Richard Flournoy Movies

Told in flashback, Affair with a Stranger recounts the deteriorating marriage of playwright Victor Mature and model Jean Simmons. The union is strained by the death of Jean's baby and the pressure of Victor's career. A scheming actress (Monica Lewis) makes a play for Mature, leading Jean to file for divorce. The couple is brought back together by the adoption of a baby (the "stranger" of the title). Affair with a Stranger is unabashed soap opera, made plausible by the sensitive performance of Jean Simmons. ~ Hal Erickson, All Movie Guide

Zachary Scott uncharacteristically plays for laughs in Warner Bros.' One Last Fling. Scott plays Larry Pearce, the dullish husband of Olivia Pearce (Alexis Smith). When Larry enters into a perfectly innocent business arrangement with gorgeous Gay Winston (Veda Ann Borg), Olivia misunderstands, as does Gay's pugnacious husband Victor (Douglas Kennedy). The ensuing complications are fairly predictable, indicating perhaps that the screwball-comedy format was wearing thin in 1949. Some of the best moments are provided by stalwart supporting players Ann Doran and Jim Backus. Also featured in the cast is legendary radio humorist Ransom Sherman, who never did find a suitable screen vehicle. ~ Hal Erickson, All Movie Guide

Stalwart supporting actor Allyn Joslyn is afforded a rare leading role in the Columbia mystery meller Dangerous Blondes. Joslyn and Evelyn Keyes play Harry and Jane Craig, a road-company Nick and Nora Charles. A popular mystery writer, Harry occasionally indulges in amateur detective work, with wife Jane at his side; their friendly nemesis is Inspector Clinton (Frank Craven), who'd prefer that the Craigs would stay home and mind their own business. This proves impossible when Ralph McCormick (Edmund Lowe), the owner of a swank fashion studio, is accused of murdering his wife for the love of designer Julie Taylor (Anita Louise). Snooping around on their own, the Craigs find the real killer-and nearly wind up victims themselves. ~ Hal Erickson, All Movie Guide

An historical entry in Columbia's Blondie series, Blondie's Blessed Event recreates the moment in Chic Young's original comic strip wherein Blondie and Dagwood were blessed with baby daughter Cookie. The first portion of the film involves the tribulations of Dagwood Bumstead (Arthur Lake) as he tries to take his wife Blondie (Penny Singleton) and his new daughter (Norma Jean Wayne) home from the hospital. The bulk of the story concerns a get-rich-quick scheme involving Dagwood and an eccentric artist (Hans Conried). There's also a few frantic moments at a convention where Dagwood embarrasses his boss Mr. Dithers (Jonathan Hale). The eleventh of Columbia's "Blondie" B-pictures, Blondie's Blessed Event is one of the best of the batch. ~ Hal Erickson, All Movie Guide

Despite its alluring title, Bedtime Story is an innocent little domestic comedy about a bickering married couple. Fredric March is a successful playwright specializing in vehicles for his beautiful actress wife Loretta Young. Young wants to retire from the stage and set up housekeeping on a little Connecticut farm. March refuses to acknowledge her wishes and continues working on his latest play, which is being written for her. She petulantly walks out of the relationship, taking up with straitlaced banker Allyn Joslyn. One does not need a crystal ball to determine the outcome of all this, but Bedtime Story goes through its expected paces with finesse, helped along by such reliable supporting players as Robert Benchley and Eve Arden. ~ Hal Erickson, All Movie Guide

Taking a vacation from her "Blondie" movies, Penny Singleton plays an Eastern girl who follows Horace Greeley's advice and heads westward. She arrives in a flea-bitten frontier town where Marshal Glenn Ford is trying to rid the community of the vicious Pecos Pete. Singleton vies with saloon gal Ann Miller over Glenn Ford's affections, and along the way both actresses perform a few musical numbers. In the end, Singleton helps Ford lasso the villain. Go West, Young Lady takes great pains to avoid originality, especially in a knock-down, drag-out fight scene between Penny Singleton and Ann Miller which was clearly inspired by the Marlene Dietrich-Una Merkel battle in Destry Rides Again (39). ~ Hal Erickson, All Movie Guide

In this comedy of mistaken identity, a bookish literary reviewer bows to the desires of his lover and shaves off his whiskers. Suddenly he finds himself in trouble, for without the mustache, he is the spitting image of a gangster who has just been released from prison. When the mobster's gang sees the reviewer, they immediately assume he is the boss and they take him away. Soon he finds himself in deep trouble. ~ Sandra Brennan, All Movie Guide

