Stephen Frears Movies
Known for making provocative, stylized, and tightly budgeted films about people living on society's social and/or sexual fringes, British director Stephen Frears is renowned as one of his country's most vibrant and recognizable filmmakers. Regarding his tendency to make films that branch into unfamiliar territory, Frears has said that he likes "making films about different cultures...I'm interested in things that I've never encountered before. I try to put myself in the audience's position." Born in Leicester on June 20, 1941, Frears studied law at Cambridge University before turning to the arts. He became involved with London's Royal Court Theatre, where he served as an assistant to director Lindsay Anderson and to actor Albert Finney. He started his career in the film industry as an assistant director to Karel Reisz, with whom he worked from 1966 until 1972.In 1971, Frears made his directorial debut with Gumshoe. Starring Finney, it was a tribute to the hardboiled detective drama. Frears helmed a few made-for-television films, and in 1985, he had his breakthrough directing My Beautiful Laundrette. Written for the screen by Hanif Kureishi, the film used its central story of the relationship between a young Pakistani and a London street punk (a then unknown Daniel Day-Lewis) to explore issues encompassing homosexuality, racism, and intergenerational tensions. An edgy, offbeat tale, it earned great critical acclaim, a Best Original Screenplay Oscar nomination, and a New York Film Critics Circle award for Kureshi. Frears and Kureishi again collaborated on Sammy and Rosie Get Laid (1987), a film about the faltering relationship between a London couple. Like My Beautiful Laundrette, it looked at a number of issues that were particularly relevant to late-'80s British society; unlike Laundrette, it failed to make much of an impression on critics or audiences.
Frears' next three films proved to be some of the most successful of his career. The first, Prick Up Your Ears (1987), was a biographical drama about the celebrated and controversial English playwright Joe Orton. Featuring stellar performances by Gary Oldman as Orton, Alfred Molina as his tragically unstable lover, and Vanessa Redgrave as his agent, the film was widely praised. A year later, a Best Director BAFTA nomination and a number of international honors greeted Frears for Dangerous Liaisons, his adaptation of Choderlos de Laclos' Les Liaisons Dangereuses. The director's most opulent piece to date, it was an elegant, witheringly cynical tragi-comedy that boasted an Oscar-winning script by Christopher Hampton and deliciously nasty lead performances from John Malkovich and Glenn Close, the latter of whom earned an Oscar nomination for her portrayal of the scheming Marquise de Merteuil. Frears gained more international acclaim and a Best Director Oscar nomination in 1990 for The Grifters. The gripping, stylish depiction of a deadly power struggle between three con artists (John Cusack, Anjelica Huston, and Annette Bening), the film earned a reputation as one of the best noirs in recent memory. Both Huston and Bening were nominated for Oscars for their work, and Frears duly earned a reputation as one of the most gifted British directors of his generation.
Frears' subsequent films have been of wildly mixed quality. Hero (1992) and Mary Reilly (1996) were complete duds, while two Roddy Doyle adaptations, The Snapper (1993) and The Van (1996), were modest affairs that enjoyed a fairly positive reception. Despite the presence of a strong cast that featured Woody Harrelson, Billy Crudup, Penélope Cruz, and Patricia Arquette, Frears' 1998 film, a 20th century Western entitled The Hi-Lo Country, was a sizable disappointment. A number of critics remarked that Frears was out of his element directing a film about cowboys. In 2000, however, Frears returned to more familiar territory with High Fidelity. Adapted from Nick Hornby's popular novel of the same name, the film reunited Frears with Cusack (who also co-wrote the script), and promised more of the same insightful social and sexual commentary that had so endeared the director to audiences and critics in years past.
Frears continued in 2000 with a nod to his past by directing the television remake of Fail Safe, featuring an all-star cast headed by George Clooney and Harvey Keitel. It was the first live two-hour telefilm in decades. That same year, he released the drama Liam. In 2002, Frears made one of his best films, Dirty Pretty Things, a biting yet hopeful drama-thriller about illegal aliens working, living, and surviving in London. The film's script was written by Steven Knight, the creator of the original British version of Who Wants to Be a Millionaire? In 2003, Frears once again directed a film for British television. The Deal was a historical political drama about how Tony Blair came to be the head of the Liberal party.
