Douglas Fowley Movies

Cat Women of the Moon tells the tale of a group of American space travellers who confront a hostile tribe of females on the border between the light and dark side of the moon. The expedition is led by Laird Grainger (Sonny Tufts), whose polyglot crew--including co-pilot Kip Reissner (Victor Jory) and navigator Helen Salinger (Marie Windsor)--land on the lunar surface, where they soon discover that there's an atmosphere and water and everything. After a few minutes of wandering, the travellers come upon a huge modernistic city, populated by leotard-clad "cat women". The ruler, Alpha (Carol Brewster), reveals that she has telepathically brought the earthlings to her city, using Salinger as her unsuspecting go-between. The cat women perform a kinky dance to the tune of "Stranger in Paradise," while the shifty copilot Reissner tries to steal the city's cache of gold. Alpha enslaves the visitors via mind control, leaving only cat-woman Lambda (Susan Morrow), who has fallen in love with crewman Douglas Smith (Bill Phipps), to save the day. ~ Hal Erickson, All Movie Guide

Man Behind the Gun is a standard-issue Randolph Scott western elevated by good performances and exciting action sequences. Scott plays Callicut, newly arrived in the bustling mid-19th century metropolis of Los Angeles. Outwardly just another soldier of fortune, Callicut is actually an undercover agent for the government, sent to LA to investigate a covert organization that hopes to make Southern California a separate state. When he finds the time, he romances schoolteacher Lora Roberts (Patrice Wymore), whose life he'd previously saved during a stagecoach holdup. Callicut's rival for Lora's attentions is Roy Giles (Philip Carey), a hotheaded Army captain who may be in on the secessionist movement. Once Callicut finds out who's behind the movement, all hell breaks loose. Robert Cabal makes a brief appearance in Man Behind the Gun as a supposedly harmless Latino who turns out to be firebrand desperado Joaquin Murietta. ~ Hal Erickson, All Movie Guide

Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made. ~ Hal Erickson, All Movie Guide

Set in the years following the Civil War, Horizons West stars Robert Ryan as Dan Hammond, one of three Texans who decide to return home after the cessation of hostilities. While his brother Neal (Rock Hudson) and his friend Tiny (James Arness) decide to become ranchers, Dan opts for a more adventurous life out West. Through means both fair and foul (mostly foul), he builds up a veritable empire, defending his turf with legions of hired gunmen. Eventually, the honest Neal is forced to face down his brother Dan, whose megalomania has reached dictatorial dimensions. Julie Adams, still billed as "Julia," plays a self-reliant widow who sets her cap for Dan, who in an earlier scene had gunned down the woman's husband (Raymond Burr)--a characteristically ironic grace-note from director Budd Boetticher. ~ Hal Erickson, All Movie Guide

Two escaped convicts (George Macready and Glenn Anders) invade the jungle dominion of Tarzan (Lex Barker) to set up a gunrunning operation. One of the criminals has sworn to "get" Tarzan, who was responsible for his arrest, and to that end stirs up unrest between two African tribes. After narrowly escaping death at every turn, Tarzan quells the inter-tribal hostilities, rescues a voluptuous jungle queen (Dorothy Dandridge), and saves his mate Jane (Virginia Houston) from the murderous machinations of the criminals. Tarzan's Peril plays more like a serial than a feature film, but certainly lives up to its title. African-American actress Dorothy Dandridge's brief appearance as the jungle queen involves a "bondage" sequence that has been cited by several film historians (one of whom evidently had a crush on Ms. Dandridge) as being somehow symbolic. ~ Hal Erickson, All Movie Guide

Richard Grayson and Margaret Field (the mother of actress Sally Field) play a young married couple beset with woe. They lose their baby, have extreme difficulty adopting another, and end up accused of stealing. They are saved from prison at the finale, but no such reprieve is given the couple's best friend, whose own travails drive her to suicide. Chain of Circumstance was based on an article in True Story magazine. ~ Hal Erickson, All Movie Guide

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide

As an actor, Eddy Arnold was a good country-western singer. In Hoedown, Eddy plays himself, while the acting burden was carried by Miss Jeff Donnell, Jock O'Mahoney (aka Jock Mahoney), and Guinn "Big Boy" Williams. O'Mahoney plays Stoney Rhodes, a cowboy star who is fired from his studio because he can't sing. Accompanied by Vera Wright (Donnell), Rhodes heads southward, where he attends a hoedown staged by Arnold and his C&W confreres. When bank robbers invade the party, Rhodes finds that he's not much help without his stuntmen to back him up. Eventually, however, he proves that he's a genuine hero, thereby assuring himself a renewed movie contract, not to mention the undying adoration of Wright. Among the musical guest stars featured in Hoedown are Carolina Cotton, The Pied Pipers and the Oklahoma Rangers. ~ Hal Erickson, All Movie Guide

Rod Cameron and Wayne Morris star as Civil War officers who become federal agents. The duo is sent west to investigate a series of stage hijackings. The criminals tend to bypass gold and valuables, and are seemingly interested only in the weapons carried on these coaches. It turns out that the hijackers are secret secessionists, hoping to achieve victory for the Southern cause. Stage to Tucson manages to pack a passel of thrills into its 82 minutes, compensating for the film's paucity of plot. ~ Hal Erickson, All Movie Guide

Westerner Tim Holt and his sidekick Richard Martin are hired to act as border guards on the Rio Grande. This being a modern western (more or less), Holt is obliged to keep insurrectionists from smuggling machine guns into Mexico. The villainy this time around is in the grubby but formidable hands of Douglas Fowley and Tom Tyler; Cleo Moore, voluptuous leading lady of many a Hugo Haas "B" melodrama, is also around to rouse Holt's interest south of the border. A very modest western, Rio Grande Patrol has had its virtues blown all out of proportion by devotees of "cult" director Lesley Selander. ~ Hal Erickson, All Movie Guide

He's a Cockeyed Wonder stars Mickey Rooney as the title character. Try as he might, Freddy Frisby (Rooney) can't succeed at anything. Things take an upward turn when Freddy inherits the estate of his uncle, a famed magician. Armed with all sorts of legerdemain, Freddy begins giving shows at local businesses, assisted by his girl friend Judy Sears (Terry Moore). While performing at a factory, Freddy and Judy are framed for a payroll robbery by a gang of thieves. By using his bag of tricks to the utmost, Our Hero clears himself and Judy then prepares to round up the bad guys. Nobody seems willing to play straight in He's a Cockeyed Wonder--certainly not William Demarest as the heroine's father and Douglas Fowley and Mike Mazurki as the head crooks. ~ Hal Erickson, All Movie Guide

RKO's Bunco Squad stars Robert Sterling as Sgt. Steve Johnson, a big-city detective dedicated to tracking down con artists. His current target is a gang of slicksters who are running a successful seance racket. Wealthy Jessica Royce (Elizabeth Risdon) is on the verge of bequeathing her fortune to the crooks, in exchange for communications from her deceased son. Posing as a couple of "marks," Johnson and girlfriend Grace Bradshaw (Joan Dixon) turn the tables on con-man Anthony Wells (Ricardo Cortez) and his confreres. On hand to reveal some of the techniques used by bunco artists is Dante the Magician, aka Harry A. Janssen, making the second of his two screen appearances (the first was in Laurel & Hardy's A-Haunting We Will Go). ~ Hal Erickson, All Movie Guide