Jack Fisk Movies

To the Wonder, Terrence Malick's poetic examination of man's relationships, stars Ben Affleck as an American who falls in love with a woman (Olga Kurylenko) in Paris. He marries her and she moves with him and her daughter to the U.S. When their union falters, he considers becoming involved with an old girlfriend Rachel McAdams. Meanwhile, a priest Javier Bardem contemplates the relationship between God and love. To the Wonder screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

A handsome veterinary student falls for a married circus performer in this romantic drama adapted from author Sara Gruen's best-selling novel, and directed by Francis Lawrence (I Am Legend). When Jacob (Robert Pattinson) meets Marlena (Reese Witherspoon), it's love at first sight -- their shared affections for an extraordinary elephant stirring profound feelings of compassion within both of them. Theirs is a love that could span lifetimes, though the wrath of Marlena's dangerously domineering husband, August (Christoph Waltz), threatens to spell tragedy for all involved. ~ Jason Buchanan, Rovi

A mysterious, mind-altering epidemic has infected humankind, and when a Washington, D.C. psychiatrist discovers that the outbreak seems to be extraterrestrial in origin, she struggles to save her son from infection in this sci-fi thriller starring Nicole Kidman and Daniel Craig, and directed by Oliver Hirschbiegel (Das Experiment). The space shuttle has crashed, and investigators assigned to explore the wreckage have found something unimaginable in the debris -- something from the deepest reaches of outer space. Everyone who comes into contact with it soon begins to transform in ways that can't be explained by modern science. While their physical appearance remains completely unaltered, their emotions seem to be drained and their actions become strangely inhuman. The only people who know the truth about this extraterrestrial epidemic are Washington, D.C. psychiatrist Carol Bennell (Kidman) and her longtime friend Dr. Ben Driscoll (Craig). It seems that the alien virus attacks people in their sleep, and by the time they awaken, the transformation has already taken place. The contagion is spreading rapidly, and as more people fall victim to its eerie effects by the hour, it becomes impossible to differentiate the infected from those who can still be trusted. When Carol realizes that her young son may hold the only hope for saving the human race, she struggles to remain awake long enough to find the boy and prevent planet Earth from becoming host to a terrifying new breed of extraterrestrials. Based on the book The Body Snatchers by Jack Finney, The Invasion was written by David Kajganich and co-stars Jeffrey Wright and Jeremy Northam. ~ Jason Buchanan, Rovi

Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World -- an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. Malick's story opens at the dawn of the 17th century, just prior to the colonization of the United States -- when the North American population consisted of an interconnected series of native tribes. In April 1607, three maritime vessels approach the unfamiliar continent, with 103 sailors on board. As members of the Virginia Company, these adventurers carry a royal charter to mount a society on the edge of the new continent. John Smith (Colin Farrell) sits chained below one of the decks. He is a 27-year-old loose cannon, who, for his persistently rebellious acts, has been sentenced to death by hanging as soon as the ships dock. Nevertheless, Captain Christopher Newport (Christopher Plummer) acknowledges Smith's ability to aid with exploration and consents to pardon him as a result. Upon landing, Smith seeks assistance from local Native American tribes with colonization, but runs into the unexpected -- he falls desperately in love with Pocahontas, or "Playful One" (Q'orianka Kilcher), the daughter of the omnipotent Chief Powhatan (August Schellenberg). Needless to say, this does not sit well with Powhatan or the rest of the tribe. Moreover, the oft-bellicose Smith enters a head-to-head conflict with his fellow Britons when he finds his tempestuousness calmed by the tranquility of the new landscape, as the anger and violence of his shipmates concurrently build in the face of the Native Americans. Later, Smith temporarily returns to England; believing that Smith is dead, Pocahontas accepts the hand of plantation owner John Rolfe in marriage (with her father's blessing) and follows Rolfe back to the old country. When Smith returns to America, his intended is nowhere to be seen, and the entire community teeters on the brink of a British-Indian war. Malick shot the production on location in Virginia; it co-stars Jonathan Pryce, John Savage, and David Thewlis. ~ Nathan Southern, Rovi

