Norman Foster Movies

A meandering mule and an old prospector find gold and adventure in the Grand Canyon in this family programmer. ~ Kristie Hassen, All Movie Guide

Peerless British filmmaker Michael Powell found his career in tatters after directing the still-controversial crime thriller Peeping Tom (1960). Bluebeard's Castle, Powell's first film in four years, constituted an cinematization of the 1911 opera Bluebeard's Castle, by Bela Bartok, about the nefarious exploits of the 19th century Parisian murderer (here played by Norman Foster) who woos his female victims, then dispatches them. Because the British industry was, for all intents and purposes, still blacklisting Powell in 1964, he had to travel to Germany to make this one. Legal issues kept Bluebeard's Castle out of circulation for decades. ~ Hal Erickson, All Movie Guide

Taken from the Walt Disney "Zorro" television series, this film was created from a number of episodes starring the popular masked hero (Guy Williams). ~ Iotis Erlewine, All Movie Guide

Elfego Baca was another of several miniseries developed by producer Walt Disney in hopes of matching the earlier success of the Davy Crockett programs. Originally telecast on the Walt Disney Presents anthology, this newest effort was launched with the first of its ten episodes, "The Nine Lives of Elfego Baca." Based on the memoirs of the real-life Baca, the miniseries stars Robert Loggia as the title character, a former gunslinger who becomes a lawyer in 1880s New Mexico. Arriving in the town of Frisco, Elfego Baca subdues a drunken rowdy, much to the delight of the townsfolk and the embarrassment of the cowardly sheriff. Deputized by the local justice of the peace, Elfego learns that he has been marked for death by the drunk's scurrilous friends. The bad guys try to kill Baca with guns and gunpowder, but he proves to have more lives than a cat. Based on a true incident, "The Nine Lives of Elfego Baca" was later edited together with the second episode in the miniseries, "Four Down and Five Lives to Go" and released overseas as a theatrical feature. ~ Hal Erickson, All Movie Guide

Like its predecessor Davy Crockett, King of the Wild Frontier, Walt Disney's Davy Crockett and the River Pirates was cobbled together from two episodes of the weekly TV anthology Disneyland. Though it wasn't so labelled at the time, River Pirates is actually a "prequel" to the earlier film, detailing events that allegedly occured in Crockett's life before his rendezvous with destiny at the Alamo. Set in 1810, the first half of the story deals with a river race to New Orleans between Davy (Fess Parker) and his friendly enemy Mike Fink (Jeff York). Once this plot strand has run its course, the film segues into Davy and Mike's attempts to prevent an Indian war which is being fomented by a renegade white man. Linking these two episodes are the spirited ballads of Davy's pal George Russel (Buddy Ebsen). Like the first "Davy Crockett" venture, Davy Crockett and the River Pirates cleaned up at the box-office and increased department-store sales of those coonskin caps (remember?) ~ Hal Erickson, All Movie Guide

The jewel in the crown of the TV anthology Disneyland's first season was the phenominally successful three-part miniseries Davy Crockett, an entertaining mixture of fact and legend surrounding fabled frontiersman Davy Crockett (Fess Parker). All three episodes were originally introduced with series host-producer Walt Disney reading a chapter from Davy Crockett's Journal, whereupon a series of semi-animated tableaux faded into the live-action portion of the program. In Episode Two, Davy hopes to live a peaceful life as a farmer with his wife Polly (Helene Stanley) and their kids, but his old pal Georgie Russell (Buddy Ebsen) convinces him to head to Tennessee in search of more "elbow room." After routing a local bully and crook named Big Foot Mason (Mike Mazurki), Davy is asked to run for office, but he refuses--until word arrives that his wife Polly has died. Now bereft of marital ties, Davy is elected to the Nashville Legislature, then goes on to Congress under the patronage of his old commanding officer (and current presidential candidate) Andrew Jackson (Basil Ruysdael). But when he realizes he's being used by Jackson as a cat's-paw to rob the Indians of their land, Davy quits politics in disgust and returns to the Great Outdoors. In 1955, the three Emmy-winning Davy Crockett episodes were re-edited and released as the theatrical feature Davy Crockett, King of the Wild Frontier. ~ Hal Erickson, All Movie Guide

Wisely cashing in on the enormous (and largely unexpected) success of his 1954 Davy Crockett TV miniseries, Walt Disney whipped up a spinoff for the 1955-56 season of his weekly Disneyland anthology. Since frontiersman Davy Crockett (Fess Parker) and his pal George Russel (Buddy Ebsen) were killed off at the Alamo at the end of the first miniseries, the second Davy Crockett opus, the two-part "The Legends of Davy Crockett" was a "prequel", set in 1810 or thereabouts. In Episode One, "Davy Crockett's Keelboat Race", Davy and George want to travel down the Ohio River towards New Orleans, but they bristle when self-styled "King of the River" Mike Fink (Jeff York) charges them $1000 for a ride on his keelboat. Our heroes hire another boat captained by an old salt named Cobb (Clem Bevans), thereby sparking a race between Crockett and Fink, with a valuable shipment of furs as the prize. Naturally, Mike pulls all sorts of underhanded tricks to keep Davy's boat from finishing the race, but good sportsmanship wins out, and Davy and Mike become good pals. A hint of what is to come in the next episode, "Davy Crockett and the River Pirates", occurs when a band of white outlaws disguised as Indians have a brief set-to with Davy early in the proceedings. The series' hit theme song, not to mention those coonskin caps, are very much in evidence, with the added filip of a new song, "King of the River", sung con brio by Jeff York. Both episodes of The Legends of Davy Crockett were later edited together and released theatrically in 1956 as Davy Crockett and the River Pirates. ~ Hal Erickson, All Movie Guide

