Joe Brown Movies

In this western, a gunfighter is finally released from prison and returns to his hometown only to discover that it is being torn apart by conflicting forces. He is even more upset to discover that his girl has become the leader of the "evil" side of town and is completely committed to achieving a state of anarchy. He is disgusted by her and her new lover and so joins the good side of town. When the good politician leader and the sheriff are killed, the ex-gunfighter is blamed for the crime. Just as he is about to swing, the politician's daughter, who loves the ex-convict, forces the evil woman to sign a confession and save his life. ~ Sandra Brennan, All Movie Guide

Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, All Movie Guide

Three guesses as to the profession of the heroine in Sob Sister. That's right: Jane Ray (Linda Watkins) is a girl reporter, both fearless and foolhardy. Jane's great rival is news-hound Garry Webster (James Dunn), whose love for the girl never gets in the way of his tireless pursuit of "big scoops." Eventually, Jane proves to be too smart for her own good and is captured by the villains. She is rescued not by Garry but by six-year-old kidnap victim Billy Stotesley (future "Our Gang" member Wally Albright), who cuts the ropes which bind our heroine. Naturally, this leads Garry to declare that he wants to marry Jane to keep her from harm's way -- but there's always another hot headline story just around the corner. Leading lady Linda Watkins, a Broadway veteran, returned to the stage shortly after appearing in Sob Sister, only to be "rediscovered" as a TV and movie character actress in the late 1950s. ~ Hal Erickson, All Movie Guide

The one-time-only combination of director John Ford and actors Spencer Tracy (in his first film) and Humphrey Bogart (in his second) should be recommendation enough for the offbeat comedy-drama Up the River. Tracy and Warren Hymer play Saint Louis and Dannemora Dan, two hard-boiled but likeable prison convicts. While in stir, the boys befriend another convict named Steve (Bogart), who is in love with woman's-prison inmate Judy (Claire Luce). Eventually, Steve and Judy are released, whereupon they get married and head to a small town where no one knows of their criminal pasts. It isn't long, however, before the couple's future happiness is threatened by dishonest salesman Frosby (Gaylord Pendleton), the no-good rat who framed Judy. Frosby threatens to expose Steve's prison record if the latter refuses to go along with a scheme to defraud his neighbors. Learning of this situation, Saint Louis and Dan escape from jail, foil Frosby's scheme, and return behind bars just in time to play in a prison all-star baseball game! Nonsensical to say the least, Up the River is also a film that's hard to dislike. It was remade by 20th Century-Fox in 1938, with Preston S. Foster and Tony Martin respectively in the Tracy and Bogart roles. ~ Hal Erickson, All Movie Guide

This sequel to the enormously successful silent film What Price Glory reunites director Raoul Walsh with stars Victor McLaglen and Edmund Lowe. As in the earlier film, McLaglen and Lowe are cast respectively as Flagg and Quirt, those ever-brawling U.S. Marine sergeants. With WWI but a dim memory, Flagg and Quirt continue their rowdy escapades in Russia, Nicaragua and Coney Island. And, of course, they vie for the attentions of several eager and willing young ladies, including the sexy Elenita (Lily Damita). Swedish-dialect comedian El Brendel, an inescapable presence in the early-talkie product from Fox Studios, co-stars as Olson, who indulges in his familiar "get me the lay of the land" routine. Scripted by vaudevillian Billy K. Wells, a specialist in vulgar and sometimes downright dirty humor, The Cock-Eyed World worked overtime pushing the envelope of good taste (by 1929 standards, at least), which may be one of the reasons that this dreary exercise was such a huge hit at the box office. ~ Hal Erickson, All Movie Guide

Me, Gangster was director Raoul Walsh's third 1928 film -- and, according to some historians, the blueprint for such future Walsh crime dramas as Me and My Gal, The Roaring Twenties and White Heat. Told in the form of a diary, the story details the rise and fall of gangster boss Jimmy Williams, played by future serial favorite Don Terry. Shown to be a layabout and ne'er-do-well in his youth, Jimmy falls in with a gang of petty thieves, working his way up the professional ladder through a combination of brains and cold-blooded ruthlessness (not unlike the characters played by frequent Raoul Walsh collaborator James Cagney). He finally comes acropper when he tries to pull off a $50,000 heist by himself, which earns him a stiff jail term. The death of his beloved mother Lizzie (Stella Adams), combined with the good influence of heroine Mary Regan (June Collyer), prompts Jimmy to try to turn over a new leaf upon his arrest. Alas, he must now contend with his former gangland buddies, who don't cotton to "turncoats" and begin drawing up plans to put Jimmy "on the spot" for keeps. On the whole, Me Gangster is a bit more sentimental than one might expect from Raoul Walsh, but at least it's honest sentiment and doesn't weaken the picture as a whole. Filmed silent, Me, Gangster was released with a Fox Movietone music score. ~ Hal Erickson, All Movie Guide

Most of Dressed to Kill takes place at a swank nightclub which serves as an Underworld rendezvous. Heroine Jean (Mary Astor) hopes to recover the bonds that her imprisoned sweetheart is accused of stealing. To do this, Jean sidles up to mob boss Mile-Away Barry (Edmund Lowe), figuring that he was the mastermind behind the theft. Unfortunately, the crooks play for keeps, and by Reel Five it looks as though Jean is going to be taken "for a ride." But Mile-Away Barry undergoes a sudden change of heart, putting his own life on the line to save Jean's. One symbolic touch -- the chief heavy dying from police bullets under an advertising billboard reading "You Can't Win" -- was borrowed from Josef Von Sternberg's Salvation Hunters and would be used again, with variations, in Howard Hawks' Scarface. ~ Hal Erickson, All Movie Guide