Paul H. Frees Movies
In his prime--which lasted a good 40 years--voice artist Paul Frees was not so much ubiquitous as inescapable. It was literally impossible during the 1960s and most of the 1970s to turn on the TV on any given night and not hear the ineluctable Mr. Frees. Blessed with a versatile voicebox from an early age, Frees first came to public attention as "Buddy Green," the name he was using when he won a radio impersonation contest. He toured in vaudeville, then returned to radio as star of The Player, a syndicated anthology series in which he played all the roles. He went to work as actor, announcer and narrator for such series as Suspense and Escape; he also made a number of appearances on comedy programs, usually playing a hammy Orson Wellesian actor (one such character was actually named "Lawson Bells"). In bandleader Spike Jones' memorable rendition of the old torch song "My Old Flame," Frees recites the lyrics in the style of a Peter Lorre-like pyromaniac.Frees began working in films in 1948, sometimes as an on-screen actor (His Kind of Woman, The Thing, War of the Worlds, Suddenly, The Shaggy Dog) but most often in a variety of voiceover capacities. When Chill Wills was unavailable to provide his talking-mule voice in Francis in the Haunted House (1955), Frees replaced him, accurately recreating Wills' folksy drawl; when producer George Pal was forced to rerecord most of the male actors in Atlantis, the Lost Continent (1961), Frees supplied all the voices; and whenever Japanese film star Toshiro Mifune appeared in an English-language film like Grand Prix (1969), he would insist that his heavily-accented voice be redubbed by Frees, who "sounds more like me than I do." In addition to his TV-ad work as Poppin' Fresh, Mr. Goodwrench et. al, Frees was heard as the "late, fabulously wealthy" John Beresford Tipton on The Millionaire (1955-60). Frees' vocal activities in the realm of animated cartoons is so extensive that to list all his credits would require five single-spaced columns, a few examples are: Boris Badenov and Captain Peter Peachfuzz in Rocky and His Friends, Inspector Fenwick in Dudley Do-Right, Oliver Wendell Clutch in Calvin and the Colonel, Flat-Top in The Dick Tracy Show, the title character in Squiddly Diddly, Morocco Mole in Secret Squirrel, John Lennon in The Beatles, and Ludwig Von Drake in Walt Disney's Wonderful World of Color. In addition, Frees worked in virtually everything ever produced by satirist Stan Freberg, including the legendary 1963 LP History of the United States. By the mid-1970s, Frees was averaging $1 million per year--and was only working six months out of the year, spending the remaining six months vacationing on his own South Sea island. According to most sources, Frees was married six times. Since his death in 1986, Paul Frees' legacy has been carried on by a wealth of imitators, none of whom have quite come up to the standard set by The Master. ~ Hal Erickson, All Movie Guide
In the wake of the success of Disney's "101 Dalmatians," Warner Brothers has come up with a story about cats called "Gay Purr-ee." This song-filled adventure begins with Mewsette, a rural femme feline longing for the exciting life in Paris. She is kidnapped by some criminal cats. Things look bad until Jaune-Tom and his faithful friend Robespierre discover the crime and claw their way to Mewsette's side in hopes of rescuing the purloined pussy. Judy Garland does the voice of Mewsette, and sings eight songs by Yip Harburg and Harold Arlen. The most memorable is "Paris Is A Lonely Town." Robert Goulet is the voice of Jaune-Tom, with Red Buttons as Robespierre. Other voices are by the legendary Mel Blanc, Hermione Gingold, Paul Frees, Morey Amsterdam, Julie Bennett and Joan Gardner. The superior animation was supervised by Chuck Jones, with the screenplay by Jones and his wife Dorothy. ~ Dan Pavlides, All Movie Guide
- Starring:
- Judy Garland, Robert Goulet, (more)
- 1961
This cartoon series, consisting of 130 5-minute programs, looked a lot like Mr. Magoo, which was understandable as both the Tracy and Magoo series produced by United Productions of America. Dick Tracy, drawn in the realistic style of the newspaper strip (and voiced by Everett Sloane), was primarily seen in the opening segment, sitting at his desk at headquarters, contacting his various operatives by the two-way wrist-radio and assigning them their tasks. Tracy's operatives include Officer Heap O'Calorie, Hemlock Holmes, Go-Go Gomez, and Joe Jitsu -- these characters were drawn in exagerated cartoon style which, in the case of Japanese detective Joe Jitsu, was also highly ethnically offensive in decades to come (which is why the series disappeared from syndication in the 1970's). The