Helen Brown Movies

Greene (Anthony Edwards) tries to find a heart transplant for a seriously ill business contractor (Alan Rosenberg) who has already resigned himself to his impending death. Ross (George Clooney) comes to the aid of an asthmatic teenager whose parents can't afford the necessary medication. Greene's wife, Jenn (Christine Harnos), moves out of their home. And Carter (Noah Wyle) worries that his fling with Liz (Liz Vassey) may have exposed him to a sexually transmitted disease. This episode was originally slated to air on October 6, 1994. ~ Hal Erickson, All Movie Guide

What's Love Got to Do With It? is the filmed biography of R&B/pop singer Tina Turner (Angela Bassett), documenting her efforts to break away from her abusive husband Ike (Laurence Fishburne). After a few scenes detailing Tina's life as a young singer in Nutbush, TN, she's discovered by Ike Turner, an already established songwriter, guitarist, and record producer. Ike takes Tina under his wing and makes her a star, but her fame makes him jealous and abusive, and she has to struggle to break free of his domination. ~ Stephen Thomas Erlewine, All Movie Guide

In this comedy, a wealthy teen convinces a burglar to kidnap him so he can get his family's wayward attention. ~ Kristie Hassen, All Movie Guide

A Very Special Favor stars Rock Hudson as a notorious romeo and Leslie Caron as a prudish psychiatrist. At the urging of Caron's lawyer father Charles Boyer, Hudson begins a seduction campaign. Caron resents this intrusion in her private affairs and builds up a wall of resistance against the ardent Mr. Hudson. Still, the film ends with Hudson and Caron happily married, with plenty of children underfoot and another one on the way. Roundly panned for its alleged smarminess in 1965, A Very Special Favor is offensive today not for its sex talk but for its "pregnant, barefoot, in-the-kitchen" mentality. ~ Hal Erickson, All Movie Guide

When people refer to Doris Day as "the world's oldest professional virgin," they generally have the 1962 comedy That Touch of Mink in mind. It isn't that Cathy Timberlake (Day) is above a bit of hanky-panky; it's just that she wants such tangibles as a marriage license and wedding ring first. Thus, when playboy businessman Philip Shayne (Cary Grant) begins actively pursuing Cathy (they "met cute" when Philip's limo splashed mud on the hapless Cathy), she won't say "I will" until he says "I do." She is of the idealistic opinion that she can bring out the best intentions in him, even when he repeatedly tips off his worst intentions by inviting her to accompany him to Philadelphia, Baltimore, and Bermuda. After not a few complications and misunderstands, Cathy finally finagles a proposal out of Philip. The film is essentially much ado about nothing, but it is so well-acted and attractively photographed that the audiences are willing to go along for the ride. The high-powered supporting cast includes Gig Young as Roger, Philip's moralistic financial advisor; Audrey Meadows as Connie, Cathy's wise-cracking roommate; Alan Hewitt as Dr. Gruber, a confused psychiatrist; John Astin as Beasley, Cathy's slimy would-be beau; Dick Sargent as a neurotic honeymooner; and an unbilled Richard Deacon as an all-around letch. Best scene: the baseball-dugout rhubarb involving New York Yankees Mickey Mantle, Roger Maris, and Yogi Berra. ~ Hal Erickson, All Movie Guide

Hired to inventory the Bowden estate, Ralph Duncan (Vaughn Taylor), a none-too-bright civil servant, decides to impress his wife Helen by bringing home $153,000 in old greenbacks that he has found on the Bowden property. Of course, Duncan intends to return the money the next morning; unfortunately, the cash is stolen by his no-good cousin Charley (Robert Casper). Not only is poor Duncan accused of theft, but he's also charged with the murder of one Lloyd Farrell (Liam Sullivan)--and it is at this point that Perry Mason (Raymond Burr) enters the story. ~ Hal Erickson, All Movie Guide

With grim determination, Friday (Jack Webb) and Smith (Ben Alexander) search for a pair of armed bandits who have robbed and tortured elderly Wendell Bartell, savagely beating and burning the man while repeatedly stabbing his hands with a hatpin. Clearly, the thieves had "inside" information as to where Bartell kept his jewelry hidden in his home; also, Mrs. Bartell recalls that one of the crooks spoke with a "funny" accent. But it takes the testimony of a magazine delivery boy to put the detectives on the trail of a brand-new sedan with old license plates that was seen in the vicinity of the crime. This episode was adapted from the Dragnet radio broadcast of September 20, 1951. ~ Hal Erickson, All Movie Guide

Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, All Movie Guide

The "juvenile delinquent" film cycle of the 1950s, sparked by The Blackboard Jungle, resulted in such hastily assembled B-flicks as Columbia's Teenage Crime Wave. The "crime wave" of the title consists of the criminal activities of teenager Mike Denton (Tommy Cook). After escaping from reform school, Mike goes on a statewide shooting spree, accompanied by his girlfriend Terry Marsh (Mollie McCart) and victim-of-circumstance Jane Koberly (Sue England). Most of the film takes place in the farmhouse of middle-aged Tom Grant (James Bell), as Mike, Terry and Sue hold the Grant family hostage. Since Sue is really a nice kid at heart, the audience can rest assured that she will foil Mike's perfidy before fade-out time. One noted film critic has bestowed a "BOMB" rating upon Teenage Crime Wave, though it's certainly no worse than the others of its ilk. ~ Hal Erickson, All Movie Guide

The 3D melodrama Dangerous Mission starts off with a bang when innocent Piper Laurie inadvertently witnesses the murder of her gangster boss. Though she doesn't get a particularly good look at the killer, she knows she's dead meat if she remains in town. Thus, Laurie skeedaddles to Montana's Glacier National Park, where most of the film takes place. Following her westward are Victor Mature and Vincent Price. One of these men is a federal agent, bound and determined to bring Laurie back to the East to testify; the other is the murderer, who intends to silence our heroine for keeps. Laurie doesn't know which is which, but the audience does. A bit poky at times (thanks in part to the uninspired editing of Gene Palmer), Dangerous Mission roars into life during a mid-film forest fire and a climactic chase through the glacier fields. Featured in the cast are William Bendix as a Montana ~ Hal Erickson, All Movie Guide

The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no-frills tale with the outer trappings of an epic, forever framing the action in relation to the unspoiled land surrounding it. A.B. Guthrie Jr.'s screenplay, adapted from the Jack Schaefer novel, avoids the standard good guy/bad guy clichés: both homesteaders and cattlemen are shown as three-dimensional human beings, flaws and all, and even ostensible villain Emile Meyer comes off reasonable and logical when elucidating his dislike of the "newcomers" who threaten to divest him of his wide open spaces. ~ Hal Erickson, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide