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Jeffrey Friedman Movies

2012  
 
Amanda Seyfried steps into the role of adult film star Linda Lovelace in this biopic from the filmmaking team behind Howl, Rob Epstein and Jeffrey Friedman. Peter Sarsgaard, Sharon Stone, Wes Bentley, Juno Temple, and James Franco co-star in the Millennium Films production. ~ Jeremy Wheeler, Rovi

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2010  
R  
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James Franco stars as Allen Ginsberg in Robert Epstein and Jeffrey Friedman's biopic that blends traditional narrative storytelling with documentary-style footage and vivid animation to paint a compelling portrait of the famed Beat poet. For many historians, the counterculture was conceived the moment Ginsberg's landmark poem "Howl" was put on trial. On October 7, 1955, the charismatic young poet stunned audiences at San Francisco's Six Gallery with the first-ever public reading of "Howl." Two years later, Ginsberg was standing before fierce prosecutor Ralph McIntosh (David Strathairn) and ultra-conservative judge Clayton Horn (Bob Balaban) to defend his most famous work against accusations of obscenity. In addition to offering a detailed reenactment of that historical trial, Howl also recounts the early life events that molded Ginsberg into one of the most vital and outspoken voices of his generation, and features an animated visualization of the poem created by former Ginsberg collaborator Eric Drooker, and a score by Carter Burwell. Jon Hamm, Jeff Daniels, Mary-Louise Parker, and Alessandro Nivola co-star. ~ Jason Buchanan, Rovi

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Starring:
James FrancoDavid Strathairn, (more)
 
2010  
 
In 2005, director and screenwriter Johanna Lee was between projects and at the urging of a friend, she took a job at the New York Board of Trade. Lee suddenly had a ringside seat for one of the most dramatic and frenetic scenes in the global economic system, as each day handfuls of men and women shouted orders at one another on the trading floor, hoping to corner a market while it stays hot and move their shares before they lose value. Fascinated by the ferocity of the environment and the unusual characters who work in it, Lee began making a film about the world of commodities trading, where Ivy League graduates and regular guys with guts and a hunch work side by side in the most competitive environment on Earth. In The Pit, Lee presents an insider's look at the New York Board of Trade and its people, as well as chronicling the business in a period of transition, as electronic trading makes the old style of trading obsolete. The Pit was an official selection at the 2010 Cinequest Film Festival. ~ Mark Deming, Rovi

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2007  
NR  
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They say that the road to hell is paved with good intentions, and in this look at one of the most polarizing religious and sexual debates in America, filmmaker Robert Cary attempts to reconcile homosexuality with Christianity. Mark (Chad Allen) is a young gay man who has fallen into a dangerous cycle of hard drugs and risky sex. Recognizing that his sibling may not have the strength to pull himself back from the edge, Mark's brother checks him into the Genesis House Christian retreat in New Mexico -- a place far removed from the temptations of the big city. Genesis House is run by a deeply spiritual, middle-aged couple named Gayle (Judith Light) and Ted (Stephen Lang). After losing a battle with sin back when she was young, Gayle has dedicated her entire life to rescuing young homosexuals from their own inner demons. In order to help Mark through the process, Gayle assigns Scott (Robert Gant) -- one of the program's advanced "fifth phasers" -- as the newcomer's mentor. When Gayle notices that Mark and Scott's relationship is intensifying, she sees the development as a threat and fights back in order to prevent her carefully controlled world from falling apart. The spectre of damnation looming constantly over their shoulders, Mark and Scott are finally forced to confront the truth about their own true natures. ~ Jason Buchanan, Rovi

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Starring:
Chad AllenRobert Gant, (more)
 
2000  
 
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Academy-award winning documentary filmmakers Rob Epstein and Jeffrey Friedman direct this harrowing, lyrical look at the persecution of homosexuals during the Third Reich. German historian and member of the U.S. Holocaust Memorial Museum Klaus Muller interviews the dozen or so surviving victims, now frail and wizened, who recount their experiences. Jewish resistance fighter Gad Beck recalls how he posed as a Hitler Youth in an ultimately vain attempt at saving his lover. One man was freed from a sentence at Dachau only to be interned again a Buchenwald. Another recalls hearing, in the distance, a "singing forest" -- the sound of gays bound and tortured by Nazis in a local grove. Epstein and Friedman fashion a layered narrative consisting not only of interviews but also archival footage depicting background life in Weimar Germany. ~ Jonathan Crow, Rovi

