Harold French Movies

Framed in flashback form, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth with the luscious Moira Shearer (for her alone, this film must be seen in its original Technicolor). When the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love. Along the way, he romances two redheaded damsels who look exactly like Ms. Shearer--as well they may, since Shearer plays all the women in Justin's life. Terence Rattigan adapted The Man Who Loved Redheads from his own stage play Who Is Sylvia? ~ Hal Erickson, All Movie Guide

The rousing adventure novel by Sir Walter Scott was adapted for this swashbuckler. Richard Todd stars as Robert Roy MacGregor, a clan leader in 18th century Scotland attempting to lead his fellow countrymen in a rebellion against the heavy-handed rule of England's King George I. When the king replaces a sympathetic politician with a lackey working against Rob Roy, it's up to the hardy Scotsman to defeat his enemies without the support of a powerful ally, while also romancing and marrying his true love (Glynis Johns). Rob Roy, the Highland Rogue (1953) was the last of 21 British films produced jointly by Disney and RKO. ~ Karl Williams, All Movie Guide

A Georges Simenon novel was the source for the Anglo-American The Man Who Watched Trains Go By. Claude Rains stars as Kees Popinga, chief clerk for a Dutch trading company. Scrupulously honest, Popinga goes off the deep end when he discovers that his employer has been cooking the books to support a mistress. Upon learning that his boss intends to abscond from Brussels to Paris with company funds, Popinga prevents this from happening by stealing the money himself. Through a series of wild coincidences, he winds up entangled with the very woman (Marta Toren) who'd caused his boss' downfall. The Man Who Watched Trains Go By was released in the U.S. as Paris Express. ~ Hal Erickson, All Movie Guide

The producers of Quartet and Trio concluded their cycle with this omnibus film, which features three stories based, as in the previous film, on tales by W. Somerset Maugham. "The Ant and the Grasshopper" concerns Tom Ramsey (Nigel Patrick), a fiscally unstable young man who is constantly borrowing money from his brother George (Roland Culver). Eventually, George falls on hard times and is forced to sell the family estate, just as Tom marries a wealthy woman and is in a position to purchase it. In "Winter Cruise," Miss Reid (Kay Walsh) is an aging spinster taking a voyage aboard a cargo ship. She has little to do but engage the others on board in conversation, which the passengers find so annoying that they arrange a ship-board romance for her with Pierre (Jacques Francois), a porter, in the hopes that it will keep her quiet. And "Gigolo and Gigolette" features Glynis Johns as Stella Cotman, whose husband Syd (Terence Morgan) earns his living as a performer in a high-wire act. Stella is terribly worried that Syd's risky profession will lead to his death, so she takes their life's savings to a casino in hopes of winning enough that he can retire. However, her plan hardly goes as she hoped. ~ Mark Deming, All Movie Guide

The Dancing Years was written by British theatrical favorite Ivor Novello, who also penned the songs. Set in turn-of-the-century Vienna, the film stars Dennis Price as Rudi Kiebler, the role played by Novello in the original stage version. A struggling young composer, Rudi is elevated to prominence when famed operetta star Maria Ziedler (Giselle Preville) agrees to perform one of his works. Falling in love with Rudi, Maria nonetheless enters into a loveless marriage to a prince (Anthony Nicholls) due to a misunderstanding. The source of this misunderstanding is attractively played by Patricia Dainton. Old-fashioned in the extreme, The Dancing Years is given a fresh coat of paint by the engaging performances of the stars and the sprightly direction by Harold French. ~ Hal Erickson, All Movie Guide

In this drama, a young Englishman wants to become a surgeon, but after medical school, his father dies, leaving him the responsibility of supporting his mother and paying for his brother's education. He becomes a partner in a small practice and watches the woman he wanted to marry go off with his brother. The brother is killed in WWI, after which his illegitimate son is born. The doctor marries the woman, but she dies in childbirth, leaving him to raise his brother's child. Eventually, he finds a new wife. ~ Steve Huey, All Movie Guide

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, All Movie Guide

The week-end in question is anything but quiet for the protagonists in this witty British comedy. Derek Farr stars as Denys Royd, who joins a group of relatives for a weekend hunting party. Upon arriving at their cottage, Royd and company discover that the shelter has literally none of the necessary comforts: doorways are too low to be entered without causing damage to the forehead, the plumbing is virtually nonexistent, etc. Even worse, the Jacobean hunting restrictions in the region forces the family to resort to poaching. And as if this isn't enough, the recently married Royd can't seem to shake irksome distant cousin Miranda Rute (Barbara White), who harbors a crush on him. Quiet Week-End was based on a play by Esther McCracken, who'd penned the earlier Derek Farr vehicle A Quiet Wedding. ~ Hal Erickson, All Movie Guide

English without Tears is a gentle satire of the temporary relaxation of class barriers in wartime England. Michael Wilding portrays the faithful family butler to a fabulously wealthy household. Each member of the family greets the news of upcoming world conflict with a different reaction, the most altruistic of which is that of the daughter (Penelope Dudley Ward), who joins the home service. When the butler rises to the army rank of lieutenant, the daughter sees him in a whole new light and falls in love with her onetime employee. There's little in this frivolous film that hasn't been done elsewhere, except perhaps for the opening-scene romantic complications in Geneva, which set the stage for the film's finale. English without Tears was released in the US in 1948 as Her Man Gilbey. ~ Hal Erickson, All Movie Guide

In this WW II actioner, two British Intelligence agents and a French agent follow their leader into Nazi-occupied France to see how strong the invaders really are; unfortunately, the only way to get that information is to break into the German headquarters. They do so by pretending to be champagne vendors. As soon as the Nazis figure out their scheme, they begin chasing the Allied agents who are assisted by the French Resistance to make sure the information is given to the British who use it to destroy the German supplies and munitions. During their flight, one of the agents his killed; later his sister vows to do everything she can to stop those evil Nazis. ~ Sandra Brennan, All Movie Guide

Bob Randall (Richard Greene) is a reporter who gets to witness first-hand the British retreat from Dunkirk in May of 1940. He returns to his job in a London now facing nightly German bombing raids, and finds himself saddled with Carol Bennett (Valerie Hobson), a neophyte reporter. Bob is eager to take on the Nazis and, in the absence of any on the ground that he can fight, he turns to the leaders of a pacifist movement, The People for Peace. But no sooner does he start to look into who they are than he finds himself being shadowed by mysterious men and stirring up a hornet's nest of activity in his wake. While Carol tries to keep up and do her bit, and Bob tries to look out for her and find out just what he's stepped into -- which soon involves kidnappings and murder -- the German bombers keep coming and the newspaper's survival is threatened. Bob and Carol are drawn together romantically in the midst of these overlapping crises, and manage to find some time for each other while helping their long-suffering editor (Brefni O'Rourke) save the newspaper and the British secret service save the country. ~ Bruce Eder, All Movie Guide

Barbara Mullen stars as Jeannie, a spirited Scots girl who comes into an inheritance. She heads for her family castle after encountering numerous adventures on a Continental holiday. Jeannie also finds romance in the form of handsome washing machine salesman Stewart Granger, who wins out over the romantic overtures of gigolo Albert Lieven. Based on a play by Aimee Stewart, Jeannie overcame its attenuated budget with a plethora of good cheer, enabling the film to garner good reviews on both sides of the Atlantic (in America, the film was retitled Girl in Distress). The story was musicalized for its 1957 remake, Let's Be Happy, in which the heroine (Vera-Ellen) was changed into an American girl who comes to Scotland, rather than using the Highlands as a starting point. ~ Hal Erickson, All Movie Guide