Gene Fowler, Jr. Movies

Bertholt Brecht (1898-1956) was a groundbreaking German playwright, movie-maker, and poet. Among his well-known works are the musical drama The Threepenny Opera (which originated the famous song Mack the Knife in collaboration with composer Kurt Weill), and the harrowing drama Mother Courage and Her Children, which have become part of the world's standard theatrical repertory. Due to his leftist political sympathies, despite his eminent stature in Germany, he decided to live the life of an exile in the United States between 1941 and 1947. This documentary explores that period in his life. While in the U.S., he supported himself by writing screenplays such as the one he wrote with Charles Laughton for Galileo Galilei). His leftist sentiments and intense idealism brought him into conflict with the increasingly hysterical anti-communist activities of branches of the U.S. government. When he was brought before the House Un-American Activities Committee (H.U.A.C.) to testify, along with other culturally influential men such as Ring Lardner, Jr., he was unable to adequately defend himself. The day after his testimony, he returned to (East) Germany, to resume his career there. ~ Clarke Fountain, All Movie Guide

Jerry Lewis reprises his previous movie persona, this time as Warren Nefron, a man unable to successfully kill himself, while Herb Edelman is Dr. Jonas Pletchick, the psychiatrist out to cure him of his failure, in this undistinguished slapstick comedy. Many of Lewis' past routines crop up again through the device of flashbacks, as he sits in the doctor's office and remembers vignettes from his past. As usual, the French love his humor and flocked to see this film when it was first released. ~ Eleanor Mannikka, All Movie Guide

The short-lived roller-disco craze of the late 1970s served as inspiration for this dated comedy, which follows the patrons of a popular roller-disco palace as they prepare for a major race. Naturally, the climactic showdown features a wholesome, upright hero (Greg Bradford) facing the fearsome challenge of a leather-clad villain (a pre-fame Patrick Swayze). ~ Judd Blaise, All Movie Guide

The New Adventures of Heidi may be set in contemporary times, but it's still the same old yodel-ay-ee-hoo. Johann Spyri's disgustingly spunky moppet Heidi (Katy Kurtzman) is separated from her beloved grandfather (Burl Ives). She is sent to live with hateful relatives in New York City. Before winning over everyone except the audience, Heidi and her cohorts get to warble 10 original songs by Buz Kohan. Made for TV, The New Adventures of Heidi might have been more tolerable had it been interrupted by a pro football game. ~ Hal Erickson, All Movie Guide

Based on the best-selling Vincent Bugliosi book of the same name, Helter Skelter is a made-for-TV account of the investigation and prosecution of Charles Manson (Steve Railsback), who was convicted of leading a group of followers (known as "The Family") to murder seven people in California, including actress Sharon Tate. The film takes a Law & Order-like approach, starting with the discovery of the murders, which leads to the police gathering snippets of evidence that they eventually connect to the bigger picture. The second half of the movie concentrates on how District Attorney Bugliosi (George DiCenzo) attains a conviction despite the enormous amount of press coverage the case received. Nancy Wolfe, Christina Hart, and Cathey Paine portray the three loyal Manson Family members who were the co-defendants at his trial. ~ Perry Seibert, All Movie Guide

Created by Earl Hamner, A Dream for Christmas is set in the 1950s. African-American minister Will Douglas (Hari Rhodes) moves his family from Arkansas to the Watts section of Los Angeles to take charge of an impoverished church. The attendance, at least at first, is as poor as the congregation. Worse still, the church is slated to be demolished. But it's close to Christmas, a time when miracles have been known to happen. Featured in the all-black cast are Beah Richards, Lynn Hamilton, Robert Do'Qui, Juanita Moore, and Clarence Muse. Appropriately enough, A Dream for Christmas originally aired on December 24, 1973. It was originally designed as the pilot for a never-sold TV series titled The Douglas Family. ~ Hal Erickson, All Movie Guide

After an outlaw (Sam Elliott) is brought to justice, he begins to work on the sheriff's wife (Vera Miles) and eventually gets her to help him escape from prison. ~ John Bush, All Movie Guide

In this thriller, adapted from the novel Binary by John Lange and directed by Michael Crichton, a federal agent played by Ben Gazzara must stop a madman before he can unleash a toxic nerve gas upon an unwitting political convention. ~ Jason Ankeny, All Movie Guide

