George "Buck" Flower Movies

In this modern-day western adventure, a jailed crook busts out after killing a deputy and with his two murderous brothers takes off down the road. The crooks then commandeer a church bus and perform other nasty deeds while trying to keep ahead of the law. ~ Sandra Brennan, All Movie Guide

In this drama, a fine upstanding LA businessman, and caring family man, reveals a much darker side when the sun goes down and the lights go out. Eventually his secret is discovered: the fellow is a prominent Sunset Strip pimp. ~ Sandra Brennan, All Movie Guide

This by-the-numbers action-revenge drama that plays like several other similarly-plotted, good ol' boy pulp flicks of its era, such as Billy Jack (1971) and Walking Tall (1973). Timothy Bottoms stars as Poke Jackson, a convict who's just been released from prison after a stint for drug trafficking. The catch is that Poke was innocent, having been framed for the crime by a corrupt lawman, Sheriff Duke (Bo Hopkins). Poke makes his way home to his beautiful girlfriend Mary Lee (Susan George) and their illegitimate son, only to find that Duke has moved into his place as Mary's lover. Incensed, Poke sets out on a course of vengeance that will pit him against the tough cop and culminate in a lethal car chase. With supporting characters named "Bull," "Cleotus," and "Buford," the redneck pedigree of A Small Town in Texas (1976) is distinct. The film was penned by screenwriter William W. Norton, who wrote several better examples of this high-octane, macho genre, including White Lightning (1973) and Gator (1976). ~ Karl Williams, All Movie Guide

Two interesting figures in offbeat cinema -- director Matt Cimber (who was married to Jayne Mansfield and directed her final film before going on to a handful of expressive blaxploitation efforts) and screenwriter Robert Thom (who wrote Wild in the Streets and Bloody Mama) -- teamed up for this unusual portrait of one woman's descent into madness. Molly (Millie Perkins) is a woman who is haunted by vivid memories of abuse and molestation at the hands of her father, who was a ship's captain; now middle-aged, Molly is obsessed by the ocean and images associated with pirates and sailing lore, which fill her with both fascination and loathing. Molly dotes on her young nephews (Jean Pierre Camps and Mark Livingston) and often spins tall tales for them in which her father is a noble hero, but her sister, Cathy (Vanessa Brown), is not comfortable with her presence, and soon the boys are old enough to spend their time elsewhere. Single and lonely, Molly longs for a man, and is openly attracted to strong, burly types, but at the same time she bears a deep hatred for them, and sometimes murders and dismembers the men she lures into her home. However, given Molly's penchant for fantasy, how much of her story is real, and how much is the product of her twisted imagination? Shot in 1971 but not released until 1976, The Witch Who Came From the Sea was one of the first feature films for cinematographer Dean Cundey, who later went on to work with Steven Spielberg and Ron Howard. ~ Mark Deming, All Movie Guide

The redundantly-titled Further Adventures of the Wilderness Family, Part 2, is the 1977 follow-up to the successful 1974 independently distributed film (aka a "four-waller") Adventures of the Wilderness Family. The titular family, appropriately named Robinson, is once more headed by Robert Logan. The film contains the usual quota of brushes with danger and shots of cute woodland creatures, with the added complication of a bout of pneumonia suffered by Mrs. Robinson (Susan D. Shaw). Barry Williams, of Brady Bunch fame, sings the tunes heard on the soundtrack. Marketed on a theater-to-theater basis in the same manner as its predecessor, Further Adventures of the Wilderness Family scored a hit--resulting in yet another sequel, Mountain Family Robinson. ~ Hal Erickson, All Movie Guide

A progressive scientist builds a machine that allows him time travel in this adaptation of the classic from H.G. Wells. ~ Kristie Hassen, All Movie Guide

Bigfoot has managed to elude capture for nearly 25 years. One small town has made a cottage industry out of Bigfoot sightings and ancillary merchandising. All this may come to an end very soon, however. A local fat-cat businessman hopes to trap Bigfoot once and for all, so that he can get all the publicity gravy. ~ Hal Erickson, All Movie Guide

Following the phenomenal box-office success of his seminal horror classic Halloween, director John Carpenter teamed up with producer Debra Hill for a second independent horror project, this time in the mode of an old-fashioned ghost story. The end result was The Fog, a spooky romp about a dark secret that returns to haunt the Pacific fishing community of Antonio Bay on the 100th anniversary of the town's charter. Carpenter sets the mood in the film's prologue, which features grizzled old sea salt Mr. Machen (John Houseman) spinning ghost stories for a group of local children. For his final tale, he recounts the legend of the Elizabeth Dane -- a ship which crashed 100 years ago against the very rocks upon which the children are sitting. Meanwhile, as the clock strikes midnight on the fateful anniversary of that disaster, eerie phenomena begin to plague the town as a dense fog bank creeps toward the bay. Seeming to appear from nowhere and emitting a ghostly glow, the fog surrounds a small trawler filled with drunken fishermen, who glimpse the vague outline of a decrepit sailing vessel before being brutally killed by shadowy figures brandishing hooks and swords. That morning, news of their disappearance is relayed to the town by Stevie Wayne (Adrienne Barbeau), owner and operator of the local radio station. The news reaches the wife of one of the fishermen, city councilwoman Kathy Williams (Janet Leigh) and local boy Nick Castle (Tom Atkins), who takes a trip out to the abandoned boat to investigate, accompanied by teenage drifter Elizabeth Solley (Jamie Lee Curtis). As the day progresses, a grim series of events paints a decidedly unpleasant picture of Antonio Bay's founders, and foreshadows the ghostly retribution that awaits the town's present-day residents. When Mrs. Williams visits local priest Fr. Malone (Hal Holbrook) about a benediction for that night's centennial ceremony, he relates a ghastly tale discovered in his grandfather's journal, which details the town fathers' decision to murder a group of lepers who had planned to build a commune outside of Antonio Bay. Just as the night's proceedings are haunted by the horrors of the past, the ghosts of the murdered dead have returned to seek symbolic revenge by claiming the lives of six townspeople, arriving amid the ominous fog bank which has completely engulfed Antonio Bay. Carpenter reportedly shot and inserted additional gory scenes after the original 'PG' cut failed to impress preview audiences. ~ Cavett Binion, All Movie Guide

The year is 1997. Manhattan Island is now a heavily guarded maximum-security prison, where the scum of the earth have converged. When Air Force One crash-lands in Manhattan, the president (Donald Pleasence) is held hostage by its denizens. One-eyed mercenary Snake Plissken (Kurt Russell) is strong-armed into rescuing the chief executive. He is aided, not always willingly, by a tough gal (Adrienne Barbeau) and a manic cab driver (Ernest Borgnine). Escape from New York was followed by a sequel of sorts in 1996, Escape From L.A., again starring Kurt Russell. ~ Hal Erickson, All Movie Guide

Three children, who fear being put into a foster home after the death of their parents, take flight into the wilderness with their uncle. ~ All Movie Guide

This lifeless action feature finds mafia hitman Carmine Longo (Mike Lane) seeking vengeance against the Zebra Force led by Cougar (Timmy Brown). Frank Barnes (Jim Mitchum) joins the group when his Zebra Force buddy is killed. Lindsey Crosby (son of Bing) plays a police sergeant, and Frank Sinatra, Jr. appears briefly as the mob lawyer Kozlo. Only those interested in the offspring of aging or dead performers could find anything of interest in this film. ~ Dan Pavlides, All Movie Guide

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide