Dorothy Fields Movies
For over 40 years, composer and lyricist Dorothy Fields penned scores of tunes for stage and screen. Her most frequent collaborator was Jimmy McHugh. In 1936, her song "The Way You Look Tonight" from Swing Time won her an Oscar. Fields sometimes wrote librettos with her older brother Herbert, a noted playwright and screenwriter. Some of their better-known collaborations include Mexican Hayride and Annie Get Your Gun. She is the daughter of popular comic Lew Fields, one half of Weber and Fields. Her other brother Joseph also wrote plays and screenplays. ~ Sandra Brennan, All Movie Guide- 1989
- PG
This easygoing French comedy -- originally and more wittily titled Romuald et Juliette -- is about conservative Parisian yogurt-company CEO named Romuald Blindet (Daniel Auteuil) who by circumstance finds himself drawing closer to his black cleaning woman Juliette Bonaventure (Firmine Richard). A romance soon develops between them. ~ Hal Erickson, All Movie Guide
- Starring:
- Daniel Auteuil, Firmine Richard, (more)
Dirty Rotten Scoundrels is a remake of the 1964 film farce Bedtime Story. Steve Martin and Michael Caine take over the roles originally played by Marlon Brando and David Niven: two international con artists, plying their trade on gullible wealthy women up and down the Riviera. Martin and Caine vie over the honor of fleecing ingenuous heiress Glenne Headly (in a role originated by Shirley Jones). ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Martin, Michael Caine, (more)
Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Midler, Lily Tomlin, (more)
- 1986
- R
In this drama about women living in a repressive society, Julie Christie plays Miss Mary Mulligan, a governess who has taken on a job with a wealthy Argentinian family in 1938. Her charges are the teens Caroline (Sofia Viruboff), Johnny (Donald McIntire), and the younger Teresa (Barbara Bunge). The father is a patriarch who believes in old-fashioned religion that keeps women in their places, several notches below the level of men. While Miss Mary espouses a highly conservative stance herself, it is clear that she is frustrated and feeling just a little isolated. None of the women in the drama fare very well at the hands of the society around them, and one transgression on the part of Miss Mary has unhappy consequences for more than herself alone. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie, Sofia Viruboff, (more)
"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jack Nicholson, Faye Dunaway, (more)
Shirley MacLaine plays Charity Hope Valentine who, despite her job at a seedy dime-a-dance joint, is an incurable optimist. Charity never stops looking for true love and never seems to look for it in the right places. We first see her in the company of Charlie (Dante DiPaolo), a slimeball who steals her purse and pushes her into the Central Park pond. Next she stumbles into a one-night stand with Vittorio Vidal (Ricardo Montalban), an egotistical movie star; this comes to nothing when Vittorio's contrite girlfriend Ursula (Barbara Bouchet) comes calling, forcing Charity to spend the night hiding in the closet. Desperate to escape the dance hall, Charity heads to an employment agency, where a bureaucratic clerk (Alan Hewitt) informs her that she has no qualifications. Unhappily, Charity heads for the elevator, where she becomes trapped with the very shy -- and very claustrophobic -- Oscar Lindquist (John McMartin). Once they've gotten out of the stalled elevator, Charity begins dating Oscar, never telling him of her checkered past or her sordid dance-hall job. Oscar eventually finds out but assures her that it doesn't matter. However, at the engagement party held at the dance hall, Oscar's puritanical streak emerges. He walks out on Charity, leaving her alone and heartbroken once more. With the help of a group of flower children (among them Bud Cort and Kristoffer Tabori), Charity is able to pick herself up and start living "Hopefully Ever After." Sweet Charity was adapted from the 1965 Broadway musical of the same name, which in turn was inspired by the 1957 Fellini flick Nights of Cabiria. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley MacLaine, John McMartin, (more)
- 1968
Two former World War II pilots take to running an air-freight company in South Africa after the war. They get mixed up with Lee Harris (Harry Guardino), the dangerous black-market crime boss who flaunts his beautiful mistress Elana (Claudia Cardinale). Brynie (Rod Taylor) and Mike (Peter Deuel) are the former ace flyboys who get on the wrong side of Harris and his henchmen. The action starts at Al Poland's (William Marshall), a favorite watering hole where everyone has one ear on the live music as the other listens to the next sordid smuggling plan hatched by shadowy underworld types. Harris and his gun-wielding thugs mean to bring down the high-flying operation. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rod Taylor, Claudia Cardinale, (more)
- 1963
