Bert E. Friedlob Movies

When media mogul Amos Kyne (Robert Warwick) dies, his business, which includes a major newspaper, a television station, and a wire news service, is turned over to his sole heir, his foppish, ne'er do well son (Vincent Price). The younger Kyne has no knowledge of how to run the company his father built, preferring to spend his time spending the money that it generates, and he decides to let the heads of the three divisions -- newspaper editor John Day Griffith (Thomas Mitchell), wire service chief Mark Loving (George Sanders), and photo chief Harry Kritzer (James Craig) -- fight it out among themselves, winner-take-all. Each one has a key alley: Griffith, in Edward Mobley (Dana Andrews), a top reporter who is lately appearing on television as well; Loving, in resourceful but sluttish columnist Mildred Donner (Ida Lupino), who has her own way of digging up secrets; and Kritzer, who doesn't think he needs to dig up secrets because he's sitting on the biggest one of all, his "friendship" with Kyne's ex-model wife, Dorothy (Rhonda Fleming). Mobley becomes a focal point because the story-of-the-moment concerns the "Lipstick Killer," a serial murderer, burglar, and sex fiend who has been terrorizing the city -- break that case first and the job is won, and Mobley's specialty is crime reporting. The Lipstick Killer, a disturbed teenager named Robert Manners (John Drew Barrymore), continues to elude the police, and Loving's stumbling attempts to get information out first don't aid in the manhunt. Meanwhile, Mobley, using his own deductive powers and some basic psychology, manages to get under the killer's skin from afar on television and in print; however, unbeknownst to the reporter, the murderer is feeling more pressure to commit his crimes, and taking a very personal interest in targeting Mobley and his fiancée, Nancy Liggett (Sally Forrest). The two interwoven stories all get pulled together in a chase through the streets and into the city's subway tunnels, with Mobley, Nancy, Police Lieutenant Kaufman (Howard Duff), and the killer all crossing paths. ~ Bruce Eder, Rovi

Tyrone Power is a Dutchman, and Susan Hayward is an Irish lass. If you believe that, then the rest of Untamed will go down a lot easier. Power is a Boer calvary commander attempting to bring peace to his South African homeland. He has an affair with Hayward, a married woman whose husband is killed during a Zulu attack. While rescuing the survivors, Power runs afoul of Dutch farmer Richard Egan, who insists that Hayward is his property. Egan turns bandit, targeting the diamond mines. Power is bound and determined to stop Egan--and, it is hoped, to clear the path towards lasting happiness with Hayward. The Untamed is a CinemaScope adaptation of a novel by Helga Moray. ~ Hal Erickson, Rovi

Joseph Cotten plays a assistant bank manager who steals $500,000 from the safe late on a Friday. He plans to fly to Brazil with his wife (Teresa Wright) and child. They get as far as New Orleans; the wife finds out about the robbery and walks out on Cotten. Stricken by guilt, Cotten must now return to his home town and replace the money before he's found out on Monday morning. Writer/director Andrew L. Stone smooths out the unrealistic elements of The Steel Trap by filming extensively at real locations. ~ Hal Erickson, Rovi

Mickey Rooney is The Fireball in this independently produced sports film. The sport in this case is roller-skating, which was enjoying a resurgence of popularity in 1950 thanks to the various "Roller Derby" telecasts. Rooney plays Johnny Cesar, an orphan kid who rises to fame and fortune on the basis of his skill on skates. As his popularity grows, so does Johnny's arrogance. It takes a bout with polio to bring Johnny back down to earth. Pat O'Brien is cast as the priest who encourages Johnny to hone his skating skills, then gives the boy moral support when he's stricken down by illness. Marilyn Monroe has a showy supporting role as one of Johnny's casual dates. Best bit: the lanky solo skater who does his thing while Pat O'Brien looks on in mute amazement. ~ Hal Erickson, Rovi