Michael D. Ford Movies

Tae Kwondo expert Bobby Kim stars as Joe Lee, a street fighter seeking revenge on the criminals who framed him and then killed his brother's family, in this kung fu film from Richard H. Kim. ~ Jason Ankeny, All Movie Guide

A humble Irish farmer decides that it is high time to move that big old stone in his field that has been there seemingly since the dawn of time. This gory horror film, an adaptation from one of noted British-author Clive Barker's short stories, follows what happens next. No sooner does he move the rock when out rushes an enormous, blood-thirsty pagan demon, Rawhead Rex, who immediately goes berserk and begins biting people left and right. Among the bitten is the son of an American professor of history and anthropology. His father immediately begins researching the angry old god and plotting his demise. ~ Sandra Brennan, All Movie Guide

The target audience for this supernatural thriller is never quite clear: the film's poster attempts a psychedelic look, as the ad copy touts "the black mass...the spells...the incantations...the curses...the ceremonial sex," and other ad copy says "He curses the Establishment." In the film, Andrew Prine plays a Los Angeles sewer-dwelling warlock who discovers that his magical talents are more powerful than he had imagined, leading him to power among a group of cult followers. The role of the Satanic cult leader is played by Ultra Violet, a celebrity in artist Andy Warhol's community. ~ Clarke Fountain, All Movie Guide

What would a late-1960s detective series be without the obligatory "flower child" episode? After Detective Ed Brown (Don Galloway) busts a Haight-Ashbury drug house, he is accused of beating a hippie to death. To clear Ed's name, Ironside (Raymond Burr) follows a trail of clues to a group of outwardly clean-cut students in a private school--and runs up against a vast and sinister conspiracy of silence, involving not only "the kids" but also a few grownups. ~ Hal Erickson, All Movie Guide

Though it casts all known laws of physics to the four winds, this Rod Serling-scripted Twilight Zone episode scores points on an "important message" level. Arriving on a strange planet, Earth astronauts Peter Craig (Joe Maross) and William Fletcher (Claude Akins) stumble upon a microscopic city populated by teeny tiny people. While Fletcher seeks only to befriend the local citizens, the arrogant, power-hungry Craig is perfectly content to be worshipped as a god. Ordering Fletcher back into the spaceship, Craig stays behind, looking forward to a long and fruitful reign over the little people. . .a reign that comes to an abrupt end in a most ironic fashion. "The Little People" originally aired March 30, 1962. ~ Hal Erickson, All Movie Guide

Walter Pidgeon is the nominal star of Voyage to the Bottom of the Sea, portraying Admiral Harriman Nelson, the designer of the submarine Seaview, a glass-nosed research submarine. The sub embarks on her shakedown cruise under the polar ice cap as the movie begins. Upon surfacing, however, the crew discovers that the entire sky is on fire -- the Van Allen radiation belt has been ignited by a freak meteor shower, and the Earth is being slowly burnt to a cinder. Nelson and his colleague, Commodore Lucius Emery (Peter Lorre), devise a plan to extinguish the belt using one of the Seaview's nuclear missiles, but they are denounced at an emergency meeting of the United Nations. Disregarding the UN vote against him, Nelson decides to go forward with his plan before the Earth is destroyed, hoping to get the approval of the president of the United States while his ship races from New York to the Marianas in the Pacific to launch its missile on time and target, with the world's navies hunting her down and communication with Washington impossible because of the fire in the sky. Nelson must combat not only the threats from other ships but also the doubts of his own protégé, Commander Lee Crane (Robert Sterling), the captain of the Seaview, about his plan and his methods, and the growing suspicion -- being spread by Dr. Susan Hiller (Joan Fontaine), a psychiatrist who was visiting the vessel -- about his sanity, as well as the growing discontent of the crew, who would like to see their families before the end of the world, and the presence of one religious fanatic (Michael Ansara) who thinks the fire in the sky is God's will. Worse still, there appears to be a saboteur -- and possibly more than one -- aboard. The plot is episodic in pacing and features elements that were clearly derived in inspiration from Disney's 1954 production of Twenty Thousand Leagues Under the Sea, such as Nelson's eccentricity and the "outlaw" status of his ship; but the undersea maneuvers to tap the trans-Atlantic telephone cable (in order to reach Washington), the battle with a giant squid, a duel with an attack submarine, and a harrowing tangle with a WWII mine field would become standard elements of the series of the same name that followed this movie two years later. Pidgeon brings dignity if not a huge amount of energy to the role of the admiral, and Lorre, Fontaine, Ansara, and Henry Daniell (playing Nelson's scientific nemesis) add some colorful performances, and Barbara Eden, as Nelson's secretary, is pretty to look at; and there are some excellent supporting performances by Delbert Monroe (aka Del Monroe, who appeared later in the series, as Kowalsky), Mark Slade, John Litel, Howard McNear, and Robert Easton. The real "star" of the movie, however, is the submarine Seaview and the special effects by L.B. Abbott, which, to be fully appreciated, should be seen in a letterboxed presentation of the movie. ~ Bruce Eder, All Movie Guide