After a detour with the respectably ribald period piece Mrs. Henderson Presents, Frears reunited with the writer and star of The Deal to take another look at modern royalty; the result would be one of the high points of his career. Scripted by Peter Morgan, 2006's The Queen took a comic-yet-sympathetic look at the P.R. nightmare that ensued after Princess Diana's death in 1997. Bolstered by Helen Mirren's universally acclaimed work as Queen Elizabeth II, the film enjoyed a healthy arthouse run through awards season, when Frears found himself the recipient of countless Best Director nominations from critics' organizations, as well as the Golden Globe Awards. ~ Rebecca Flint Marx, All Movie Guide
- 1968
Aimed at a youthful viewership, the British comedy-drama series Tom Grattan's War starred Michael Howe as the teenaged title character. During WWI, Londoner Tom was evacuated to Yorskshire, where he moved in with his agrarian relatives. Though he wasn't looking for trouble, Tom found plenty of it when he and his new band of chums stumbled across a sinister German espionage ring. Produced for Yorkshire Television, Tom Grattan's War ran for a dozen 25-minute episodes, six of them telecast in 1968 and the remaining six shown in 1970. When the series was shown on Canadian TV a few years later, each episode was hosted by Andrea Martin as part of a "basic filmmaking" course for aspiring young moviemakers. ~ Hal Erickson, All Movie Guide
- 1971
Created by Monica Deakins, the British children's series Follyfoot starred Gillian Blake as Dora, a lonely teenager who'd been shuttled off to the country when her parents embarked upon a round-the-world vacation. At the suggestion of her kindly uncle, Dora began spending quality time at Follyfoot Farm, a home for "neglected" horses. Here she cared for a variety of deserving nags with the assistance of a bunch of local children, a lovably gruff stable hand named Slugger (Arthur English), and a spot of magic and mysticism. Desmond Llewellyn, best known for his appearances as the eccentric "Q" in the James Bond films, costarred as the Colonel. The series' theme song, "The Lightning Tree," proved to be a hit for a group called the Settlers. Distributed in England by YTV, the 39 half-hour episodes of Follyfoot were broadcast from 1971 to 1973. ~ Hal Erickson, All Movie Guide
Part spoof and part "straight," Gumshoe comes off as an affectionate tribute to the hard-boiled detective films of yore. Albert Finney stars as Eddie Ginley, a Liverpool bingo-caller and erstwhile comedian who has been weaned on the novels of Raymond Chandler and Dashiel Hammett. Fancying himself an ace detective, Ginley quits his job to form his own agency. Before long, he is involved in a complex mystery with decided echoes of The Maltese Falcon and The Big Sleep, replete with femme fatale (Janice Rule) and sinister fat man (George Silver). Armed with little more than a slick line of patter, Ginley plunges into this baffling case, while his level-headed brother (Frank Finlay) and sister-in-law (Billie Whitelaw) try to talk him out of it. Despite its satirical content, Gumshoe turns out to be a fascinating mystery yarn on its own terms. Albert Finney also produced the film, while none other than Andrew Lloyd Webber supplied the musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Albert Finney, Billie Whitelaw, (more)
- 1975
Made for British television, the 1975 Three Men in a Boat is the latest filmization of the timeworn Jerome K. Jerome comic novel. The plot remains the same: a trio of Englishmen take a boat excursion along the Thames during a two-week holiday. The trio experiences several amusing misadventures especially when they meet three lovely female landlubbers. Starring in this 64-minute adaptation are Tim Curry (as Jerome K. Jerome), Michael Palin and Steven Moore. Additional (and often very esoteric) dialogue has been added by adaptor Tom Stoppard, of Rosencranz and Guildenstern are Dead fame. Previous versions of Three Men in a Boat were produced in 1933 and (most memorably) 1958. ~ Hal Erickson, All Movie Guide
- 1978
- PG
During the 1977 Ediburgh Film Festival, independent filmmaker Maurice Hatton made this feature story, using real-life actors, film directors, producers, etc., to enact improvisational roles in a film about filmmaking. In the story, Charlie (played by the film's real-life producer Charles Gormley) is going from person to person at the Edinburgh Film Festival in order to raise money for the production of an independent director's first "commercial" film, tentatively titled "Gulf and Western." The bluffs, lies, and outright rejections he receives are characteristic of those experienced by industry insiders, and this rather bleak, occasionally humorous feature became a favorite among filmmakers and industry cognoscenti. Among the well-known individuals who enact roles similar to their real-life activities are director John Boorman, actress Susannah York, director Wim Wenders, and agent Dennis Selinger. ~ Clarke Fountain, All Movie Guide
- Starring:
- Charles Gormley, Neville Smith, (more)
- 1982
Director Stephen Frears paints a bleak and cynical picture of the ordinary Brit's ability to relate to someone less fortunate in this hard-hitting look at the world of the mentally handicapped. Walter (Ian McKellen) is a kind-hearted man who is mentally challenged. Walter's parents are remote and insensitive to him; his mother is constantly saying things that are cutting, and his father pays more attention to his pigeons than his son. Walter, however, loves the pigeons since they're only living beings in his life who are not hurtful. One day, tragedy strikes and Walter has to be interned in a mental institution. Paradoxically, his desire to help others finally finds an outlet there. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ian McKellen, Barbara Jefford, (more)
- 1983
The "Bloody" in Bloody Kids is meant in both its scatological in literal sense. Two restless teens (Derrick O'Connor and Gary Holton) from the South End of London go on a Saturday-night spree. When girls and booze lose their appeal, the boys add murder to their itinerary. A surreal, high-energy film about life and death on the streets, the film has some intelligent social criticism, but its ultra-violent subject matter and unusual visual style caused controversy. The most noteworthy aspect of Bloody Kids may well be its treatment upon release. Considered too bloody for British theatrical exposure, the film went directly to television -- an intriguing reversal of the American procedure. Bloody Kids was director Stephen Frears' second feature, foreshadowing his later highly acclaimed The Grifters which also featured grim subject matter but with classic film-noir grace and sensibility, a sensibility lacking in Bloody Kids. ~ Hal Erickson, All Movie Guide
Saigon: Year of the Cat is a low-budget drama about the fall of Saigon. The film was made for the BBC in 1983. It was one of many television projects that director Stephen Frears (High Fidelity) worked on in the early part of his career. Playwright David Hare (Plenty) wrote the script. Judi Dench plays Barbara Dean, a depressed loan officer working for a British bank in Saigon in 1974. Barbara politely wards off the advances of her Scottish co-worker, Donald (Roger Rees), who does not share her respect for the Vietnamese people. She also avoids getting involved with Frank (Wallace Shawn), an American embassy employee with whom she plays bridge. When she meets Bob (Frederic Forrest), however, she's immediately attracted to him. She soon learns that while Bob poses as a cultural attaché, he actually works for the CIA. When Bob belatedly recognizes her attraction, he opens up to her, and they become lovers. Bob hears from a reliable intelligence source that the North Vietnamese are stepping up their aggression and plan to take Saigon soon. He tries to convince his boss, Jack Ockham (Josef Sommer), and the U.S. ambassador (E.G. Marshall) to prepare for the fall of the city by evacuating the South Vietnamese citizens who have worked most closely with the U.S. government. The ambassador does not want to appear to be abandoning President Thieu's regime. He refuses to credit Bob's report. Meanwhile, as the crisis looms, Barbara is growing despondent because Bob is not spending time with her, and because there's little she can do to help her South Vietnamese friends get out of the country. ~ Josh Ralske, All Movie Guide
- Starring:
- Judi Dench, Frederic Forrest, (more)
In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, All Movie Guide
After the death of his wife and his subsequent descent into alcoholic near-agoraphobia, a crotchety Pakistani intellectual convinces his shady entrepreneur brother to provide work for his son in this multi-layered portrait of the immigrant experience in Great Britain. Young Londoner Omar (Gordon Warnecke) isn't sure what he wants out of life, but his uncle Nasser (Saeed Jaffrey) provides a corrupt, capitalist role model as Omar graduates from washing cars for the old crook to running his run-down laundromat. After a chance meeting with Johnny (Daniel Day-Lewis), an old school chum whose flirtation with fascism deeply wounded Omar's principled Papa (Roshan Seth), Omar hires the young thug to work for him. Soon, the pair begin a romantic relationship that remains as under-wraps as the illicit drug-running and enforcement work they perform for Nasser's associate, Salim (Derrick Branche). On the domestic front, Omar must balance his knowledge of Nasser's long-running affair with posh Brit Rachel (Shirley Ann Field) with his own loyalty and attraction to Nasser's Westernized daughter, Tania (Rita Wolf). After successfully transforming his laundrette into a vision of resplendent pastel suds and providing a bright spot in his otherwise sqalid London neighborhood, Omar seems to have a bright future in Nasser's organization. The spectre of Johnny's past, however, combines with Omar's conflicted immigrant loyalties to threaten the sense of identity the young man has managed to stake out for himself. British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his screenplay for My Beautiful Laundrette, which was originally filmed for BBC television. Kureishi collaborated again with director Stephen Frears on Sammy and Rosie Get Laid. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Daniel Day-Lewis, Gordon Warnecke, (more)
Director Stephen Frears' Loving Walter combines 1982's Walter, produced for Britain's Channel Four, and its sequel, 1983's Walter and June. Based on the best-selling book by David Cook, the story details the plight of Walter (Ian McKellan), a moderately retarded man, after the deaths of his parents. No concrete provisions have been made for Walter's upkeep, so he is thrown into an institution, where for the first time he is subjected to the casual cruelties of the "normal" world. Walter is rescued from an uncertain future through the love of June, played by Sarah Miles. Frankie Connolly plays the young Walter, while Arthur Whybrow and Barbara Jefford are his parents. ~ Hal Erickson, All Movie Guide
- Starring:
- Ian McKellen, Sarah Miles, (more)
This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Oldman, Alfred Molina, (more)
- 1987
- R
In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to reign in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Shashi Kapoor, Frances Barber, (more)
Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos' 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Close, John Malkovich, (more)
Director Stephen Frears' tense adaptation of Jim Thompson's novel The Grifters was one of a number of revival film noirs in the first half of the '90s. Updating the setting to contemporary Los Angeles, the film follows a trio of con artists who are intent on out-foxing each other. Roy Dillon (John Cusack) is a simple, two-bit con, whose life is thrown into turmoil when his estranged mother Lilly (Anjelica Huston) returns home in an attempt to evade the law. Lilly doesn't warm to Roy's girlfriend Myra Langtry (Annette Bening), who is too similar to herself. Soon, the two women are competing for Roy in a battle that is more of a power struggle than a pursuit of affection, and the battle quickly turns dangerous. Huston was nominated for an Academy Award for her work. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- John Cusack, Anjelica Huston, (more)
Stephen Frears' Hero is a contemporary re-working of a Frank Capra-styled fable about a two-bit criminal named Bernie (Dustin Hoffman) who saves several passengers from a plane crash and leaves the scene without being identified, leaving only a lost shoe for identification. One of the passengers happens to be news-reporter Gale (Geena Davis) who is intent on finding her savior, and offers a million dollars to the "hero" of the crashed flight. Bernie has since given his remaining shoe to a homeless man named John (Andy Garcia) who decides to cash in on the offer. A handsome, charming man, John wins the hearts of the entire city. Soon, Bernie realizes that he's been cheated out of a million dollars, and he begins an effort to get his proper recognition--and his money. Hero manages to be quite funny and satirical while sticking to a story that is essentially a Hollywood fable. That is to the credit of director Frears and the cast, who turn in uniformly excellent performances. Nevertheless, Hoffman is superb as a bitterly comic and spiteful variation on his classic Ratso Rizzo character. By the way, be on the lookout for Chevy Chase in a very funny cameo. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Dustin Hoffman, Geena Davis, (more)
The Snapper is Stephen Frears' adaptation of the second book in Roddy Doyle's Barrytown Trilogy. The Curley family is a poor but eccentric and loving Irish family. Oldest daughter Sharon (Tina Kellegher) announces she is pregnant, but refuses to reveal the identity of the father to anyone. Her father, Dessie (Colm Meaney), is supportive, but begins to chafe at the derisive gossip aimed at his family and his daughter. This leads to a confrontation between the two that is, like the rest of the movie, simultaneously funny and sad. The family waits in the hospital as Sharon gives birth to the snapper (Irish slang for an infant). The other books in the Barrytown Trilogy were also adapted into films featuring Colm Meaney as the father: The Commitments, directed by Alan Parker, and The Van, directed by Stephen Frears. Doyle had a hand in the screenplay for all three. ~ Perry Seibert, All Movie Guide
- Starring:
- Colm Meaney, Tina Kellegher, (more)
- 1995
This documentary from British director Stephen Frears represents England's entry in the British Film Institute commissioned series, "Century of Cinema," designed to be a collection of the personal opinions of renowned international filmmakers concerning the cinema of their native countries. Frears is joined by four other notable British directors who sit 'round a table sipping tea while discussing the past, present and future of English films. Included is Alexander Mackendrick, who died before this film was released. ~ Sandra Brennan, All Movie Guide
