Johnny Mack Brown Movies

In her last silent film, Norma Shearer plays Dolly, aka Angel Face, a young woman engaged in blackmailing rich libertines. Cheated out of her loot by a couple of former associates, Bradley (Lowell Sherman) and Gwen (Gwen Lee), Dolly commits a bit of larceny but manages to skip town with her latest victim, Steve Crandall (Johnny Mack Brown), a Southern-fried cement tycoon whom she hastily marries. But Steve turns out to be a pauper, his much vaunted plantation actually belonging to a neighbor, and Dolly's game is up when Brad and Gwen make an unannounced arrival. But Dolly has fallen in love with her poor but hardworking husband and is ready to take her punishment. Steve, meanwhile, convinces a judge to release Dolly into his custody and the lovers are reunited. A Lady of Chance was released with added dialogue scenes but none of them apparently featured Miss Shearer, who instead made her talkie debut in the courtroom melodrama The Trial of Mary Dugan (1929). ~ Hans J. Wollstein, All Movie Guide

Michael Arlen's notorious novel The Green Hat was considered such a hot potato censor-wise that the property's title could not be used when it was adapted to film. Retitled A Woman of Affairs, this tale of a woman destroyed by syphilis was heavily laundered for the screen. Greta Garbo plays an impulsive British lass who, when denied permission to marry John Gilbert, hops from bed to bed with various partners. She marries a man who turns out to be a thief. When her husband commits suicide, Garbo is again wooed by Gilbert, who in the meantime has acquired a spouse of his own. Though she passionately loves Gilbert, Garbo sends him away, rather than ruin his life as she's ruined her own. With that classic enigmatic half-smile on her face, Garbo suicidally crashes her expensive automobile into the tree under which she sat with Gilbert the day he first declared his love for her. Outside of the always fascinating Greta Garbo, the best performance in Woman of Affairs is offered by Douglas Fairbanks Jr. as Garbo's drunken, dissipated younger brother. ~ Hal Erickson, All Movie Guide

Directed by Cabanne, himself a graduate of Annapolis Naval Academy, this is a schmaltzy propaganda film aggrandizing the male bonding and "code of honor" adherent to the Academy plebes. Ostensibly the story of a love triangle, it is really a stereotyped tale of two friends who follow the "code" no matter what intervenes in their lives or what adversity they encounter. ~ Tana Hobart, All Movie Guide

Arizona Cyclone is usually cited as the best of Johnny Mack Brown's Universal western series, if only because of the inventive direction of Joseph H. Lewis. Brown is cast as Tom, owner of a wagon-freight line who business is coveted by crooked banker Quirt (Dick Curtis). The villain will stop at nothing to get what he wants, and this includes ordering the murder of lovable old freight-liner Randolph (Herbert Rawlinson). Lacking enough evidence to prove Quirt's guilt, Tom bides his time until the inevitable showdown. Director Lewis' penchant from innovative camera angles is especially evident during the climactic gunfight sequence, a model of its kind and one from which Lewis himself borrowed in his much-later western classic Terror in a Texas Town. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown plays a dual role in the Universal B-western Bad Man From Red Butte. It seems that honest, upright Gil Brady has a less-than-honest twin brother, a desperado who goes by the name of Buck Halliday. Eventually, Gil is blamed for the crimes committed by Buck, and is promptly tossed in the calaboose. With the help of frontier lawyer Gabriel Hornsby (Bob Baker) and snake-oil peddler Spud Jenkins (Fuzzy Knight), Gil manages to clear his name and bring his black-sheep sibling to justice. Heroine Anne Gwynne offers a refreshing and likeable slant on the traditional "new schoolma'rm" role. ~ Hal Erickson, All Movie Guide

Originally titled It Ain't No Sin until the censors prevailed, then St. Louis Woman and Belle of New Orleans, until complaints were registered from those two communities, Belle of the Nineties was Mae West's first post-Production Code film. West is cast as cabaret entertainer Ruby Carter, plying her trade along the Mississippi. Having no trouble surviving on her own terms in a man's world, Ruby fends off the unwarranted attentions of a steady stream of libidinous males, reserving her affections for a muscular boxer called The Tiger Kid (Roger Pryor). In keeping with the star's casual liberality, a number of black entertainers and athletes are given ample opportunities in this film, notably Duke Ellington and His Orchestra. The surest sign that the Code had "tamed" West a bit is the fact that she actually marries the hero at film's end. The musical highlights include West's unforgettable rendition of "My Old Flame". ~ Hal Erickson, All Movie Guide

