Jeffrey Allen Fiskin Movies

Originally aired as a two-part miniseries on NBC, The 60's follows two families whose lives mirror much of the political and social tumult of that decade. The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian (Jerry O'Connell) joins the Marines right out of High School and goes to Vietnam, Michael (Josh Hamilton) becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie (Julia Stiles) gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor (Charles S. Dutton), a minister and civil rights organizer, is shot to death, his son Emmet (Leonard Roberts) moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton (David Alan Grier). The 60's incorporates much newsreel footage from the era in an attempt to give the proceedings a greater realism, as well as a soundtrack of many popular songs of the era, including a new recording of Bob Dylan's Chimes Of Freedom by Dylan and Joan Osborne. ~ Mark Deming, All Movie Guide

A remake of Pigeon by Mario Monicelli, but set on the streets of San Francisco in a contemporary America instead of Italy in the '50s, this comedy about a conspiratorial heist of a greedy pawnbroker has excellent acting and good light fun but not much in the way of character motivation. Weslake (Donald Sutherland) is unemployed and has reason to frequent the pawnshop of his money-hungry friend Garvey (Jack Warden). People come and go around the shop (almost the only setting for the action): an aspiring musician of sorts (Sean Penn), the eccentric meter-maid Maxine (Christine Baranski), a safe-cracker (Irwin Corey), and others. Then one day Weslake gets the idea to break into Garvey's safe and make off with a few valuables just for the fun of it. Everyone agrees, and the plot goes on unhindered by motivation or ethics. ~ Eleanor Mannikka, All Movie Guide

After emigrating to the United States in 1969, Czech-born director Ivan Passer finally broke through to American audiences with his fourth film, a unique blend of mystery and social commentary. Cutter's Way is set in Santa Barbara, CA, a community of wealth and power. Its main characters, however, are among the town's have-nots: Richard Bone Jeff Bridges, a beach-boy gigolo starting to go to seed; Bone's best friend Alex Cutter (John Heard), a Vietnam veteran maimed in body and spirit; and Mo (Lisa Eichorn), Cutter's alcoholic wife. When Cutter spots one of the community's most prominent citizens in the act of covering up a murder, Bone insists that the police would never take their word over that of a man of wealth and prestige. Cutter seizes the opportunity to blackmail the killer, as a means of striking back at a system he thinks sent him off to an unjust war and ruined his life. The film was fortunate to fall into the hands of United Artists Classics, a new division of the company crippled by the financial disaster of Heaven's Gate. UA Classics adroitly marketed Cutter's Way, riding a wave of rave reviews and good word-of-mouth among more discriminating filmgoers to modest box-office success. ~ Tom Wiener, All Movie Guide