Stephen Friedman

Avarice is the motivation behind the zany deeds in this comedy. It all begins when a dying prisoner whispers the location of his loot to the facility's psychiatrist who heads to Cherry Hill, New Jersey to find it. Unbeknownst to him, he is followed by two fugitive convicts who overheard the confession. More trouble erupts when the shrink accidently goes to the wrong house to dig up the treasure. ~ Sandra Brennan, All Movie Guide

An ambitious father thinks nothing of using his own son to achieve his political goals in this adolescent comedy. The lonely boy has spent the last seven years tucked away and ignored by his parents, Senator Tom Morgan and his social-climbing wife Nancy, in a distant boarding school. As the story begins, he receives the depressing news that once again they will be too busy to have him home for the holidays. But then, out of the blue, they change their minds and invite him home to stay there for good. The boy is elated, but soon after his arrival, he learns the bitter truth: his father only brought him back because it is an election year and his campaign manager thought he might do better if the public saw him as more of a family man. The boy then decides that it is high time some changes were made around the house and mayhem ensues. ~ Sandra Brennan, All Movie Guide

Love means never having to say that you're ugly in the extravagant fantasy film Enemy Mine. Earthling Dennis Quaid is Davidge, one of many space warriors engaged in a bloody extraterrestrial battle against the Draconians. Crash-landing on a faraway planet, Davidge is forced into an "up close and personal" with the Drac (Lou Gossett Jr.), a repellant, reptilian creature. Evidently a bivalve, the Drac gives birth to a baby Drac just before expiring. Now a reluctant foster father, Davidge tries to keep himself and the baby alive while the war continues to rage all around them. The special effects (courtesy Industrial Light and Magic) are serviceable if not brilliant, and the acting is okay so far as it goes. What socks over Enemy Mine is Rolf Zehetbauer's awe-inspiring production design and Chris Walas' superb makeup work. Though a favorite on home video, the film deserves to be seen on a wide theatre screen. ~ Hal Erickson, All Movie Guide

On her deathbed, mean-spirited millionairess Lily Tomlin has her will amended so that her soul will pass into the body of young, healthy Victoria Tennant. Thanks to a mix-up in transmutation, Tomlin winds up instead trapped in the body of upright (and uptight) attorney Steve Martin. The plot involves the fragility of male-female relationships, the importance of making commitments, and the antics of goofy guru Richard Libertini. As ridiculous as it sounds, All of Me is completely credible, thanks to Steve Martin's remarkable "body language" when conveying the notion that he's two different people with two different sets of emotions and gestures. Though the circumstances of the plot won't allow Martin to connect with the lovely Tennant, in real life things were different: the two costars were married shortly after filming wrapped. Phil Alden Robinson and Henry Olek adapted the script from Ed Davis' novel Me Too. ~ Hal Erickson, All Movie Guide

Having already been seen spying for the Nazis in 1979's The Eagle Has Landed, Donald Sutherland once more infiltrates wartime England on behalf of Der Fuhrer in Eye of the Needle. Willing to kill even the most innocent of bystanders to complete his task, Sutherland manages to remain in Britain until the eve of D-Day in 1944. Discovering that the invasion is to take place on Normandy, Sutherland scurries to rendezvous with a U-boat off the treacherous Isle of Storms. His mission is thwarted by Kate Nelligan, the frustrated wife of paralyzed RAF commander Christopher Cazenove. Though having fallen in love with Sutherland, Nelligan nonetheless prepares to turn the man in when he kills her husband. Tension mounts in the closing scene as Sutherland races against time to (a) make contact with the U-boat and (b) stop Nelligan before she blows the whistle on him. ~ Hal Erickson, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide

Made for television, this little gem was based on a novel by Patrick Anderson. The title character, the sister of a government courier, barely has time to acquaint herself with the audience before she is murdered - leading us to wonder who did it, and if it is, in fact, true that the dead woman was a Soviet spy. Beau Bridges, Karen Grassle, Susan Blanchard, Larry Hagman, Don Porter and Gail Strickland are among those present. The President's Mistress was "World Premiered" on February 10, 1978. ~ Hal Erickson, All Movie Guide

Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, All Movie Guide

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide