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Sally Field Movies

Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.

Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.

By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.

Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.

In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC’s Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg’s Lincoln that she earned an Oscar nomination for Best Supporting Actress. ~ Hal Erickson, Rovi
1982  
PG  
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Robert Mulligan directed this Americanized re-make of the successful Brazilian comedy Dona Flor and Her Two Husbands. Sally Field stars as Kay Villano, a lonely widow of three years who can't forget the memory of her dead husband, Jolly (James Caan). Jolly was a selfish and unfaithful Broadway choreographer who still managed to win Kay over with his charm. But Kay has fallen in love again with Rupert Baines (Jeff Bridges), a stuffy professor of Egyptology. As her wedding day approaches, Kay receives a visit from Jolly's ghost, who taunts and harasses her, clearly upset that Kay is marrying someone so dull. Kay goes ahead with the marriage and Jolly refuses to disappear, resulting in a bizarre menage-a-tois. ~ Paul Brenner, Rovi

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Starring:
Sally FieldJames Caan, (more)
 
1981  
 
Tad Mosel's Broadway play All the Way Home was based on James Agee's A Death in the Family. A film version of the Mosel piece, starring Robert Preston and Jean Simmons, was released in 1963. 18 years later, All the Way Home was given an all-star staging by the NBC television network. Set in 1915 Tennessee, the play examines the effect that the sudden death of a loved one has upon those closest to him-in particular, his pre-teen son. William Hurt, Sally Field, Polly Holliday and Jeremy Licht headed the cast, while such reliable veterans as Ellen Corby, Michael Horton, Murray Hamilton, Jeanette Nolan, Ann Doran, and Betty Garrett appeared in support. All the Way Home was telecast live from the stage of the University of Southern California on December 21, 1981. ~ Hal Erickson, Rovi

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1981  
PG  
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In this legal drama from director Sydney Pollack, Sally Field stars as Megan, an ambitious newpaper reporter who, based on information from FBI investigator Rosen, played by Bob Balaban, writes a scathing article that implicates Gallagher, a reclusive business-owner played by Paul Newman, in the recent disappearance of a labor leader. When Gallagher confronts Megan and sets her straight, the two team together to prove his innocence and have a few romantic interludes along the way. Wilford Brimley and Melinda Dillon also star. ~ Matthew Tobey, Rovi

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Starring:
Paul NewmanSally Field, (more)
 
1981  
R  
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For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, Rovi

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Starring:
Sally FieldTommy Lee Jones, (more)
 
1980  
PG  
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Former stuntman Hal Needham made his directorial debut with the first Smokey and the Bandit (1977) and repeated his success with the sequel, a virtual remake that substituted a live elephant for a truckload of beer. Burt Reynolds returns as law-defying anti-hero Bandit, now a washed-up alcoholic whose girlfriend Carrie (Sally Field) has left him. When a pair of eccentric, wealthy brothers named Big Enos (Pat McCormick) and Little Enos (Paul Williams) approach Bandit with an offer of work, he and trucker pal Cledus (Jerry Reed) jump at the chance. The gig involves transporting an elephant to the Republican National Convention in twenty-four hours. The wrinkle is that the pachyderm is about to give birth -- any minute. Enter "Doc" (Dom DeLuise) a bizarre medical man who joins the team to care for the expectant mother, and Sheriff Buford T. Justice (Jackie Gleason), who has not forgotten the humiliations that he suffered during Bandit's last "mission." Needham's films were instantly forgettable cocktails of car chases, car crashes, and lowbrow humor. Reynolds and Needham teamed up over a dozen times in various action comedy pictures. Audiences of the late Seventies loved their anti-authority redneck humor and made their early collaborations into box office smashes. ~ Karl Williams, Rovi

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Starring:
Burt ReynoldsJackie Gleason, (more)
 
1979  
PG  
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Norma Rae finds Sally Field cast in the title role, a minimum-wage worker in a cotton mill. The factory has taken too much of a toll on the health of Norma Rae's family for her to ignore her Dickensian working conditions. After hearing a speech by New York union organizer Reuben (Ron Leibman), Norma Rae decides to join the effort to unionize her shop. This causes dissension at home when Norma Rae's husband, Sonny (Beau Bridges), assumes that her activism is a result of a romance between herself and Reuben. Despite the pressure brought to bear by management, Norma Rae successfully orchestrates a shutdown of the mill, resulting in victory for the union and capitulation to its demands. Based on a true story, Norma Rae is the film for which Sally Field won her first Oscar; an additional Oscar went to David Shire and Norman Gimbel for the film's theme song, "It Goes Like It Goes." ~ Hal Erickson, Rovi

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Starring:
Sally FieldBeau Bridges, (more)
 
