John Flynn Movies

When former mob heavy Sal (Stephen Baldwin) traded his sordid past for the safety of the witness protection program, he quickly learns that all is far from forgiven in this action entry from genre specialist John Flynn (Rolling Thunder, Lock Up). He may have a new life, a new job, and a new friend in his neighbor Ted (Peter Gallagher), but once the mob has been crossed, there is no escape, and it's only a matter of time before Sal's past comes knocking on his door looking for revenge. ~ Jason Buchanan, Rovi

Dwayne Adway portrays Dennis Rodman in this biographical drama that begins with Rodman as a Dallas teen, follows him to college where he confronts racism, and then traces his NBA ascendancy (Detroit Pistons to San Antonio Spurs), ending with his 1995 leap to the Chicago Bulls. Rodman himself is intercut between scenes to comment on plot highlights. The screenplay was adapted by John Miglis and Gar Anthony Haywood from the book Badd As I Wanna Be by Rodman and Tim Keown. Filmed in Toronto, this drama premiered February 8, 1998 on ABC. ~ Bhob Stewart, Rovi

Unlike most teen horror movies, Brainscan relies more on atmosphere and plot than gore and bloodsoaked effects. Edward Furlong plays Michael, a 16-year-old horror movie fan, computer whiz, and misfit who responds to an ad for Brainscan, an CD-ROM virtual reality game that promises to "interface with your unconscious." Once involved with the game, Michael dreams that he brutally stabs a stranger and slices off his foot -- only to awaken and find the foot in his refrigerator. Out of Michael's computer comes Trickster (T. Ryder Smith), a sardonic, malevolent creation who advises Michael to keep playing new editions of Brainscan to evade capture by a suspicious cop (Frank Langella). With a death count that is relatively low and mostly offscreen (amputated feet notwithstanding), Brainscan doesn't make up for its lack of onscreen violence with a particularly original script, although it should be commended for not taking the easy way out. ~ Don Kaye, Rovi

Maniacal Dennis Hopper plays a high-strung L.A. homicide detective who embarks upon a vengeful hunt for the drug pushers who brutally murdered his partners. His investigation soon reveals that the dealers' influence extends to the highest echelons of city government. ~ Sandra Brennan, Rovi

It is uncertain whether the futuristic thriller Split, which first saw the light of day at the 1989 Berlin Film Festival, was ever released. Reviewers who saw it at the time referred to it as a rough draft rather than a finished film. Clearly the independent work of one man, Chris Shaw, who wrote, directed, did the camera work and wrote at least some of the music, as well as acting in a key role as the film's villain, it offers some intriguing material in its storyline and special effects. The film concerns a visionary man named Starker (Tim Dwight), who has a message designed to counter the oppressive junk put out by "Big Brother's" media. He is perceived as a danger by the powers that be, and to escape surveillance, he goes on the run, pusued by an evil genius Chris Shaw. ~ Clarke Fountain, Rovi

This exploitation film finds the aging stripper Harlow (Sandahl Bergman) taking on young protégé Joni (Kim Evenson) to peel off her clothes in the strip club called Kandyland. Bruce Baum adds much-needed comedy relief as the club comic Mad Dog. The film is an excuse to show attractive females in various stages of undress. ~ Dan Pavlides, Rovi

In this drama, two young lovers break out of a mental hospital to try to find love in the outside world. The young man escapes first and gets a menial job working at a carnival. Later he returns to help Jennifer escape. They then begin living together to create their own sane haven in an insane world. ~ Sandra Brennan, Rovi

Although it is far from a perfectly contrived drama, Defiance has its moments of high emotions and rising fear. Tommy (Jan Michael Vincent) takes up temporary housing in a New York neighborhood plagued by a violent gang, the Souls. Tommy is waiting for his next assignment as a seaman and though he tries to avoid the gang and his neighbors, it does not work. Soon he is single-handedly battling the Souls and not only changing their attitudes, but the attitudes of his previously intimidated neighbors as well. They quickly back him up as the one person who can make the neighborhood safe again. ~ Eleanor Mannikka, Rovi

A two-bit criminal takes on the Mafia to avenge his brother's death in this drama based on a novel by Donald E. Westlake. Earl Macklin (Robert Duvall) is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother. As it turns out, the bank that Earl and his brother hit was controlled by gangster Mailer (Robert Ryan). Macklin learns that he's on the mob's hit list as well, so he teams up with his old partner Cody (Joe Don Baker) to take on Mailer and his second in command, Jake Menner (Timothy Carey). The Outfit also features a top-notch supporting cast, including Karen Black, Sheree North, Joanna Cassidy, Richard Jaeckel, and Anita O'Day; Marie Windsor and Elisha Cook, Jr. also appear, 18 years after their memorable turn together in The Killing. ~ Mark Deming, Rovi

Long before "don't ask, don't tell," this melodrama made a mishmash of the issue of homosexuality in the military. Rod Steiger stars as Master Sergeant Albert Callan, a hero of WWII who is stationed at a U.S. Army base in France in 1952. A gruff, tough taskmaster, Callan turns the base from a shambles run by the alcoholic Captain Loring (Frank Latimore) into a model of efficiency and discipline -- though the lazy troops resent Callan for his efforts. Callan's been hiding his attraction to men for some time, and his eye is turned toward his attractive clerk, PFC Tom Swanson (John Phillip Law). Callan jealously refuses to grant Swanson permission to visit his French girlfriend (Ludmila Mikael) -- and even orders the younger man to stop seeing her. At first, Swanson interprets Callan's odd behavior as loneliness and forgives it, but after Callan kisses him, Swanson understands that his superior's attentions are sexual. Rebuffed, Callan tortures Swanson with unfair punishments and criticisms, earning his subordinate's animus. ~ Karl Williams, Rovi

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, Rovi