Douglas Fowley Movies

Raymond Burr was already three years into Perry Mason when he decided to return to his movie-villain roots with Desire in the Dust. Burr, playing the patriarch of a Southern family, befriends the ex-convict (Ken Scott) who'd supposedly killed Burr's son in an auto accident. Actually the accident was caused by Burr's daughter (Martha Hyer), who hopes that she can buy the accused man's silence and thus secure her daddy's political future. The ex-con goes along with the deception, having fallen in love with the daughter, but soon learns that Burr plans to double-cross him. Based on a novel by Harry Whittington. ~ Hal Erickson, All Movie Guide

In this western, the Indians claim that their government rations are being stolen and they threaten to fight back. A pair of agents look into it and bring the culprits to justice. ~ Sandra Brennan, All Movie Guide

In this western set in the Mexican controlled part of California, a villainous cavalry officer is trying to force the owner of a hacienda to give him his land when a courageous settler comes to the rescue. ~ Sandra Brennan, All Movie Guide

Kelly is a big, lovable, immensely talented German Shepherd. "Me" is Len Carmody (Van Johnson), a third-rate vaudevillian. Carmody's fortunes take an upswing when he teams with the personable Kelly for professional reasons. When talking pictures come in, Carmody is signed to appear in short subjects, only to discover that it's the dog the producers want, rather than him. As if this wasn't enough for Carmody to worry about, Kelly's original owner pops up out of nowhere, demanding that the dog be returned to him. As something of a balm, Carmody enjoys the romantic attentions of two lovely ladies: Mina Van Runkel (Piper Laurie), daughter of movie-studio owner Walter Van Runkel (Onslow Stevens), and cinema vamp Lucy Castle (Martha Hyer). ~ Hal Erickson, All Movie Guide

Claudette Colbert makes a long-overdue entree into the Western genre in Texas Lady. Looking at least a decade younger than her 50 years, Ms. Colbert plays Prudence Webb, who arrives in the wide-open town of Fort Ralston, Texas, to assume control of her late father's newspaper. Her first major print crusade is aimed at gambler Chris Mooney (Barry Sullivan), whom Prudence holds responsible for her dad's suicide (Mooney isn't, but it takes our heroine nearly eight reels to find this out). She then takes aim at a couple of crooked cattle barons (Ray Collins and Walter Sande), who'd like nothing better than to put Prudence out of the way for keeps. ~ Hal Erickson, All Movie Guide

A must-see for students of 1950s pop culture, Rock, Pretty Baby was Universal-International's earliest acknowledgement of the rock 'n' roll craze. John Saxon plays 18-year-old high schooler Jimmy Daley, who intends to pursue a musical career despite the objections of his physician father (Edward C. Platt). Daley organizes a student band, then tries his best to obtain bookings. One of Jimmy's musical cohorts is none other than Rod McKuen, cast as one "Ox Bentley". Inevitably, the film comes to a noissome conclusion during a televised "bandstand" show, hosted by LA deejay Johnny Grant. The supporting cast of Rock, Pretty Baby runs the age gamut from teenaged Sal Mineo to veteran film favorite Fay Wray. ~ Hal Erickson, All Movie Guide

In this comedy sequel to Wonderful Town (a popular Broadway musical), Kim, a museum worker from Providence, Rhode Island, inherits half ownership of a Las Vegas hotel when her father dies. She and her Aunt Clara go there to learn more about it. Unfortunately, just before they arrive, the other owner, Ether Ferguson, gambles the hotel away. When Kim and Clara arrive, Kim is led to believe that the hotel she co-owns is the Flamingo Hotel which is really owned by Victor Monte. Victor finds the naive lass charming and so allows the delusion to persist. Eventually they fall in love. Songs include: "An Occasional Man," "Take a Chance," "We're Alone," "The Girl Rush," "Champagne," "Birmingham," "Out of Doors," "Choose Your Partner," and "My Hillbilly Heart." ~ Sandra Brennan, All Movie Guide

There are few surprises in The Lone Gun--and few lulls, either. Things get under way when ex-marshal George Montgomery rides into a wide-open Texas town. Montgomery intends to bring three cattle-rustling brothers to justice. Since those siblings are played by Neville Brand, Douglas Kennedy and Robert Wilke, one suspects that Our Hero's task will not be accomplished within the film's first twenty minutes. Taking over a cattle ranch run by Dorothy Malone and her brother Skip Homeier, the villains inaugurate a deadly game of cat and mouse with Montgomery. Frank Faylen scores in an uncharacteristic performance as a dude gambler. The Lone Gun was produced by Edward Small for United Artists. ~ Hal Erickson, All Movie Guide

For The High and the Mighty, director William Wellman made a point of using Cinemascope to heighten the dramatic content of a confined screen space -- in this instance, the cockpit of a plane in flight. Copilot Dan Roman (John Wayne) seems a lot more in control of things than Captain John Sullivan (Robert Stack) when the plane loses an engine during a flight from Honolulu to San Francisco. Wellman crosscuts from the tension in the cockpit to the various subplots involving the plane's passengers, among them May Holst (Claire Trevor), Lydia Rice (Laraine Day), Howard Rice (John Howard), Sally McKee (Jan Sterling), Ed Joseph (Phil Harris), and Humphrey Agnew (Sidney Blackmer) (as a character named Humphrey Agnew -- a remarkable prescient cognomen given the future of the U.S. vice presidency!). Adapted by Ernest K. Gann from his best-selling novel, The High and the Mighty was one of the first (and most profitable) entries in the "terror in the sky" genre. Its theme music, written by Dimitri Tiomkin and whistled incessantly by John Wayne in the film, would later become a best-selling hit throughout the world. ~ Hal Erickson, All Movie Guide

Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, All Movie Guide

It doesn't take long for old-time-radio fans to figure out that The Naked Jungle is a film version of the classic Carl Stephenson nailbiter Leiningen Versus the Ants. Charlton Heston plays South American plantation owner Christopher Leiningen, who spends most of the film preparing for the hellish onslaught of deadly soldier ants. The original story concentrated solely on Leiningen; the film version hokes things up a bit by bestowing upon the hero a gorgeous mail-order bride, played by Eleanor Parker. No matter: the climactic insect invasion is well worth the wait, utilizing the Paramount Pictures optical-effects department to the nth degree. The Naked Jungle also offers excellent supporting work from Abraham Sofaer, Douglas Fowley, and William Conrad, who also acted in several of the radio adaptations of the Carl Stephenson yarn. ~ Hal Erickson, All Movie Guide

Rex Allen, the last of Republic's singing cowboys, stars in Red River Shore. This time, it's up to Allen to prevent a major oil scam. The potential suckers have been enticed into the deal on the reputation of a recently deceased local hero. The problem here is to rout the crooks without dragging the dead man's name through the mud. Fortunately, providence, and the screenwriters, take a hand in things. Though Rex Allen usually gets the girl -- in this case, Lyn Thomas -- the romantic angle this time is handled by young swain Bill Phipps. ~ Hal Erickson, All Movie Guide