1979  
PG  
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Irwin Allen's second water-logged disaster film picks up where The Poseidon Adventure left off; Salvagers Michael Caine, Karl Malden and Sally Field enter the Poseidon to take what they can, unaware that evil salvager Telly Savalas and his henchmen lie in wait. When an explosion rocks the ship, the enemies find themselves trapped inside in a battle for survival both against nature and themselves. The good guys pick up some survivors along the way, including Peter Boyle as a stereotypically hot-headed Italian, Mark Harmon as the All-American boy next door, and Slim Pickens as the ship's wine steward in what may be one of the most poorly-written parts of all time. Field looks good in the water, and Caine is charming despite a lack of material, but the merits end there. ~ Jeremy Beday, Rovi

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Starring:
Michael CaineSally Field, (more)
 
1978  
R  
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At the beginning of The End, Wendell Sonny Lawson (Burt Reynolds) is informed by his doctor that he's dying from "the same thing Ali MacGraw had in Love Story." Lawson's first reaction is to cry uncontrollably, much to the discomfort of his fellow elevator passengers. He heads to a nearby church to confess all his sins, only to be distracted by the wide-eyed fecklessness of the novice priest (Robby Benson). Attempting to resolve a few issues with ex-wife Mary Ellen (Sally Field), daughter Julie (Kristy McNichol), and his parents (Myrna Loy and Pat O'Brien), Lawson finds that they're all too absorbed in their own problems to pay him any attention. At the end of his rope, Lawson decides to kill himself -- with the help of a nutty mental patient (Dom DeLuise). ~ Hal Erickson, Rovi

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Starring:
Burt ReynoldsDom DeLuise, (more)
 
1978  
PG  
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Following the blockbuster success of Smokey and the Bandit, Burt Reynolds, Sally Field and director Hal Needham reunited to make the very similar Hooper, an action-laced comedy about a Hollywood stunt man who enters a dangerous rivalry with a younger stunt man. Hooper (Reynolds) and the younger stunt man (Jan-Michael Vincent) compete in a series of increasingly complex stunts in order to earn the title of "the greatest stunt man alive." Hooper is lightweight, mindless fun that doesn't have much story, but it is a stronger film than Smokey and the Bandit, largely because the characters are somewhat stronger. Everyone involved looks like they're having fun; the good-humor translates on screen. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Burt ReynoldsJan-Michael Vincent, (more)
 
1977  
PG  
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Heroes is an old-fashioned social problem movie concerning a troubled Vietnam veteran and the loving woman who helps him to work out his problems. Henry Winkler plays Jack Dunne, a veteran who has a history of mental problems. Jack fools the hospital doctor Elias (Hector Elias) and escapes from the hospital with the intention of starting a worm farm with money collected from his fellow inmates. Jack hops aboard a bus, where he meets up with Carol Bell (Sally Field), who, invites Jack to join up with her on a trip to California. ~ Paul Brenner, Rovi

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Starring:
Henry WinklerSally Field, (more)
 
1977  
PG  
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"Smokey," aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times. Already in danger of arrest from redneck lawmen like Buford T. Justice, Bandit furthers his chances at a stiff jail term when he offers a ride to Carrie, who hopes to escape her unwanted wedding to Justice's boy. The rest of the film is one long chase; not quite as subtle as a Road Runner/Coyote cartoon, not quite as restrained as a Three Stooges comedy. Universally panned by critics upon its first release, Smokey and the Bandit reportedly pulled in just under $126 million and led to two sequels. ~ Hal Erickson, Rovi

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Starring:
Burt ReynoldsSally Field, (more)
 
1976  
 
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The multiple award-winning made-for-TV movie Sybil was based on the book by Flora Rheta Schreiber. Sally Field won an Emmy for her portrayal of the title character, a substitute teacher in New York who has developed multiple personality disorder. As a coping mechanism to deal with the abuse she suffered at the hands of her mother, Hattie (Martine Bartlett), Sybil created separate personalities: aggressive Peggy Lou, suicidal Mary, baby Sybil Ann, and several others. Joanne Woodward plays Dr. Cornelia Wilbur, the psychologist who diagnoses Sybil's condition and helps her to get over it. William Prince and Jane Hoffman play her father and stepmother, while Brad Davis appears as her would-be boyfriend Richard. Originally shown in 1976 as a two-part special on NBC for a total of almost four hours, but most home video versions have been edited down to two hours. ~ Andrea LeVasseur, Rovi

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Starring:
Sally FieldJoanne Woodward, (more)
 