villains were more interesting, an array of physical grotesques drawn right from the comic strip -- Pruneface, Itchy, BB Eyes, Flat Top et al, drawn in a more realistic style. The voices of the supporting detectives were based, in most instances, on some familiar movie figures: Cary Grant for Hemlock Holmes, Andy Devine for Heap O'Calorie etc. The cartoons were long on laughs and short on logic and excitement, and the production values, even by the standards of the limited animation typical for television, were somewhat threadbare. Indeed, the most memorable and exciting part of this series was the opening and closing sequences -- an overhead shot of a big city street, looking a lot like midtown Manhattan in the early 1960's, shows a police car at full siren cutting through traffic, and gunshots spell out "Dick Tracy," accompanied to swish-pan shots of panicked onlookers; the patrol car pulls up in front of a police station, and we cut to Tracy at his desk, telling the chief on his intercom that he "get right on it." The closing sequence was similar, a police car cutting through traffic at full speed, siren blaring, while onlookers stare. The credit sequence animators at least knew the look and feel of film noir, as well as a good action show. ~ Bruce Eder, All Movie Guide
- 1961
Director George Pal is noted as a special effects maestro, both in films for children that feature his "puppetoons" and in sci-fi spectacles like the War of the Worlds. So it is no surprise that this sci-fi yarn about the fabled sunken continent of Atlantis should excel in the special effects department. Otherwise, the story is a clichéd tale about Demetrios (Anthony Hall) a Greek fisherman who is tempted into going to Atlantis by Antillia (Joyce Taylor), a princess of that doomed land. Demetrios is soon trapped into slavery, a situation which leads him to hobnob with the oppressed masses and plan a strategy to get them out of there before the rumblings of imminent submersion send the whole kit and caboodle into the briny deep. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Anthony Hall, Joyce Taylor, (more)
- 1961
Although advertised as a "premiere," the first episode of Walt Disney's Wonderful World of Color was actually a continuation of the ABC anthology series that had run under the titles Disneyland and Walt Disney Presents since 1959. The major changes in the "new" version were twofold: Disney was now seen on NBC, and (of course) his program was broadcast in "living color" (and in fact was sponsored by RCA, foremost manufacturer of color TVs). Episode one opened in black-and-white, with Walt Disney discussing his plans for the future, then magically switched over to a full rainbow of hues. Further emphasizing the advantages of color over black-and-white, Disney compared his 1927 Mickey Mouse cartoon vehicle Plane Crazy with his earliest Technicolor effort, the 1932 "Silly Symphony" Flowers and Trees. Walt also introduced the viewers to his latest cartoon creation -- a brilliant, erudite Viennese duck named Ludwig Von Drake, who happened to be the uncle of good ol' Donald Duck (Professor Von Drake was not so brilliant as to disbelieve Donald's claims that Disney worked for him, instead of the other way around!). The remainder of the episode consists of the 1959 animated theatrical short subject Donald in Mathmagic Land, an entertainng foray into the world of numbers, angles, and shapes. ~ Hal Erickson, All Movie Guide
- Starring:
- Walt Disney, Paul H. Frees, (more)
- 1961
At the invitation of Walt Disney himself, erudite cartoon genius Professor Ludwig Von Drake takes over the hosting chores in this episode. Using clips from earlier Disney animated shorts for illustration purposes, Prof. Von Drake explains mankind's need to hunt, all the while conducting his own "hunt" for his missing glasses. Seen herein for the first time is Von Drake's loyal assistant and general factotum, Herman the Bootle Beetle. Although "The Hunting Instinct" was never rebroadcast on Walt Disney's Wondeful World of Color, the episode was later released theatrically overseas, and extensively excerpted in the 1982 Disney's Wonderful World installment "Man's Hunting Instinct." ~ Hal Erickson, All Movie Guide
- Starring:
- Paul H. Frees
Learn the grim truth about the lifestyles of those colorful beatniks in this exploitation drama that tells the story of a naive aspiring performer who meets an agent who promises to make him a star. Unfortunately, when the young man's friend murders someone, his dreams are shattered. ~ Sandra Brennan, All Movie Guide
- 1960