In this collection of clips from The Judy Garland Show, which ran for 26 episodes on CBS television in 1963 and 1964, the legendary singer and actress performs a number of songs, several of them collaborations with up-and-comer Barbra Streisand, grand dame Ethel Merman, and Garland's own daughter, the then-teenaged Liza Minnelli. Garland's solos include several of her signature numbers, from "I'm Nobody's Baby," which she performed as a fresh-faced MGM star in 1940's Andy Hardy Meets Debutante, to "The Man That Got Away," written especially for 1954's comeback vehicle A Star Is Born. Garland and Streisand alternate friendly banter about hating each other's talent with solo renditions and two extended medleys. The most famous of these pairings is their show-stopping combination of the standards "Get Happy" and "Happy Days Are Here Again"; Garland had performed the former in 1950's Summer Stock, while Streisand recorded the latter the same year the program aired. In another segment, Merman appears in the middle of the audience and joins Streisand and Garland for a leather-lunged rendition of "There's No Business Like Show Business." The Merman and Streisand footage was taped on October 4, 1963, for episode nine of Garland's eponymous program. A sequence featuring three duets and lots of clowning with Minnelli was taped a few months earlier, on July 16, for episode three. Several years after her program was cancelled, Garland was set to play Helen Lawson, a character based on Merman, for the film version of Jacqueline Susann's Valley of the Dolls; she was replaced, however, by Susan Hayward. Streisand would go on to star in her own remake of A Star Is Born, while Minnelli would mine her mother's legacy in her own repertoire. ~ Brian J. Dillard, All Movie Guide
- 1957
Eleven years after scoring one of the biggest hits on the Broadway stage, Irving Berlin's musical comedy Annie Get Your Gun was brought to television in a lavish, live two-hour color presentation. Mary Martin, who ironically had been offered the role before Ethel Merman made it her own back in 1946, stars as sharpshooter Annie Oakley, the rag-tag backwoods gal who became the toast of two continents as the main attraction of Buffalo Bill Cody's Wild West show. The libretto, by Herbert and Dorothy Fields, naturally takes many liberties with the facts, focusing on the tempestuous romance between the level-headed Annie and the arrogant, bombastic marksman Frank Butler (John Raitt). Most of the laughs are provided by the wheeling and dealing of Annie's PR man, Charlie Davenport (Donald Burr), and by another of Buffalo Bill's star performers, Indian medicine man Sitting Bull (Zachary Charles), who has become so "assimilated" by the trappings of showbiz that he can't even remember how to perform a simple scalping (needless to say, much of the humor involving Sitting Bull would considered politically incorrect today). The songs include such Berlin standards as "Doin' What Comes Natur'lly," "The Girl That I Marry," "They Say It's Wonderful," "Sun in the Morning," "Anything You Can Do," and, of course, "There's No Business Like Show Business." This production of Annie Get Your Gun currently exists in black-and-white kinescope form, but though pictorial quality is rough, the entertainment value is unquestionable. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Martin, John Raitt, (more)
- 1954
Tony Curtis makes his musical-comedy debut in the frolicsome Universal production So This is Paris. Curtis, Gene Nelson and Paul Gilbert play three American sailors on leave in the City of Light. In record time, the trio makes the acquaintance of three lovely lasses: Gloria de Haven, Corinne Calvert and Mara Corday. Before the boys' 24 hours are up, they are inveigled into staging a benefit show for a group of tousle-haired war orphans. The whole thing resembles a Gallic variation of MGM's On the Town, except that the songs aren't quite as memorable. So This is Paris was directed by Richard Quine in much the same manner as his previous musical confections for Columbia Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Gloria de Haven, (more)
- 1952
The reason the 1935 Astaire/Rogers film version of Roberta was unavailable for years was that, in 1952, MGM bought the property and refilmed it under the title Lovely to Look At. Inheriting one-half of a Parisian dress salon from his late aunt, Red Skelton travels to France with his showbiz friends Howard Keel and Gower Champion. The threesome hopes to convince the owners of the other half of the salon to sell their share so that Skelton, Keel and Champion can finance a Broadway show. Meeting Skelton's "partners" Kathryn Grayson and Marge Champion, the three Americans discover that the salon is all but broke, so they pool their resources and wits to make the establishment a winning proposition. The plot thickens as more and more characters are added to the storyline, including stagestruck gendarme Kurt Kaznar and chorus girl Ann Miller. Songs retained from the original Jerome Kern Broadway score for Roberta include "Smoke Gets In Your Eyes," "I Won't Dance" and, of course, "Lovely to Look At." ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Howard Keel, (more)