The jewel in the crown of the TV anthology Disneyland's first season was the phenominally successful three-part miniseries Davy Crockett, an entertaining mixture of fact and legend surrounding fabled frontiersman Davy Crockett (Fess Parker). All three episodes were originally introduced with series host-producer Walt Disney reading a chapter from Davy Crockett's Journal, whereupon a series of semi-animated tableaux faded into the live-action portion of the program. In Episode One, civilian Indian Fighter Davy Crockett proves indispensible to both British and American armed forces with his unorthodox but effective methods of lessening the threat of Indian attack. Eventually, Davy and his pal George Russel (Buddy Ebsen) are assigned to track down the fearsome Chief Red Stick (Pat Hogan), in hopes of bring peace to the territory once and for all. Captured by Red Stick's warriors, Davy earns the Chief's respect by beating him in hand-to-hand combat, thereby proving himself as effective a man of peace as a man of war. Among other achievements, this episode introduced one of the biggest hit songs of the 1950s, "The Ballad of Davy Crockett"--and also transformed Davy's coonskin cap into a national status symbol. In 1955, the three Emmy-winning Davy Crockett episodes were re-edited and released as the theatrical feature Davy Crockett, King of the Wild Frontier. ~ Hal Erickson, All Movie Guide

Sky Full of Moon gets under way when Vegas gambling-joint owner Al (Keenan Wynn) rescues rodeo rider Harley Williams (Carleton Carpenter) from drowning. Harley is then "adopted" as a good-luck charm by Al's change girl Dixie Delmar (Jan Sterling). When their lucky gambling streak comes to an end, so too does Harley and Dixie's romantic relationship. Though he practically has to have the moon fall on his head, Harley finally realizes that he's too naïve for life in the Fast Lane. The film's title derives from a line of dialogue delivered by Harley during his clumsy courtship of the hard-bitten Dixie. ~ Hal Erickson, All Movie Guide

Father is a Bachelor is a pleasant throwback to the "rural" comedies of the 1930s. William Holden plays Johnny Rutledge, a philosophical hobo to whom fishing is the only reason for living. Rutledge is forced to take a few jolts of responsibility when he crosses the path of five orphans. The kids decide to "adopt" Johnny and find him a bride--preferably small-town girl Prudence Millett (Colleen Gray). Charles Winninger steals the film from everyone--even those five urchins--as a medicine-show charlatan named Professor Mordecai Ford. One of the children is played by Billy Gray, of Father Knows Best fame. ~ Hal Erickson, All Movie Guide

Though divorced from attorney Robert Cummings, Rosalind Russell continues hoping that she can arrange a reconciliation. This proves difficult due to Cummings' fascination with curvaceous Marie McDonald. Contriving to arouse Cumming's jealousy, Russell pretends to be married to feckless Gig Young. There's complications and misunderstandings aplenty before happy-ending time. Tell It to the Judge is so lightweight that it threatens to float out of sight at times; the stars manage to hold this pleasant meringue together. ~ Hal Erickson, All Movie Guide

In this film noir drama, Bill Saunders (Burt Lancaster) is a former Prisoner of War living in England whose experiences have left him emotionally unstable and prone to violence. One night, while drinking in a pub, he gets into an argument with the owner which quickly escalates into a brutal fist fight; Bill kills the publican and flees with the police giving chase. Bill is given shelter by Jane Wharton (Joan Fontaine), a kind-hearted nurse who believes Bill when he tells her that the killing was an accident and that he's innocent of any wrongdoing. Bill soon gets in a fight with a policeman and ends up in jail, but Jane, who has fallen in love with Bill, still has faith in him, and upon his release she finds him a job driving a truck delivering drugs for the clinic where she works. Career criminal Harry Carter (Robert Newton), who witnessed Bill's murder of the pub owner, now sees a perfect opportunity for blackmail, and he forces Bill to tip him off for his next major drug shipment, which can then be routed to the black market at a high profit. Bill has little choice but to agree, but when Jane ends up tagging along when Bill is to make the delivery in question, he refuses to jeopardize her and makes the delivery to the clinic without incident. This quickly earns Harry's wrath, and they soon find themselves at the mercy of a very dangerous man. Miklos Rozsa composed the film's highly effective score. ~ Mark Deming, All Movie Guide