Wilma arranges for Fred and Barney to babysit Egbert, the son of her bridge companion Edna, on the very night that boys have landed tickets for the big prizefight. Our heroes resign themselves to watching the fight on TV, only to discover that it has been blacked out for a radius of 25 miles. Undaunted, Fred and Barney pack up Egbert in Fred's car and head to the home of Joe Rockhead, who lives just outside the blackout range. What follows is a veritable chain reaction of disasters, beginning when the boys mistake Joe's pet "runtasaurus" for Egbert. ~ Hal Erickson, All Movie Guide
In George Pal's version of the H.G. Wells classic, Rod Taylor stars as George, a young scientist fascinated with the concept of time travel. On December 31, 1899, George seats himself in his jerry-built time machine and thrusts himself forward into 1917. A dyed-in-the-wool pacifist, George is distressed to see that World War I is raging all about him. He moves past the 1920s and 1930s into the 1940s, only to be confronted by another, even more terrible war. Next he stops in 1966, just as London is destroyed in a nuclear explosion. Retreating to his Time Machine, George is sealed in his cellar by molten lava. By the time he and his machine manage to escape their tomb, the year is 802,701. Looking around, George observes a seemingly idyllic world populated by gentle people. But he also notices that the citizens of the future, known as "Elois," behave more like mindless sheep than human beings. Befriending the lovely Weena (Yvette Mimieux), George learns to his dismay that humankind has forgotten all that it has learned through the centuries, preferring instead to frolic endlessly under the sun. Plot holes and inconsistencies abound in The Time Machine, but the film's true selling points was its Oscar-winning special effects; in this respect, producer-director Pal succeeded beyond anyone's wildest dreams. Another plus: the haunting musical score by Russell Garcia. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Alan Young, (more)
This is a routine Disney comedy-fantasy about a boy who turns into a large sheep dog at the most inopportune moments. That is assuming there would be opportune moments. Young Wilby Daniels (Tommy Kirk) finds a magic ring that used to belong to the Borgia family. When he pronounces an inscription on the ring, he is suddenly able to transform himself into a shaggy dog -- though he has no control over when this is going to happen. To his dismay, the girl he likes gets involved without knowing who the dog really is. At the same time, the only way Wilby can break the spell is to perform some virtuous deed. Fortunately for him, a few Soviet spies are just hanging around, waiting to be uncovered by a canine. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Fred MacMurray, Jean Hagen, (more)
- 1959
- NR
American live-action footage frames this animated feature from the USSR, and the cartoon characters' voices are also dubbed in English. The Snow Queen is a Hans Christian Andersen fable about a cold-hearted queen of the frozen north (voice by Louise Arthur) who steals away young Kay (voice by Tommy Kirk) and takes him to her ice palace. Kay's friend Gerda (voice by Sandra Dee) gets worried when Kay does not come home, and so she sets out to find him. Along the way, she meets an eccentric flower woman, a Prince and a Princess, a magical reindeer, a talking Court raven, and many other fantastic characters. Once Gerda discovers that Kay is in the Snow Queen's palace, she has to find some way to save him in spite of the formidable Queen. ~ Eleanor Mannikka, All Movie Guide
- 1958
This confusingly-titled science-fiction thriller is both an artifact of its time and a surprisingly forward-looking film, in terms of plot. On the one hand, its plot makes it a kind of 1950's B-movie antecedent to The Andromeda Strain -- on the other, it owes a lot to the popular police procedural films and television shows of the decade or so leading up to its production. The title refers to an advanced US satellite sent into orbit, in part to gather and return samples of material from space. The latter includes a microscopic organism believed to be the same existing on the planet Mars which, so one scientist, Dr. Charles Pommer (Paul Frees), believes, is responsible for that world's red coloration. Pommer, who is permitted to take the sample to his home laboratory, is brilliant and single-minded in his work; but his intellect and ambition, coupled with his unstable personality and chaotic personal life, leads to disaster. He discovers that the organism, which he christens "Blood Rust," can multiply incredibly fast in Earth's environment, and attach itself to (and ultimately consume any living host creature, including human beings. The alien organism proves his undoing, and he lives just long enough to warn project security chief John Hand (Bill Williams) of the danger -- but the warning comes too late to prevent Pommer's ex-wife (Lyn Thomas) from becoming an unwitting carrier of the organism. It's up to Hand and his assistant, Radigan (Robert Ellis), to find this woman -- whose identity they don't even know at first -- even as she tries (for purely personal reasons) to elude the authorities, not knowing of the danger she presents to herself and the world. ~ Bruce Eder, All Movie Guide