- 1951
Dean Martin and Jerry Lewis' second starring vehicle was the odd mixture of slapstick and sentiment known as That's My Boy. Lewis is cast as Junior Jackson, the milquetoast son of former college football All-American "Jarrin' Jack" Jackson (Eddie Mayehoff). Regarding Junior as a disgrace, Jarrin' Jack hires amiable jock Bill Baker (Dean) to make a man out of his son. The film's climax is the inevitable Big Game, in which Junior fumbles and stumbles about before finally proving his mettle. Ruth Hussey plays Junior's understanding mother, while Marion Marshall and Polly Bergen portray Martin and Lewis' respective girlfriends. By 1990s standards, That's My Boy is more melancholy than funny, with Jarrin' Jack coming across as a neurotic blowhard who takes out his frustrations on his clumsy but likeable offspring. Audiences in 1951 were convulsed, however, and the film was a huge success. A TV-sitcom version of That's My Boy, starring Eddie Mayehoff, Rochelle Hudson, and Gil Stratton Jr., appeared in 1955. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1951
MGM's new musical screen team of Esther Williams and Howard Keel were given plenty to do in the pleasant if unambitious songfest Texas Carnival. Williams plays Debbie Telford, one-half of a carnival performing team. The other half is Corny Quinnell (Red Skelton), who breaks up the act when he is mistaken for Texas millionaire Dan Sabinas (Keenan Wynn). Living high on the hog in Sabinas' absence, Corny manages to smooth the romantic path for Debbie and ranch foreman Slim Shelby (Keel), while he dallies with the luscious Sunshine Jackson (Ann Miller). Red Skelton is given more opportunity to shine than usual, especially during a riotous poker game (this scene was a particular favorite of screenwriter Dorothy Kingsley, who felt it could have been even funnier had director Charles Walters "punched it up" cinematically). Esther Williams' particular highlight is a swimming sequence in a waterless hotel room, a bit of special-effects wizardry that only the MGM tech staff could have dreamed up. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Red Skelton, (more)
Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Hutton, Howard Keel, (more)
- 1948
The Dorothy Fields-Sigmund Romberg Broadway musical Up in Central Park has been retooled as a vehicle for a pleasantly plump Deanna Durbin. Set in New York in the 1870s, the film casts Durbin as hoydenish Irish immigrant Rosie Moore, who becomes the romantic bone of contention between muckraking newspaper reporter John Matthews (Dick Haymes) and corrupt but charming political boss Tweed (Vincent Price, considerably handsomer and slimmer than the real Tweed). With Rosie's help, John manages to expose Tweed's Tammany Hall shenanigans. Though only two songs have been retained from the original Broadway production, both Durbin and Haymes are afforded several opportunities to sing. Featured in the cast as Durbin's father is Albert Sharpe, who'd just completed a run in the smash New York musical Finian's Rainbow and who later played the title role in Disney's Darby O'Gill and the Little People (1959). Best scene: The Currier & Ives ballet, one of the few holdovers from the stage version of Up in Central Park. ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Dick Haymes, (more)
- 1948
Cole Porter's Broadway musical Mexican Hayride was optioned by Universal in the mid-1940s, then remained in "development hell" until 1948. By the time the property made it to the screen, the entire Porter score had been removed, and the play's original star Bobby Clark was replaced by Bud Abbott and Lou Costello. The story takes place South of the Border, where American fugitive from justice Joe Bascom (Costello) searches for con man Harry Lambert (Abbott), for whom Bascom had been a fall guy. Also in Mexico is Joe's hometown-sweetheart Mary (Virginia Grey), now known as Montana, the country's foremost female bullfighter. Joe catches up with Harry at the bull arena, where Montana is about to choose the "Amigo Americano" in a publicity scheme cooked up by Harry. When she spots Joe in the crowd, Montana (angry at our tubby hero for bilking her out of her life savings -- it was actually Harry's doing), furiously throws her hat at him. When Joe catches the hat, he's elected Amigo Americano and extended every hospitality that Mexico can afford. Sensing yet another opportunity to make a dishonest dollar, Harry exploits Joe's newfound celebrity to promote a phony gold-mining scheme. The gorgeous Dagmar (Luba Malina), Harry's partner in crime, romances Joe to secure his cooperation. Somehow all of this ends up back in the bull ring, with poor Joe facing a very belligerent "el toro." A bit too plot-heavy for Abbott & Costello, Mexican Hayride still has several choice moments, including a priceless verbal exchange involving gold ore ("gold or what?") and a "Mother Lode." ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1948
In this drama, an egomaniacal producer freely treads upon those around him without regard to the harm he does. The devoted wife of a novelist sees this after the producer foists himself on her during a party; she tries to warn her novelist husband who wants the man to produce his play, but he does not listen. Later the producer tries to destroy his own girl friend's career by spreading vicious rumors; he succeeds and she loses her contract. Meanwhile the writer and his wife, thanks to the producer's manipulation, have separated. The writer is then forced to revise the play. The result is so bad that he cannot attract the actor he wanted to play his leading man. The novelist's wife gets her revenge on the producer by showing an original draft of the play to the actor her husband wanted. He is impressed and helps her find another producer. When the husband hears about his wife's actions he immediately returns, but not before punching the egotistical producer in the eye. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Montgomery, Susan Hayward, (more)
The Cole Porter Broadway musical Something for the Boys was brought to the screen by 20th Century Fox with three new non-Porter tunes thrown in. The dated libretto (by Herbert and Dorothy Fields) involves a crumbling Southern plantation which is converted into a home for servicemen's wives. Running the operation are three cousins: Michael O'Shea, Vivian Blaine, and, from the South American branch of the family, Carmen Miranda. When money runs out, the threesome contrive to put on a fundraising show -- which of course looks far too expensive to break even, but since Carmen Miranda's in the picture, who knows. Perry Como makes his movie debut in Something for the Boys singing a handful of pleasant songs, while Judy Holliday shows up in a funny bit as a defense-plant welder with peculiar dental problems. ~ Hal Erickson, All Movie Guide
- Starring:
- Carmen Miranda, Michael O'Shea, (more)
- 1942
In this musical comedy set during WW II, a circus aerialist desires to be closer to her lover, a soldier. When she finds herself chased by gangsters, the woman dresses up as a man and joins the military. Mayhem ensues as she tries to undergo training and keep her sex a secret. The secret is revealed at the end, when the camp puts on a show and the gangsters suddenly appear. Luckily the police arrive at the same time and justice prevails. Songs include: "In the Army," "Need I Speak," "Jitterbug's Lullaby," "Spangles on My Tights," "Wacky for Khaki" (Frank Loesser, Harold Spina), "Swing in Line" (Loesser, Joseph J. Lilley), "Love in Bloom" (Ralph Rainger, Leo Robin), and "I Can't Give You Anything But Love" (Dorothy Fields, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide
- Starring:
- Judy Canova, Allan Jones, (more)
- 1941
Silent screen queen Gloria Swanson returned to films after a seven-year absence in RKO Radio's Father Takes a Wife. Adolphe Menjou costars as a middle-aged widowed shipping magnate known as Senior, who falls in love with celebrated actress Leslie Collier (Gloria Swanson) and marries her after a whirlwind courtship. Now Senior must break the news to his strait-laced son Junior (John Howard), who disapproves of show people. Junior is convinced that Leslie will leave his father the moment a younger, handsomer man enters the scene-a prediction that seems to come true when the honeymooning couple make the acquaintance of South American singing hearthrob Carlos (Desi Arnaz). Meanwhile, Leslie's jealousy is aroused when she sees Senior in the company of gorgeous young Enid (Florence Rice), unaware that the girl is Senior's daughter-in-law. All misunderstandings are forgotten when it turns out that both Leslie and Enid are about to become mothers-legitimately! Though Gloria Swanson was in fine fettle, Father Takes a Wife failed to draw a crowd, posting a loss of $104,000; eight years later, Swanson staged a real comeback in the classic Sunset Boulevard. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Gloria Swanson, (more)
- 1938
- NR
Given the talent involved, The Joy of Living should have been far better than it is. Irene Dunne plays Maggie, a popular musical-comedy star saddled with a possessive, spendthrift family. Maggie would like to leave the house once in a while and experience "real life," but her parents (Alice Brady, Guy Kibbee), worried that they'll lose their meal ticket, refuse to allow her to do so. The Prince Charming who rescues Maggie from her folks is ship-owner Dan (Douglas Fairbanks Jr.) As a bonus, the footloose and fancy-free Dan teaches the repressed Maggie that "it's fun to be foolish." Apparently director Tay Garnett couldn't keep the production under control, and the cost ballooned to a then-staggering $1.1 million, resulting in a huge loss for RKO Radio. Some of the film's brighter moments are provided by Lucille Ball, Billy Gilbert, Jean Dixon and Franklin Pangborn, who like Dunne and Fairbanks all deserved funnier material than this. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Douglas Fairbanks, Jr., (more)