Great Mexican murals, their artists and history are the subjects here. Narrated by Ricardo Montalban, this documentary examines Mexico's great tradition of mural painting: "walls that speak," or "walls of fire." Among the works examined are those by José Clemente Orozco, Diego Rivera and David Alfaro Siqueiros. The bulk of the film is devoted to the life and work of Siqueiros, who was 74 at the time the film was made. Of interest is an extremely rapid portrait Siqueiros made of Russian poet Eugeni Yevtushenko during a visit the poet made to the artist's studio. ~ Clarke Fountain, All Movie Guide

A Man Called Horse stars Richard Harris as Lord John Morgan, an English peer cast somewhat adrift in the American West. Captured by Sioux Indians, Lord Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. The Englishman passes many of the necessary tests that will permit him to become a member of the tribe, the most grueling of which (and the one used most extensively in the film's advertising) is the Sun Vow Initiation. That's where his lordship is hung from the roof of a huge teepee with hooks through his pectoral muscles. Much of the dialogue is spoken in the Sioux language, though the film's much-vaunted "historical accuracy" is not altogether consistent, as witness the casting of British stage luminary Judith Anderson as Sioux woman Buffalo Cow Head. A Man Called Horse spawned warrant two sequels. Originally rated "GP" in 1970, it has since been re-rated R by the MPAA. ~ Hal Erickson, All Movie Guide

Ex-lawman turned rancher Jed Cooper (Clint Eastwood) is moving a small herd of cattle when a group of nine men on horseback, led by Captain Wilson (Ed Begley Sr.), ride up and accuse him of having stolen the cattle and killed their owner. Refusing to believe his account, they string him up by the neck and leave him for dead, but they don't do the job right. Cooper is dangling there, barely alive, a few minutes later when Deputy U.S. Marshal Bliss (Ben Johnson) spots him and cuts him down. He survives the next few days in Bliss' tumbleweed wagon with the other prisoners, and is later cleared of any wrongdoing and released by Judge Fenton (Pat Hingle), just in time to witness the hanging of the man who really murdered the owner of the cattle and took Cooper's money. Cooper still wants revenge on the nine men who tried to hang him, but Fenton insists that he leave the bringing of them to justice to his deputy marshals. As it happens, Fenton is in desperate need of deputy marshals for the territory that he oversees, and he also knows that Cooper was a good lawman. Cooper, in turn, is now broke and in need of a job, and does want to see justice done. They strike an uneasy bargain, Cooper agreeing to wear a badge and bring in the men he's looking for -- alive -- for trial. The latter proves easier said than done, however, when the first of them that he spots tries to draw on him when he makes the arrest. One of the hanging party, Jenkins (Bob Steele), soon turns himself in and provides the names of the others. Cooper takes Stone (Alan Hale Jr.) alive, but the hapless blacksmith is later shot by the local sheriff (Charles McGraw) while trying to escape. The other men, led by Wilson, have no intention of dying, or even being brought to trial, without a fight. Two of them go on the run out of the territory, while Wilson and two of the others decide to take the law into their own hands once again. Meanwhile, Cooper becomes a hero when he single-handedly brings back a trio of rustlers who are also guilty of murder. This leads to Cooper's first confrontation with Judge Fenton, who, in a gripping scene, explains why it is essential that he be as seemingly quick to hang a man as he is. Unless the people are convinced that the law will do its job -- including hanging men who deserve it -- they will keep taking the law into their own hands and there will be more lynch mobs like the one that tried to kill Cooper. In the course of his quest for justice, Cooper also makes the acquaintance of Rachel (Inger Stevens), a young woman with her own search for justice, haunted by her own ghosts, and the two of them are drawn together, no more so than when Wilson and two of the others try to gun Cooper down in cold blood. The final confrontation between Cooper and Wilson escalates in violence to its savage, irony-laced conclusion. ~ Bruce Eder, All Movie Guide

Produced by Stanley Kramer, A Child is Waiting is set in an institution for the mentally handicapped, with many actual residents playing supporting and bit roles. Doctor Burt Lancaster and instructor Judy Garland often find themselves at odds over teaching methods, with Garland preferring an intense one-on-one approach with her students. Bruce Ritchey, a non-developmentally challenged youth, plays the retarded son of Gena Rowlands and Steven Hill, whose intellectual and social progress becomes the focal point of the film. The most uplifting sequence in A Child is Waiting takes place during a play staged by the genuinely handicapped children for their parents; while director John Cassavetes gilds the lily with close-ups of the teary-eyed audience, the kids themselves are earnest, engaging, and totally devoid of self-pity. According to Stanley Kramer, Judy Garland left her best work in this film on the cutting room floor; whenever completing a scene in which she'd exercised professional restraint, she'd insist upon a retake, then resort to the sobbing and breast-beating that her fans had come to expect. ~ Hal Erickson, All Movie Guide