David Lynch offers an uncharacteristically straightforward and warmly sentimental approach to his material in this film, based on a true story, about an elderly man's journey to reconcile with his brother. Alvin Straight (Richard Farnsworth) is an ailing widower in his early 70's who lives in Laurens, Iowa with his daughter, Rose (Sissy Spacek), who is mildly retarded and has a speech defect. Alvin doesn't trust doctors, despite suffering from emphysema and a bad hip. Alvin learns that his brother Lyle (Harry Dean Stanton) has suffered a stroke and may not have long to live. Alvin and Lyle haven't spoken in 10 years, which Alvin says is mainly a matter of pride and alcohol; Alvin wants to clear his slate with his brother before it's too late. However, Lyle lives in Wisconsin, and Alvin has little money, no car, and no driver's license. He does, however, have a riding lawn mower, and so Alvin hops on board and heads northeast to Wisconsin, hoping to make it while there's still time. Along the way, Alvin makes new friends and refuses to give up on his journey, despite frequent mechanical breakdowns. Richard Farnsworth's performance as Alvin earned him an Academy Award nomination as Best Actor; it would prove to be his final screen appearance, as he died a year after the film's release. ~ Mark Deming, Rovi

A crucial chapter in the life of famed defense attorney Earl Rogers is re-created in the made-for-TV Final Verdict. Treat Williams stars as Rogers, who matriculates from small-claims court to the judicial Big Time in 1919. Defending a client whom he knows to be guilty, Rogers foments a crisis in his own family--and within himself. Glenn Ford co-stars as Rogers' minister father. Final Verdict debuted September 9, 1991, over the TNT cable service. ~ Hal Erickson, Rovi

This small-town romance may be trying to ride the coattails of the Big Chill that also featured Kevin Kline. Kline plays Henry here, and when the film opens he and his love Gussie Sawyer (Sissy Spacek, wife of director Jack Fisk), are sitting together planning the future they will have. She will be a flight attendant and he will get a college degree. Yet when they part, so does their destiny. By a quirk of fate, Gussie starts taking photos for an in-flight magazine and ends up an ace photographer while Henry has stayed in their small town to run the newspaper after his dad died. When Gussie comes back for a vacation 15 years later the two old sweethearts find that the embers that burned so low over the last many years are heating up again. No one in the town is unaware of what is going on, and Gussie is in for a lecture from her dad while Henry hears it like it is from his wife. But will that change the course of their relationship? ~ Eleanor Mannikka, Rovi

John Byrum wrote and directed this loosely based biographical tale of Beat author Jack Kerouac and Neal and Carolyn Cassady. John Heard stars as Jack Kerouac, and the film chronicles the Beat lifestyle that shaped the literary and social forces brewing and overflowing in Kerouac's imagination, resulting in the publication of Kerouac's seminal novel On the Road. Nick Nolte and Sissy Spacek play the Cassadys, enmeshed in a love-hate relationship that forms the backbone of the film. Kerouac drifts in and out of their lives as the Cassadys take up residence in San Francisco. Ray Sharkey is also on hand as the manic Ira, a thinly veiled character based on Alan Ginsberg. ~ Paul Brenner, Rovi

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi

This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, Rovi

A tough biker gang comprised of African-American women heads off to find a member's mother and her abductor in this exploitation comedy ostensibly designed to make fun of racial stereotypes. The film was later retitled Get Down and Boogie. ~ Sandra Brennan, Rovi

"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, Rovi

In this violent prison drama, an imprisoned criminal finds himself flooded with offers to spring him if only he will reveal the secret location of the $1.5 million he stole from the mob before he went to jail. ~ Sandra Brennan, Rovi