- Starring:
- Bill Williams, Lyn Thomas, (more)
- 1957
A locked-in-the-fifties science fiction film, The 27th Day begins with five different people from five different countries suddenly disappearing from view. They have been gently abducted by the agent (Arnold Moss) of a faraway dying planet, who gives each of the five earthlings a "killing capsule" that will destroy everything on Earth and allow the residents of the alien planet to re-colonize the planet--but which will be ineffective if not used after 27 days. In typical Cold War fashion, the representatives of the "good" countries (including Gene Barry) refuse to utilize the capsules, while the Soviets, (personified by Azemat Janti and Stefan Schnabel) intend to deploy the capsules for their own nefarious purposes. Their perfidy only results in the utter decimation of the USSR. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Barry, Valerie French, (more)
- 1957
In some ways, the coming-attractions trailer for The Monolith Monsters is more exciting than the picture itself. The plot gets under way when a meteor crashes in the desert, leaving behind huge black chunks. While being analyzed in a science lab, the crystaline stones are accidentally drenched with water, whereupon they begin to grow to gargantuan dimensions. In a twinkling, these monster monoliths are running amok, "petrifying" whomever and whatever gets in their way. A sudden rainstorm further exacerbates the situation, causing the monoliths to grow to hitherto unimagined heights. Can the world be saved by the saline solution which the scientists are hurriedly developed in the lab? The notion of killer rocks was certainly a novelty: it would have been nice if Monolith Monsters had consistently lived up to the promise of its premise. ~ Hal Erickson, All Movie Guide
- Starring:
- Grant Williams, Lola Albright, (more)
- 1957
A hotel catering to the convention crowd has been victimized by a pickpocket. Investigating the thefts of several wallets and billfolds, Friday (Jack Webb) and Smith (Ben Alexander) hit a snag when one of the victims refuses to cooperate with the police. It turns out that the victim is harboring an embarrassing secret--but the detectives aren't about to give up so easily. Watch for brassy blonde comedienne Joyce Jameson (The Apartment, Comedy of Terrors) as a curvaceous good-time gal. ~ Hal Erickson, All Movie Guide
- 1957
The second in a group of full-color Bell Science Specials produced, written and directed by the legendary Frank Capra, Hemo the Magnificent is an hour-long combination of animation and live action, explaining in the most entertaining manner possible the human circulatory system. Shakesepearean scholar Dr. Frank Baxter again appears as "Dr. Research," with Richard Carlson as "The Fiction Writer." After establishing that "haemo" is the Greek word for blood, Dr. Research introduces The Fiction Writer to Hemo the Magnificent, a muscular animated figure with a transparent body, allowing us to see the entire blood stream from the heart on down. For the amusement of his animal friends (and, incidentally, the home audience), Hemo demonstrates just what makes him tick, with the help of such characters as Professor Anatomy, the Dispatcher, and the Pacemaker. The highlight is a cartoon segment showing how the brain and heart are interchangeable and inextricable, with UPA animation director Bill Hurtz depicting Man's Inner Workings as a huge, high-pressure factory, replete with whistles, warning buzzers and conveyor belts. The winner of an Emmy award for best cinematography, Hemo the Magnificent was rebroadcast several times, and later became a staple on the classroom audio-visual circuit. ~ Hal Erickson, All Movie Guide
- Starring:
- Dr. Frank Baxter, Richard Carlson, (more)
- 1957
In this 1957 "Tomorrowland" segment conceived and executed by Disney stalwart Ward Kimball, technical advisors Dr. Ernst Stuhlinger and Dr. Wernher Von Braun, at the time America's foremost guided-missile experts, detail the ongoing efforts to create the sort of rocketry that will enable Mankind to explore other planets. The focus is on a proposed trip to Mars, from the construction of the spaceship to the the liftoff from Cape Canaveral and the ultimate touchdown on the surface of the Red Planet. Questions raised: What will Mars be like? Can humans survive there? And what sort of life forms might we find? Highlights include a freakish cartoon parade of Martian residents, and a closing spoof of the UFO craze. Also participating in this captivating combination of live action and speculative animation is astronomer Dr. E. C. Slipher of Lowell Observatory. Mars and Beyond was released theatrically in 1958. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul H. Frees, Ernst Stuhlinger, (more)
