Bill Foster Movies

Two bored suburban kids looking for something to do get trapped in the wrong kind of excitement in this independent drama. Stevie (Cameron Van Hoy) is a boy in his early teens, depressed and out of sorts, who half-heartedly attempts suicide without having the wherewithal to go the whole nine yards. When his girlfriend Rocky (Mischa Barton) shows up on her way to school, Stevie has just found his mother's gun while poking around the house. As they head off for class, Stevie brings the pistol along. They pass a bank along the way, and Stevie impulsively dashes in and decides to rob the place. Before Stevie and Rocky can get away, police and FBI agents arrive on the scene, and Stevie announces he's taking the customers inside the bank hostage. FBI negotiator Daniel Bender (Burt Reynolds) is sent to the scene of the crime; while it's quickly obvious to him that these are two kids pulling a prank that got out of hand, they're also armed and in the middle of a very dangerous situation, and Stevie's bursts of adolescent rage aren't making things run any smoother. Financed by a Japanese production company but written, directed, and starring American talent, Pups had its premier screening at the 1999 Los Angeles Independent Film Festival -- only two days before two armed high school students went on a tragic killing spree in Littleton, CO. ~ Mark Deming, All Movie Guide

No relation to the later cable-TV sitcom of the same name, Dream On is a tale of struggling LA actors seeking out an audience. This talented but impoverished troupe stages a "guerilla theatre" production, wherein each actor takes on a variety of characterizations. Given that the actors include an ex-hooker and a pair of mismatched homosexuals, perhaps the troupe is using their production as a means of escaping the torments of their own lives. Perhaps, nothing-that's just what they're doing. Most of the unknown players in Dream On have remained unknown, with the spectacular exceptions of Ed Harris and Paul "Pee-wee Herman" Reubens. ~ Hal Erickson, All Movie Guide

The CB (citizen's band) radio fad had nearly run its course when this feel-good action film was made by director Sam Peckinpah. In the story, based on C.W. McCall's song "Convoy", a group of struggling truckers (who stay in touch by CB) run into a situation which ignites their indignation. They arrange to form a truck convoy under the leadership of the man whose CB nickname is "Rubber Duck" (Kris Kristofferson). He is the most aggrieved of the bunch, having been harassed beyond the point of endurance by Lyle Wallace (Ernest Borgnine) a blackmailing traffic cop who pursues him ever more frantically through several states after he fails to submit to the phony speed trap he had set up. As news of the truck convoy spreads, unexpected allies join the line, and the now-gigantic illegal protest becomes the subject of national news reports. ~ Clarke Fountain, All Movie Guide

Beginning its fifth successful season on Friday, September 12, 1975, Sanford and Son was essentially the mixture as before with most of the familiar regulars firmly in place. His well-publicized contract disputes more or less receding into memory, Redd Foxx was back as cantankerous Watts junk dealer Fred Sanford, with Demond Wilson as his long-suffering son and reluctant business partner Lamont. Also returning were LaWanda Page as Fred's explosively prudish sister-in-law Aunt Esther, Lynn Hamilton as Fred's sometimes fiancée Donna Harris, Don Bexley and Nathaniel Taylor as family friends Bubba and Rollo, and Hal Williams and Howard Platt as police officers Smitty and Hoppy. Conspicuously absent from the fifth-season roster were three actors who had departed for other sitcoms: Gregory Sierra (Julio Fuentes), who had moved to Barney Miller; Pat Morita (Ah Chew), who had transferred to Happy Days; and, most notably, Whitman Mayo (Grady Wilson), now starring in his own spin-off series, Grady. However, despite his new leading-man workload, Mayo would continue to make token Sanford appearances as Grady, returning to the series on a more or less regular basis after Grady (the series) folded in the spring of 1976. Additions and emendations to the Sanford format included the arrival of Marlene Clark as Janet Lawson, a widowed mother with whom Lamont would fall in love, and Edward Crawford as Janet's young son Roger. Also, Fred and Lamont Sanford would try to amplify their income by managing a boarding house, the Sanford Arms, which introduced as steady stream of recurring characters -- and also set the stage for the ultimate conclusion of Sanford and Son at the end of 1977. That denouement was still part of the distant future by the conclusion of the series' sixth season, during which Sanford ranked as America's seventh most popular weekly series. Fans were particularly gratified that NBC chose to rerun selected episodes on Wednesday evenings from April to August 1976, under the title The Best of Sanford and Son. ~ Hal Erickson, All Movie Guide

