Edward J. Forsyth Movies

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, Rovi

In this documentary on motorcycle racing, the sequel to On Any Sunday, interviews with various racing masters are interspersed with races in just about every imaginable environment: dirt, sand, hills, tracks, valleys - everywhere a motorcycle can function. The racing and the interviews make up most of the footage, occasionally complemented by historical shots and a few bloopers. ~ Eleanor Mannikka, Rovi

Except for Me and Thee is the syndicated title of Friendly Persuasion, the pilot film for an unsold TV series based on the novel by Jessamyn West. Richard Kiley and Shirley Knight star as Quaker farmers Jess and Eliza Birdwell, whose pacificism is put to the test when the Civil War breaks out. In keeping with the humanitarian edicts of their religion, the Birdwells aid several slaves in their escape from the South. Brothers Michael and Kevin O'Keefe play the Birdwells' eldest sons (Michael continued acting into the 1990s).Friendly Persuasion was previously adapted into a popular film in 1956, starring Gary Cooper and Dorothy McGuire; Dmitri Tiomkin's theme music from that film was redeployed for Except for Me and Thee. ~ Hal Erickson, Rovi

In this sci-fi horror movie with comedic elements, a racist transplant surgeon (Ray Milland) learns that he's dying of cancer. He's recently performed some revolutionary experiments with a gorilla (special effects guru Rick Baker), by attaching a second head to the gorilla's body and removing the first one after the second has grown firmly into place. Now he wants to replicate the experiment with a human body, by grafting his head onto another person's frame. This way, he reasons, he'll be able to continue his medical and scientific work unabated. When he comes to after surgery, however, he's horrified to find out that his head has been stitched onto the body (and next to the head) of a large black man (former football player Roosevelt 'Rosey' Grier) due for a murder sentence. Enormous complications then ensue, as the two headed person runs about, with the convict intent on proving his innocence to the cops, and the scientist intent on having the convict's head removed. Director Frost formerly worked on stag films such as 1964's Love is a Four-Letter Word.
~ Nathan Southern, Rovi

Chesty (Shari Eubank), a member of the U.S. Navy, is notified that her sister has been found dead in a garbage chopper. She suspects the head of the local trash-hauling company is responsible. She enlists three of her fellow female sailors (who are also kung fu experts) to go after him and get proof that he was the killer. ~ Brian Gusse, Rovi