- 1957
If Jet Pilot seems hopelessly out of date today, imagine how filmgoers in 1957 reacted when this relic from 1949 was taken off the shelf. Many, many years in the making due to the maniacal tinkering by producer Howard Hughes (who reportedly lost $4 million on it - a massive sum back then), the film was deemed unreleasable upon completion; only when Universal-International took over distribution of a handful of RKO Radio productions did it finally see the light of day. John Wayne stars as an air force colonel stationed in an Alaskan outpost only 40 miles or so from the Soviet Union. Wayne is put in charge of Russian jet pilot Janet Leigh, who claims that she wants to defect. Actually, Leigh is a Communist spy, but thanks to Wayne's affectionate attentions she is won over to the side of Democracy. Thus it is that Leigh rescues the Duke when he is kidnapped and nearly brainwashed by her Commie comrades. Jet Pilot was eventually bought back from U-I by Hughes for his personal collection; not only did he buy into the propagandistic plotline, but he was also enthralled by the aerial scenes, some of which were staged by legendary test pilot Chuck Yeager. The 1949 production date for a number of sequences explains not only why so many of the actors look young for 1957, but the existence of several supporting cast members who had died in the interim (such as Jack Overman and Richard Rober). ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Janet Leigh, (more)
An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Rod Steiger, (more)
- 1956
Though both star Donald O'Connor and director Arthur Lubin had said goodbye to the "Francis the Talking Mule" series, Universal-International wasn't about to give up on so valuable a property. Thus, Francis in the Haunted House starred Mickey Rooney, with Charles Barton calling the shots. Likewise missing from the earlier series entries was the voice of Francis, Chill Wills; he is replaced by the ubiquitous Paul Frees, who also narrated the film's promotional trailer. The plot and comic content of Francis in the Haunted House is summed up by the title, as Francis and his new buddy David Prescott (Mickey Rooney) try to corral a gang of art thieves. Along the way, they get mixed up with a phony heiress (Virginia Welles), a series of murders (one of the victims is Richard Deacon!) and, of course, a spooky old house. Most of the "scare" gags in Francis in the Haunted House had been done earlier, and better, by Universal's own Abbott and Costello. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Virginia Welles, (more)
Anyone who's seen the 1996 science-fiction lampoon Mars Attacks may have trouble watching Earth vs. the Flying Saucers with a straight face. Hugh Marlowe plays scientist Russell Marvin, who is on-hand when an alien spacecraft lands on earth. The saucermen at first insist that they've come in peace, but Marvin suspects otherwise. Sure enough, the visitors eventually declare their intention to take over the earth within the next 60 days, adding that the military's weapons are useless against them. The two-month window gives Marvin and his cohorts plenty of time to build-up superweapon, and thus stave off the seven-saucer invasion force. Special effects maestro Ray Harryhausen does a nice job laying waste to Washington DC in the film's memorable finale. The supporting cast of Earth vs. the Flying Saucers includes those two sci-fi flick stalwarts of the 1950s, Morris Ankrum and Thomas Browne Henry. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Marlowe, Joan Taylor, (more)
- 1956
Friday (Jack Webb) and Smith (Ben Alexander) search for the man who has robbed two stores. In both cases, the man handed a sealed envelope to the victim, with instructions to "hand over the money, or else." As it turns out, the person bearing the note had been strongarmed into doing the dirty work for the real thief--who remains at large. Versatile voiceover artist Paul Frees makes a rare on-camera appearance in this episode, which was based on the Dragnet radio broadcast of June 14, 1955. ~ Hal Erickson, All Movie Guide
- 1955