In this musical western, a wanderer saves a ranch from the badguys. Music and gunplay ensue. ~ Sandra Brennan, All Movie Guide

Upon discovering that one of the teenage members of his inner-city basketball team is involved with a gang of warehouse thieves, Mark (Don Mitchell) figures that the best course of action is to determine the boy's identity himself, then persuade him to give himself up and face the consequences. But the vicious head of the gang doesn't quite see things the same way. Prominently featured in the cast is a pre-Partridge Family David Cassidy, delivering an unusual characterization. ~ Hal Erickson, All Movie Guide

In this western, originally designed as the pilot of a television show that never made it to air, a self-designated preacher desires to control the Big Sag territory of Montana. To do this, he must first force two newly arrived Texans off of their land. Meanwhile, the preacher's wife knows that he is too yellow-bellied to actually do the dirty deed. She sends their lovely daughter to town with a note for the owner of the local saloon. During the journey, the girl is caught in a big storm. She weathers it out with the Texan's son. Naturally the two fall in love, but this does not stop the girl from continuing on to deliver the note to the lecherous proprietor who immediately begins making a play for the innocent young girl. His lasciviousness pushes his alcoholic wife over the brink and in a jealous rage she fatally shoots him. It is then revealed that the greedy saloonkeeper has hired a gunslinger. The gunslinger ends up killed by the preacher, who then officiates the wedding ceremony for his daughter and his rival's son. Afterward he solemnly swears to never again use a gun. ~ Sandra Brennan, All Movie Guide

In this Western, a good-hearted gunfighter helps a young cowboy find the cruel cattle baron who killed his daddy. ~ Sandra Brennan, All Movie Guide

Ultra-pasteurized pop singer Pat Boone makes his feature film debut in this comical and tuneful look at adolescent life in the late 1950s. A group of teen-age boys discuss the attributes of the perfect girl and proceed to create a mental image of their dreamboat. Later they find her in the form of Jean, the new telephone operator in town. One of the lads, Sanford Wilson, falls hard for the comely lass. They begin dating, but as final exams approach, Sanford must temporarily shift his attention to his school work. To keep her from the other less-honorable boys who want her, he has handsome Lieutenant Langley Beaumont squire her around. Unfortunately, she and Langley soon fall in love, causing the anguished Sanford to join the military and leave for a year and a half. ~ Sandra Brennan, All Movie Guide

The Best Things in Life are Free is the tuneful if uninspired life story of popular composers DeSylva (Gordon MacRae), Brown (Ernest Borgnine) and Henderson (Dan Dailey). Pooling their talents, the trio rises from Tin Pan Alley to fame and fortune. The team's future is threatened when Buddy DeSylva becomes a big-time movie mogul, his ego expanding with his new responsibilities. But there's a happy ending, replete with a big, blow-out production number. Highlights include Sheree North and Jacques D'Amboise's dance deut to the tune of "Birth of the Blues"; this was North's first opportunity to play something other than a Marilyn Monroe type, and she acquits herself quite nicely. Other DeSylva-Brown-Henderson songs showcased throughout the film include "Button Up Your Overcoat", "Black Bottom", "Sunny Side Up" and the title number. ~ Hal Erickson, All Movie Guide

Mitzi Gaynor plays legendary vaudeville headliner Eva Tanguay, whose signature tune was the bouncy "I Don't Care". The film's actual producer George Jessel costars as "himself;" the gimmick is that Jessel wants to produce a biopic based on Tanguay, but can't get a handle on the story until he interviews all those who remember the lady. This throughline allows Gaynor to impersonate Tanguay without the added encumbrance of a plot. Well, there is a love story involving Tanguay and her vaudeville partner (David Wayne), and some welcome comic relief from "professional neurotic" Oscar Levant, but otherwise The I Don't Care Girl is more a revue than a movie. At the end, inveterate scene-stealer George Jessel shows up backstage during one of the flashback sequences, "Just to see how the story will turn out." ~ Hal Erickson, All Movie Guide