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Starring:
Rupert Everett
 
1995  
R  
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Based on Vito Russo's groundbreaking 1981 work of film history, The Celluloid Closet gathers clips from dozens of mainstream Hollywood films to illustrate how the movies have dealt explicitly -- and more importantly, implicitly -- with gay and lesbian themes. Layered between the clips are interviews with filmmakers whose works have touched on that subject. The popular films of the Golden Age could only hint at homosexuality and often portrayed gays as simpering characters, objects of scorn or merriment, or insidious villains. With the strictures of the old Production Code loosening, bolder presentations were possible, but often over the objections of studio executives who feared a public backlash against a film that dealt with a long taboo subject. Among the films discussed are Philadelphia, The Children's Hour, Making Love, Rope, and Spartacus. Gore Vidal, Tom Hanks, Susan Sarandon, and director John Schlesinger are among the film's strongest interview subjects. ~ Tom Wiener, Rovi

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1992  
 
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This documentary came about because the filmmakers were curious about life in a part of the United States that seemed completely alien to them from their perspective as gay men living in San Francisco. Thus, at the end of the Gulf War, they took a trip to the American South and asked anyone who would let them point a microphone at them such questions as: "What are your hopes for the future?" "Are You happy?" For the most part, the individuals questioned reveal such insular, even ignorant perspectives, that it gave even hardened reviewers a bit of a chill. One of the odder individuals they found along the way was a man who had created his own personal Graceland to please his wife, a rabid Elvis fan. No effort was made to create a coherent theme, as the documentary is basically a record of the men's trip. However, they do make an effort to investigate gay life in the South, and these investigations were reportedly the highlights of the film. ~ Clarke Fountain, Rovi

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1989  
 
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This film, narrated by Dustin Hoffman, won an Academy Award for Best Documentary in 1989. Common Threads: Stories From the Quilt helps put faces on the names on the quilt of those who have died from AIDS. The quilt at that time covered 14 acres. The lives of five people who suffered and fought this disease are celebrated. ~ Rose of Sharon Winter, Rovi

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1983  
NR  
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A documentary portrait of San Francisco's first openly gay politician, city supervisor Harvey Milk, The Times of Harvey Milk might not have been made but for the tragic circumstances of Milk's death. On November 27, 1978, Dan White, a former city supervisor who was desperate to regain his post, entered City Hall with a gun and murdered both San Francisco's mayor, George Moscone, and Milk. At the trial, White's lawyer skillfully turned the jury's attention away from his client's public anti-gay statements to focus on White's spotless record and his extremely agitated mental state on the day of the murders. White was convicted of voluntary manslaughter and sentenced to a relatively brief jail term, sparking a demonstration and riot by gay supporters of the murdered men. The film considers Milk's accomplishments and his exceptional popularity; this is not an objective look at a man, but a celebration of a martyr. Winner of an Academy award for Best Documentary Feature, The Times of Harvey Milk was released while White was serving his sentence; he was paroled in 1984 and committed suicide the next year. Epstein's other major efforts included the documentaries Common Threads: Stories from the Quilt (1989) (about the AIDS epidemic) and The Celluloid Closet (1995), about images of gay men and women in Hollywood films. ~ Tom Wiener, Rovi

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1977  
PG  
A musician discovers that there's no such thing as bad publicity when a murder charge makes him a star in this comedy-drama. Bobby Ogden (Peter Fonda) is an ex-con trying to go straight and build a career as a country and western singer. Bobby gets the opportunity to show off some of his tunes to Nashville star Garland Dupree (James Callahan), but Garland takes Bobby's best song, "Outlaw Blues," and puts his own name to it. Suddenly Bobby's tune is a hit, with the struggling writer getting no credit (and no royalties). An understandably angry Bobby confronts Garland, and when Garland is found shot dead shortly afterward, Bobby becomes the prime suspect. Bobby is innocent, but hardly anyone believes this outside of Garland's back-up singer Tina Waters (Susan St. James). Bobby and Tina hit the road together, and the wanted man becomes an underground hero as Bobby climbs both the Billboard charts and the "Most Wanted" list. Peter Fonda does his own singing in Outlaw Blues, and he croons half a dozen tunes, including three written for the film by Hoyt Axton. ~ Mark Deming, Rovi

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Starring:
Peter FondaSusan Saint James, (more)