The tall and virile Johnny Mack Brown portrays the short and dyspeptic outlaw William Bonney, a.k.a. Billy the Kid. Wallace Beery is more effectively cast as Pat Garrett, the sheriff who's sworn to bring in Billy dead or alive despite his grudging friendship for the young killer. Hardly the "homicidal moron" described by western historians, the movie's Billy has a certain amount of charm, though he's shown to be a cold-blooded killer when the opportunity arises. The film's ending was shot twice: One ending retained fidelity to the facts by having Garrett kill Billy, while the other denouement allowed Billy to ride into the sunset, as Garrett beatifically looked on. Over the protests of western purists, the second ending was used in the American release version, though the more tragic climax was seen by European audiences. Billy the Kid was originally released in a 70mm widescreen process called Realife; to avoid confusion with MGM's 1941 Billy the Kid, the earlier film has been retitled The Highwayman Rides for television. ~ Hal Erickson, All Movie Guide

Boothill Brigade stars Johnny Mack Brown as frontier do-gooder Lon Cardigan. Villainous land-grabber John Porter (Edward Cassidy) spends most of the early reels divesting homesteaders of the hard-earned property. All of this comes to an end when Cardigan looms into view, fists at the ready. Seldom resorting to gunplay, our hero manages to send Porter's minions scurrying, then concentrates on cleaning the main bad guy's clock. Produced by A.W. Hackel for Republic release, Boothill Brigade boasts considerably better cinematography than the usual Hackel product. ~ Hal Erickson, All Movie Guide

In this western, a town finds itself under the tyrannical control of a shady sheriff. He is usurped by an honest outside lawman and his bumbling side-kick. ~ Sandra Brennan, All Movie Guide

In his first of 16 Westerns for independent producer A.W. Hackel, Johnny Mack Brown is Branded a Coward when instead of preventing a saloon hold-up, he is spotted cowering behind the bar. The reason for Johnny Hume's reticence is to be found in his background: 20 years earlier, little Johnny was orphaned when his parents' wagon was attacked by a gang of outlaws headed by the infamous "Cat" (Yakima Canutt). As the grown Johnny explains to stuttering sidekick Oscar (Syd Saylor), he has been "yellow ever since." Johnny's courage is tested once again when the two friends witness a stage hold-up. After chasing the outlaws away, Johnny and Oscar escort the stage into the town of Lawless, AZ, where female passenger Ethel Carson (Billie Seward) extols Johnny's prowess with a gun. To his embarrassment, Johnny is elected deputy marshal. Secrets from the past keep resurfacing and Johnny must constantly fight his own fears. In the end, the former coward proves his real worth in a final face-to-face struggle with the leader of the stage robbers (Robert Kortman), a villain patterning himself after the original Cat. During the fight, an unusual birthmark on the outlaw's arm reveals him to be Johnny's own brother Billy. Long thought killed in the massacre, Billy has instead been raised by the original, now deceased Cat. Unable to prevent his henchmen from attacking, Billy bravely stops a bullet meant for Johnny. ~ Hans J. Wollstein, All Movie Guide

In this western, a mining engineer vengefully seeks out the claim jumpers that murdered his brother. ~ Sandra Brennan, All Movie Guide

Johnny Mack Brown's Universal western series was drawing to a close when Cheyenne Roundup was released in mid-1943. Brown is herein cast in a dual role, as honest Gils Brandon and his less-than-honest brother Buck. Pursued by lawman Steve Rawlins (Tex Ritter), Buck tries to pass himself off as the upright Gils. But in the end, the good brother is forced to make the bad one pay the price for crime. Jennifer Holt, daughter of cowboy favorite Jack Holt, is the leading lady; Fuzzy Knight socks over his usual unsubtle comedy relief; and music is provided by The Jim Wakely Trio, soon to star in their own series of sagebrushers. ~ Hal Erickson, All Movie Guide