Screenwriter Philip Dunne doubled as director on the elaborate filmed biography Prince of Players. Richard Burton stars as the eminent American tragedian Edwin Booth, whose life and career is thrown into turmoil after his younger brother John Wilkes Booth (John Derek) assassinates Abraham Lincoln. The film begins as the younger Edwin assists his alcoholic, ailing father Junius Brutus Booth (Raymond Massey) during a tour of the American hinterlands. When Junius dies just before a performance, Edwin goes on in his stead, thereby launching his own starring career. In danger of becoming as much of a drunk and carouser as his father, Edwin eventually pulls himself together, but his brother's act of violence turns the audience against the name of Booth. Almost booed offstage during a performance of Hamlet, Edwin stands his ground, finally earning the respect of his rowdy audience. Not exactly packed with fast action, Prince of Players will appeal most to lovers of theater in general and Shakespeare in particular. Highlight: Richard Burton and Eva LeGalleine performing the balcony scene from Romeo and Juliet in the courtyard of a brothel. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Burton, Maggie McNamara, (more)
- 1955
After The Rains Came (1939), this epic romantic melodrama was the second version of author Louis Bromfield's novel to get the deluxe, big-budget treatment from Twentieth Century Fox. Lana Turner stars as Lady Edwina Esketh, the spoiled and hedonistic wife of Lord Esketh (Michael Rennie), a British royal. Intending to purchase some horses, the Eskeths accept an invitation to the Indian city of Ranchipur by the Maharani (Eugene Leontovich). Once there, Edwina meets and unsuccessfully attempts to seduce Dr. Safti (Richard Burton), a handsome Hindu doctor and the Maharani's chosen heir. While in Ranchipur, Edwina also runs into an old acquaintance, Tom Ransome (Fred MacMurray), now the town drunk. As Edwina begins to realize that she's feeling real love for Safti, the doctor succumbs to her charms and a torrid affair begins, as a series of earthquakes and a devastating flood strike Ranchipur. The Rains of Ranchipur (1955) was Oscar nominated for Best Visual Effects. ~ Karl Williams, All Movie Guide
- Starring:
- Lana Turner, Richard Burton, (more)
- 1954
The best film of Don Siegel's career to date, this surprisingly intelligent B-picture describes the dramatic arc of an organized rebellion at Folsom prison. The inmates, who are sick of living conditions which include rundown cells, brutal guards, dreadful food, and the presence of the seriously deranged in the general prison population, decide to stage a riot to demand change. Neville Brand stars as Dunn, the vocal prisoner who leads the uprising. After the inmates take some guards hostage, Dunn makes the prisoner's demands for reform known to the warden Emile Meyer. While acknowledging the validity of their grievances, for which he's already harangued politicians without success, he warns them that there's nothing that can be done immediately. As Dunn contacts media outlets to further publicize his cause, word of the riot spreads to other cell blocks, and they too become involved. Fearing a bloody mass insurrection, Meyer reluctantly calls in the militia. Dunn, who thus far has been able to restrain his disturbed cohort Carnie (Leo Gordon) from inciting violence, is beginning to lose control. Considering its limited budget, the film's impressive sense of authenticity derived partly from the experience of veteran producer Walter Wanger, who had spent four months in a minimum security facility for shooting the agent and lover of his wife, Joan Bennet. ~ Michael Costello, All Movie Guide
- Starring:
- Neville Brand, Emile G. Meyer, (more)
Suddenly is the name of the small town invaded by professional assassin Frank Sinatra and his henchmen. Taking a local family hostage, Sinatra sets up a vigil at the second-story window of the family's home. From here, he intends to kill the President of the United States when the latter makes a whistle-stop visit. The film's tension level is enough to induce goose pimples from first scene to last. Sinatra is outstanding as the disgruntled war vet who hopes to become a "somebody" by killing the president. The parallels between his character and Lee Harvey Oswald's are too close for comfort, so much so that Suddenly was withdrawn from local TV packages for several years after the JFK assassination. Sinatra would claim in later years that he himself engineered the removal of Suddenly from general distribution, though in fact he'd lost whatever rights he'd held on the film when it lapsed into public domain. Be sure and miss the notorious colorized version of this black-and-white thriller, wherein Sinatra is transformed into Ol' Brown Eyes. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Sterling Hayden, (more)