Based on the novel by Valerie Martin, this gothic suspense story offers a fresh perspective on Robert Louis Stevenson's classic horror tale Dr. Jekyll and Mr. Hyde by presenting the material from a different viewpoint -- that of Mary Reilly (Julia Roberts), an Irish servant girl who has come to work for esteemed surgeon Dr. Henry Jekyll (John Malkovich). Mary is fascinated but also intimidated by her new employer, while the doctor seems to take a personal interest in her that goes beyond mere professional courtesy, much to the annoyance of Mr. Poole (George Cole), Jekyll's brutish manservant who also appears to have his eye on her. Jekyll's interest in Mary increases when he learns that she was abused as a child by her violent and repressive father. The doctor seems to take a keen interest in the violent and uncontrollable side of human nature. One day, he announces to his housekeeping staff that his new colleague, Edward Hyde, may be dropping by unexpectedly and not to be alarmed at his presence. Just as she's become attracted to the studious Dr. Jekyll, Mary is fascinated by the brash and impulsive Mr. Hyde, though he carries an air of danger with him at all times -- and Mary doesn't realize at first that he is merely a manifestation of the darker side of Jekyll's personality. Mary Reilly also features Glenn Close as the Madame Mrs. Farraday. Stephen Frears -- who previously worked with Close, Malkovich and screenwriter Christopher Hampton on 1988's Dangerous Liaisons -- directed. ~ Mark Deming, All Movie Guide
- Starring:
- Julia Roberts, John Malkovich, (more)
- 1996
- R
This is the third film adapted from a fictional trilogy by Irish writer Roddy Doyle about families living in a working-class Dublin neighborhood. The first was director Alan Parker's smashing music mockumentary The Commitments and the second was the hilarious comedy The Snapper, directed by Stephen Frears. Frears also directs this film, which is about two unemployed buddies who convert a dilapidated van into Bimbo's Burgers, a mobile fast-food joint selling fish and chips and hamburgers. Bimbo (Donal O'Kelly) is the brains behind the operation, while his slacker friend Larry (Colm Meany) is his bumbling helper. They first set up shop outside a pub to capture patrons streaming out after watching a telecast of Ireland playing in the World Cup. When Ireland is eliminated, the bumbling entrepreneurs move to a forlorn beach. They get the help of Larry's daughter Diane (Neili Conroy) and son Kevin (Rauidhuri Conroy), who soon becomes so disgusted with the fare that he becomes a vegetarian. ~ Michael Betzold, All Movie Guide
- Starring:
- Colm Meaney, Donal O'Kelly, (more)
- 1997
This British-produced documentary offers an insightful portrait of American filmmaker Howard Hawks, whose remarkable five decade long career encompassed some of Hollywood's best loved movies. Hawks' personal and professional life is recalled by such friends and co-workers as Todd McCarthy (the noted Variety film critic who penned the director's biography), Lauren Bacall, Peter Bogdanovich, Angie Dickinson, William Friedkin and Walter Hill. It is also chronicled via archival interviews and clips from his best known films. ~ Sandra Brennan, All Movie Guide
Cowboys live again in this 20th century Western about two World War II veterans living on the lush, open New Mexico countryside. Based on the classic American novel by Max Evans about those struggling to continue living the Old West lifestyle in the early Cold War days, the film stars Woody Harrelson and Billy Crudup as two lifelong friends who fall for the same woman. Returning from war is Peter (Crudup), a cattleman who just wants a simple life on the farm, and Big Boy Matson (Harrelson), a big-drinking hellraiser always looking for a fight. Enter married Mona (Patricia Arquette), who turns both their heads and forces these two cowboys to put their friendship to the ultimate test. The film, like Sam Peckinpah's The Wild Bunch, is about freedom in wide-open spaces, so British director Stephen Frears is really out of his element in tackling this type of material. But he focuses the film on the relationships rather than the action, asking questions like "Is the girl more important than their friendship?" In the end, this film is more love story than Western. ~ Arthur Borman, All Movie Guide
- Starring:
- Woody Harrelson
A seemingly-minor electronic error sets the world on the verge of nuclear annihilation in this made-for-TV adaptation of the novel by Eugene Burdick and Harvey Wheeler (which was previously filmed in 1964). Due to the burn-out of a piece of circuitry, a computer orders a U.S. Air Force jet on a strategic bombing raid, destroying targets in Russia with nuclear weapons. As Generals Bogan (Brian Dennehy) and Black (Harvey Keitel) desperately search for a way to recall the planes once the mistake has been discovered, the bomber's commander, Col. Grady (George Clooney) sets out on his mission with grim determination, while the President (Richard Dreyfuss) and his translator (Noah Wyle) stay in contact with the Soviet premier, trying to convince him that this was all a terrible mistake. Fail Safe was first presented as a live television broadcast which aired on CBS on April 9, 2000. The supporting cast includes Hank Azaria, Don Cheadle, James Cromwell, and Sam Elliott. Star George Clooney spearheaded the unique project and served as executive producer. ~ Mark Deming, All Movie Guide
- Starring:
- George Clooney, Noah Wyle, (more)