This is the celebrated Blondie episode that costars Rita Hayworth, who in 1940 was still just another Columbia contract actress. Hayworth plays an old flame of Dagwood Bumstead's (Arthur Lake), who moves into the Bumstead household when wife Blondie (Penny Singleton) advertises for a boarder. Blondie (Penny Singleton) tries to be civil when she meets Rita, but her true feelings are manifested in a superimposed montage of explosions and gunshots. Innocently caught in a compromising position with Hayworth at a local movie house, Dagwood is shown the door by the heartbroken Blondie. All misunderstandings are swept away by fadeout time in this fifth installment in Columbia's Blondie series. ~ Hal Erickson, All Movie Guide

Columbia's new "Blondie" series continued its winning streak with its fourth entry, Blondie Brings Up Baby. So much happens within the film's 67 minutes that it's best to boil things down to the central storyline. Baby Dumpling (Larry Simms), the six-year-old son of Blondie and Dagwood Bumstead (Penny Singleton and Arthur Lake) disappears from sight during his first day at school. While Dagwood frantically combs the city in search of the boy, Baby Dumpling spents a nice, safe afternoon with poor little rich girl Melinda Mason (Peggy Ann Garner), who with her new playmate's help arises from her sickbed to walk across the room for the first time in months. Other plot threads include Dagwood's disastrous confrontation with an important business client (Robert Middlemass), and Daisy the Dog's ongoing battle of wits with the local dog-catcher. Like many of the "Blondie" films, Blondie Brings Up Baby serves as a showcase for young talent on the way up: Robert Sterling is seen as one of Dagwood's office buddies, while Bruce Bennett plays a uniformed chauffeur. ~ Hal Erickson, All Movie Guide

In this lively comedy, a cop bungles a simple arrest and ends up suspended. He redeems himself by capturing some notorious crooks in a funhouse during a visit to Coney Island. ~ Sandra Brennan, All Movie Guide

In this crime comedy, a fortune is stolen and every gangster in town is looking for it. They all end up staying at a young woman's inn. The crooks all end up jailed thanks to the work of an innocent fountaineer. Not only does he collect a substantial reward, he returns the missing loot and wins the heart of the innkeeper. ~ Sandra Brennan, All Movie Guide

In this romantic comedy, a rookie reporter works for his uncle's newspaper and gets assigned to write a story about an elderly archduke. While interviewing him, the young journalist falls in love with the crown princess. He then exposes a conspiracy to kill her and her father. Mayhem ensues as he successfully thwarts the killers, and marries the girl who soon becomes queen. ~ Sandra Brennan, All Movie Guide

Film collectors take note: Hal Roach's Pick a Star is not a Laurel and Hardy picture, though the popular comic duo does make a brace of amusing cameo appearances halfway through the film. A remake of Buster Keaton's Free and Easy, this is the story of how small-town gas-station owner Joe Jenkins (Jack Haley) tries to help his sweetheart Cecilia Moore (Rosina Lawrence) realize her ambition to become a movie star. At the behest of travelling entrepreneur Stone (Russell Hicks), Jenkins organizes a talent contest, the first prize being a trip to Hollywood and a screen test. When Stone turns out to be a crook and skips town with the proceeds of the contest, Cecilia is heartbroken, but Joe promises to go to Hollywood himself and make the right connections to assure her rise to stardom. Alas, the best Joe can manage in Tinseltown is a busboy job at the Colonial Club, a fact he tries to conceal from Cecilia and her wisecracking sister Nellie (Patsy Kelly) when they unexpectedly arrive in California as guests of movie-matinee idol Rinaldo Lopez (Mischa Auer). In desperation, Joe pretends to be a nightclub entertainer, but when this ruse is revealed, Cecilia angrily walks out on him, accompanying Rinaldo first to his movie studio and then to his apartment. Naturally Rinaldo has seduction on his mind, but innocent Cecilia doesn't realize this until Joe storms into the apartment with blood in his eye. Ashamed for his lascivious behavior, Rinaldo arranges for Cecilia to have a screen test for producer Klawheimer (Charles Halton). At the last moment, Cecilia suffers an attack of "camera fright," but Joe gently coaches her through her test, and there's a happy ending for all concerned -- even for sister Nellie, who's been relentlessly cynical about the storyline from first scene to last. Cast as "movie stars," Laurel and Hardy show up briefly in the movie-studio scenes to participate in a reciprocal-destruction sequence with their old screen nemesis Walter Long, and to perform an amusing musical routine with "dueling" harmonicas. Pick a Star has been reissued as Movie Struck, while the Laurel & Hardy scenes were released separately to TV as the ersatz two-reeler A Day at the Studio. ~ Hal Erickson, All Movie Guide