Gray Fredrickson Movies

The Godfather
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide

The Godfather Part II
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide

The Godfather Part III
After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide

In the life of sexually successful young high-school student Phil Fuller (Kristoffer Tabori) the episodes in this story enable him to gain increased maturity and understanding. Phil is attracted to his gym teacher's beautiful wife who has a phobia about growing old and who eventually takes him to her bed. The boy also has a girlfriend with a late period, so he gallantly arranges for an abortion for her. When they discover she is not actually pregnant, he finds out that his mother (Joyce Van Patten) is seeking an abortion. Though he and she were not on very good terms, he stands by her throughout the whole ordeal (not entirely by choice) and wins her friendship. The story is broadly based on a novel by James Leigh. ~ Clarke Fountain, Rovi

In Sidney J. Furie's interminable caper film, Billy Dee Williams is a federal agent who takes matters into his own hands after the government refuses to do anything about French drug trafficking. After his daughter dies of an overdose of heroine and the authorities seem unconcerned, Nick Allen (Williams) takes it upon himself to organize a small independent task force of mercenaries to travel to France in order to kill the nine leaders of a Marseilles drug syndicate. This motley group of angry American citizens who are out for blood include the rabid Mike Willmer (Richard Pryor); the sedate Sherry Nielson (Gwen Welles); the robust Dutch Schiller (Warren Kammerling); and the kindly old Jewish couple, Ida (Janet Brandt) and Herman (Sid Melton), who want to inflict Old Testament revenge upon the dope peddlers. ~ Paul Brenner, Rovi

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

Teen rivalry in a small Southern town sets the stage for this dramatic interpretation of the novel by S.E. Hinton. Directed by Francis Ford Coppola, The Outsiders tells the story of the ongoing conflict between the Greasers and the Socs in rural Oklahoma. C. Thomas Howell stars as Ponyboy, the youngest of three orphaned boys who pal around with the local hoods known as the Greasers. When Ponyboy and his friend (Ralph Macchio) get into a deadly confrontation one night, the two go on the run from the cops, and they grow up quickly and soon realize the insignificance of their petty posturing. Matt Dillon stars as the tough-as-nails leader of their group and Patrick Swayze appears as Ponyboy's oldest brother. A host of other 1980s Brat Pack celebs fill out the cast. Dillon later appeared in another Coppola adaption of a Hinton book, Rumble Fish. ~ Bernadette McCallion, Rovi

Frank McBain (Gary Busey) is a cop who earned the nickname of "bulletproof" from the dozens of shootings he has survived over his career. He is called on to retrieve a tank held by communists across the border of Mexico. The enemies are cardboard caricatures of Arabs, Russians, and Mexicans led by the evil Colonel Kartiff (Henry Silva). Darlanne Fluegel co-stars with Juan Fernandez and Rene Enriquez in this forgettable feature. ~ Dan Pavlides, Rovi

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, Rovi

Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell, and Drew Barrymore are the stars of this Western whose main gimmick is making heroes into heroines. They all start out as prostitutes, as Cody (Stowe) shoots a drunken colonel who attempts to molest Anita (Masterson). She is about to be lynched for defending her friend when the other "bad girls" ride in and rescue her, pursued by detectives. The rest of the film follows their adventures as they get caught up in hostage situations, bank robberies, shootouts, and romantic interludes with handsome young cowboys with never a hair out of place or an unsightly smudge of Western dust. Amazingly, all four former prostitutes are able to ride, shoot, rope, and fight as well. Bad Girls is not likely to be thought of as a realistic view of how women lived in the Old West. ~ Don Kaye, Rovi

Popular country & western singer and well-regarded character actor Dwight Yoakam steps behind the camera for this revisionist Western, his first effort as a director and screenwriter. Valentine Casey (Yoakam) is the sheriff of the town of Los Tragos in the Arizona Territory. Valentine, an orphan, was raised as a child by Leland Henry (Luke Askew), a notorious outlaw, but while Henry's sons Taylor (Vince Vaughn) and Arvid (Paul Reubens) have followed their father into a life of crime, Valentine dedicates himself to putting Henry and his gang behind bars. But when the Henry gang knocks over a bank, Valentine and his posse are hopelessly outnumbered (and intimidated by Leland's Gatling guns). Years later, word has circulated that Valentine died while fighting in the Spanish-American War, but he mysteriously appears in an Arizona border town, winning the affections of a visiting actress named Adalyne (Bridget Fonda) and attracting the wrath of Brigadier Smalls (Billy Bob Thornton), Adalyne's beau and a mysterious figure with a troubling secret. South of Heaven, West of Hell also features supporting performances from Bud Cort, Michael Jeter, and Bo Hopkins. Dwight Yoakam also wrote the film's original score, in collaboration with his longtime producer and sideman Pete Anderson. ~ Mark Deming, Rovi

Loosely based on an urban legend centering on haunted train tracks, director Harry Basil's sophomore feature follows a young girl who was recently released from rehab as she moves back in with her parents and sister. When strange things begin happening around town, the recovering addict discovers that some restless spirits have a curious means of making their presence known among the local mortals. It's been fifty years since a speeding train collided with a bus full of school children, and the trauma of that tragic event still looms thick in the air of this tight-knit town. Now, just as a troubled young girl gets out of rehab, a disturbing series of murders that seem strangely tied to that tragedy begin to occur all around town. Brittany Snow and Kristin Cavallari star in a psychological shocker featuring Lou Diamond Phillips, Sally Kirkland, and Josh Henderson. ~ Jason Buchanan, Rovi

A historic cult that operates in accordance to ancient rituals involving the dragon-slaying Christian martyr St. George attempts to procure the sacrifice needed to resurrect their ancient leader in this supernatural thriller starring Armand Assante. On the Eve of St. George, the cult believes that they can bring the English patron back to life if they can find the perfect sacrifice - a child with untainted ancestry. Now, as the moment of truth draws near, ancient prophecies come to pass and a dark force prepares to rise from an eternal slumber. ~ Jason Buchanan, Rovi