling partners in this low-budget action picture. Weed (Michael Sterns) is patiently waiting out the last six months of a sentence for dealing marijuana when he loses his job in the prison library and is put on a rural work gang. Weed finds himself chained to fellow prisoner Harris (Robert Lott), who is serving life for rape and murder. Angry and violent Harris is determined to escape, and when he attacks a guard, grabs a gun and goes on the run, Weed has little choice but to join him. Weed leads Harris to the home of his girlfriend Ann (Linda York), who gives the escapees a place to stay while they plot their next move. Harris shows his true colors by raping Ann while Weed sneaks into town for supplies, and when the convicts' plan to leave the state goes awry, Weed sends her away while they make their own way. Harris and Weed happen upon the home of an elderly farmer (Ralph Campbell) and his much younger wife (Barbara Mills), but while the bride is looking for a way out of her life in the country, the farmer isn't about to let the bandits take his woman. Noted exploitation kingpin Lee Frost served as writer, director and cinematographer on Chain Gang Women, which despite its title only features two women in its cast. ~ Mark Deming, Rovi

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1972  
 
A low-security prison labor camp is about to be closed down due to the excessive brutality of the warden (Lee Frost), whose strict manner has embittered the convicts and damaged his career. The inmates are engaged in the production of formaldehyde, which they also use to get high by sniffing the fumes. While under the influence, a group of prisoners begin digging a secret escape tunnel, and they threaten their non-huffing bunkmates with death if anyone exposes their plan. The getaway attempt is thwarted by overzealous prison guards, and the escaping prisoners are shot down and buried in a nearby cemetery. However, the massive exposure to formaldehyde has a curious effect on the corpses; they won't stay dead and they crawl from their graves to exact bloody revenge upon the prison camp. The zombies arm themselves with axes, shovels, and dangerous lawn-care items from the prison tool shed, while the living convicts have to join forces with the warden and his guards in order to stay alive. Also known as Garden of the Dead. ~ Fred Beldin, Rovi

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1972  
PG  
In this sci-fi horror movie with comedic elements, a racist transplant surgeon (Ray Milland) learns that he's dying of cancer. He's recently performed some revolutionary experiments with a gorilla (special effects guru Rick Baker), by attaching a second head to the gorilla's body and removing the first one after the second has grown firmly into place. Now he wants to replicate the experiment with a human body, by grafting his head onto another person's frame. This way, he reasons, he'll be able to continue his medical and scientific work unabated. When he comes to after surgery, however, he's horrified to find out that his head has been stitched onto the body (and next to the head) of a large black man (former football player Roosevelt 'Rosey' Grier) due for a murder sentence. Enormous complications then ensue, as the two headed person runs about, with the convict intent on proving his innocence to the cops, and the scientist intent on having the convict's head removed. Director Frost formerly worked on stag films such as 1964's Love is a Four-Letter Word.
~ Nathan Southern, Rovi

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Starring:
Ray MillandRoosevelt Grier, (more)
 
 
1971  
PG  
This film is notable for singer Marvin Gaye's debut acting performance. In Chrome and Hot Leather, Green Beret sergeant Mitch's (Tony Young) girlfriend has been mortally injured, and just before her death divulges that a motorcycle gang called "The Devils" were responsible. Mitch and his sergeant buddies (including Marvin Gaye as Jim) take military leave and prepare themselves to track down the evildoers by adopting, as best as they can, the appearance of a motorcycle gang: bikes, clothes and all. This results in some humorous moments. They use their army skills in the quest for justice, and The Devils come in for some serious trouble. ~ Clarke Fountain, Rovi

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1969  
 
In this exploitation western, a renegade unit of Confederates conspire to rob a Union payroll wagon. Unfortunately, they don't realize that the war is over when they ride into a little town to await the shipment. While there, they amuse themselves by raping and murdering the townsfolk. Fortunately a brave African servant manages to escape and make it safely to an encampment of newly freed slaves. They rush back to the town and fight the rebels to the death. This film is filled with graphic violence and sex. ~ Sandra Brennan, Rovi

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1968  
 
This actioner set during World War II is about a pair of WACs who go undercover at a Nazi prison camp to get vital information from a scientist being held there. It's difficult to tell if this film was intended to be a James Bond-type spy film or a Hogan's Heroes type of comedy; although there is plentiful nudity and violence (as in Bond films), there is also lame comedy, bad acting and unconvincing accents (as in Hogan's Heroes.). ~ Brian Gusse, Rovi

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1968  
 
Filled with brutal sex and graphic violence this western centers on the vengeful quest of a Mexican caballero who gets even with those who viciously gang raped his sister while he stood helplessly by and watched. The hero knows exactly who the perpetrator is and carefully bides his time until he is grown. He then gets a job as a stablehand on the villain's ranch. His own revenge begins when he kidnaps and rapes the ranchers wife leaving just enough clues to insure that the enraged husband and his gang will find him. A horrible climactic clash ensues before this vile film's blood-soaked, tragic finale. ~ Sandra Brennan, Rovi

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1968  
 
This ludicrous pseudo-documentary directed by exploitation veteran R. Lee Frost features a great deal of faked footage and too many homely strippers. The sights on display include couples "caught" making love on the beach; teenagers cruising Hollywood Boulevard; burlesque clubs in San Francisco and London; billboards for prostitutes; an interview with two half-naked lesbians; a topless bikini fashion-show; Japanese topless watusi clubs; a beatnik artist who paints on nude women; a slave-auction in Tijuana; a Japanese S&M club featuring whipping and clubbing; and mud-wrestling in Germany (in front of a poster for the mondo movie Sexy Proibitissimo). The best scenes are set in New York, where some amusing fake prostitutes chat up a john, and a Santeria-inspired black mass is staged complete with a pig's severed head bleeding on a topless virgin. Modern viewers will not take this silly sideshow too seriously, but it was banned in many locales upon release. Frost and producer Bob Cresse teamed again the same year for Mondo Bizarro. ~ Robert Firsching, Rovi

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1962  
 
Tom Newman plays a character named Bernard Bingbang. Bob Cresse costars in the dual role of Agatha and Townsend Bungworthy. And Virginia Gordon essays the part of Vultura. Need we add that Surftide 77 was not written by Noel Coward? The story concerns a private eye, sent to locate a missing heiress. He'll know when he's found her by the butterfly birthmark on her left breast......Also known as Call Surftide 77 and Call Girl 77, this sleazy sex farce is distinguished only by the presence of Vic Tayback in one of his earliest movie roles. ~ Hal Erickson, Rovi

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