The sixth of RKO's Fred Astaire -Ginger Rogers pairings of the 1930s, Swing Time starts off with bandleader Astaire getting cold feet on his wedding day. Astaire's bride-to-be Betty Furness will give him a second chance, providing he proves himself responsible enough to earn $25,000. Astaire naturally tries to avoid earning that amount once he falls in love with dance instructor Ginger Rogers. Numerous complications ensue, leading to the "second time's the charm" climax, with Ginger escaping her own wedding to wealthy Georges Metaxa in order to be reunited with Astaire. The film's most indelible image is that of Fred Astaire, immaculately attired in top hat and tails, hopping a freight car--a perfect encapsulation of the film's Depression-era cheekiness. The Jerome Kern-Dorothy Fields score includes such standards-to-be as "Pick Yourself Up," "A Fine Romance," "The Way You Look Tonight," "Never Gonna Dance" and "Bojangles of Harlem." The peerless supporting cast of Swing Time includes Helen Broderick, Victor Moore, Eric Blore, and Landers Stevens, the actor-father of the film's director, George Stevens. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1936
Josef Von Sternberg, past directorial master of movie exotica, came down to earth with The King Steps Out, a major studio musical. Set in 19th century Vienna, the plot concerns a sprightly young lady (opera star Grace Moore) who wishes to rescue her sister from marrying their cousin, the "wicked" Emperor Franz Josef (Franchot Tone). Disguised as a dressmaker, the girl instantly falls in love with the young monarch herself, and sings her way into his heart. The film is a compendium of every mittel-European operetta ever made, right down to the supporting appearance of Hermann Bing as an innkeeper named Pretzelberger. The King Steps Out was adapted from the Fritz Kreisler stage musical Cissy. ~ Hal Erickson, All Movie Guide
- Starring:
- Grace Moore, Franchot Tone, (more)
- 1935
The Nitwits are Johnny (Bert Wheeler) and Newt (Robert Woolsey), cigar-counter proprietors in the building owned by music publisher Lake (Hale Hamilton). Johnny spends his spare time spooning with his sweetheart, Lake's secretary Mary (Betty Grable), while Newt tinkers with his inventions, the latest of which is an electric chair which compels the occupant to tell the truth. A none too lovable man, Lake has made enemies of several people, including his shifty assistant Lurch (Arthur Aylesworth) and disgruntled songwriter Clark (Erik Rhodes); he is also on the outs with Mrs. Lake (Evelyn Brent), who caught her husband "coming on" to the reluctant Mary. Thus it is that practically anyone could be the dreaded "Black Widow," a mysterious blackmailer-murderer who's been trying to extort money from Lake. Hired at a substantial fee to protect the publisher from the Black Widow is private detective Darrell (Fred Keating), but Lake is murdered in his office all the same. Suspicion immediately falls upon Mary, the last person to see Lake alive. Johnny gallantly takes the blame for the killing to protect Mary, while Newt, believing Johnny to be guilty, does his best to protect his pal from the cops. All of this seems rather heavy going for a Wheeler & Woolsey vehicle, but be assured that The Nitwits is definitely a comedy, with the stars at their peak under the direction of George Stevens. The beauty of the film is that it sustains its momentum even after Newt's "truth chair" reveals the identity of the killer to the audience (but not to our rather dense heroes); especially hilarious is a nocturnal chase through a costume warehouse, utilizing several gags lifted from Stevens' "Boy Friends" 2-reelers of the early 1930s. Nineteen-year-old Betty Grable doesn't have too much to do, though she proves a charming subject for the film's best song, Dorothy Fields and Jimmy McHugh's "Music in My Heart". Co-written by Stuart Palmer, of "Hildegarde Withers" fame, The Nitwits was the last of Wheeler & Woolsey's truly worthwhile films. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Wheeler, Robert Woolsey, (more)
- 1935
After suffering a nervous breakdown (at least that's what she calls it), imperious movie star Carol Corliss (Ginger Rogers) retreats to a small mountain resort community to recuperate. Carol proceeds to adopt a series of ridiculous disguises so she won't be bothered by her fans, only to realize that she misses being bothered. She also tangles with chauvinistic local sportsman Emory Muir (George Brent), who's convinced that Carol is one shrew who is worth taming. In Person was released after the Fred Astaire-Ginger Rogers vehicle Top Hat, but filmed earlier; even so, Rogers performs a pair of dance routines choreographed by future Top Hat associate Hermes Pan, and as a bonus sings a trio of songs co-written by Oscar Levant and Dorothy Fields. Fans of the Three Stooges will recognize comedy-foil Bud Jamison as a disgruntled (and non-speaking) elevator passenger in the film's opening scene. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, George Brent, (more)