1976  
 
Based on the exploits of real-life 1830s frontiersman James Bridger, this TV movie was supposed to have graduated to a weekly series, but the fates were against it. James Wainwright plays the title role with Gary Cooper-like stoicism. John Anderson guest stars as President Andrew Jackson, who orders Bridger to blaze a trail from Wyoming to California. The film is extremely disorganized, suggesting that it was cobbled together from several shorter Bridger episodes. Moreover, the film was rather choppily pared down from 100 minutes to 78. When Bridger rescues Sally Field from bandits, we don't even know who her character is or why the hero is so interested in her plight. ~ Hal Erickson, Rovi

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1976  
R  
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In this offbeat comedy, Jeff Bridges plays Craig Blake, a rich kid who works with a group of hard-living Southern real-estate men led by Jabo (Joe Spinell), who are buying up a business district in Birmingham, Alabama in order to clear the space and put in a new project. Craig is supposed to work out a deal to buy the Olympic Spa, a gym popular with local weight-lifters, but after spending some time at the club, Craig finds himself fascinated with the people there, especially Joe Santo (Arnold Schwarzenegger), a world-class body builder from Austria who sometimes works out in a superhero costume and likes to play bluegrass fiddle to relax. Craig also makes the acquaintance of Mary Tate Farnsworth (Sally Field), a feisty gal who hangs out with Joe. Mary Tate finds Craig attractive, but she isn't sure he's being all that sincere, and she wonders why a wealthy real estate man is hanging out with a bunch of low-rent gym rats. Stay Hungry was a critical comeback for director Bob Rafelson and kick-started the careers of both Sally Field and Arnold Schwarzenegger in their first major film roles (unless you count Arnold's misbegotten appearance as "Arnold Strong" in Hercules In New York). ~ Mark Deming, Rovi

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Starring:
Jeff BridgesSally Field, (more)
 
1973  
 
The made-for-TV family-Western Hitched is a sequel to the 1971 TV movie Lock, Stock and Barrel, with Sally Field stepping into the role originally played by Belinda Montgomery. Newly married couple Roselle and Clare Bridgeman (played by Field and Tim Matheson) head westward to seek their fortune, only to become accidentally separated. In their efforts to stage a reunion, both Roselle and Clare undergo a variety of exhilirating experiences involving outlaws, sharpsters, saloon gals, and a Native American or two. Originally telecast by NBC on March 31, 1973, Hitched was intended as the pilot for a weekly TV series, and as such was shown in tandem with another busted pilot, Savage, starring Martin Landau and Barbara Bain. ~ Hal Erickson, Rovi

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1972  
 
When their aging father (Walter Brennan) is convinced his second wife is out to kill him, his four adult daughters gather over the holidays to help make things right, only to find themselves terrorized by a pitchfork-wielding maniac. This made-for-TV thriller was also released as Deadly Desires. ~ Jason Ankeny, Rovi

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1971  
 
Joe Don Baker stars as Mongo Nash, a professional gunman and the brother of mob boss Mike Nash (Charles Cioffi). At the behest of his brother, Mongo packs up his heat and prepares to bump off a rival gangster. Meanwhile, relentless police lieutenant Pete Tolstad (Telly Savalas) dogs Mongo's trail, determined to bring to justice all the crooks involved in the plot line. Partly filmed along the waterfront of San Pedro, CA, this made-for-TV thriller was based on a novel by E. Richard Johnson, who was then doing time on a robbery-murder charge at Minnesota State Prison. Mongo's Back in Town made its first CBS network appearance on December 10, 1971. ~ Hal Erickson, Rovi

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1971  
 
Sally Field and Robert Pratt star as newlyweds Jane and L.T. in this feature-length pilot for an unsold weekly series. Born into wealth, Jane is quite unprepared for her life with farm-bred medical student L.T., especially when the couple move into what may be the tiniest apartment in the least attractive neighborhood of Chicago. Still, Love Finds a Way, even on L.T.'s penurious salary. Had this project gone to series, it would have either been a half-hour sitcom or an hour-long dramedy. This point proved moot when the first NBC telecast of Marriage: Year One on October 15, 1971, also turned out to be the last. ~ Hal Erickson, Rovi

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1970  
PG  
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Sally Field had her first significant dramatic role in this "generation gap" TV movie. After a year's time in the world of hippies and drugs, Field returns home to the parents who'd all but booted her out. Mom and Dad (Eleanor Parker and Jackie Cooper) try their best to understand their wayward daughter, but still can't overcome their judgmental attitude. When Field's younger sister (Lane Bradbury) begins experimenting with drugs, her parents react with the same blind, close-minded rage that had driven Field away the year before. Realizing that she can never really come home, Field leaves once more, hoping that someday she and her parents can solve their problems without recriminations and screaming. Unlike other "youth" films of the 1970s, Maybe I'll Come Home in the Spring refuses to take sides: Field's hippie lifestyle is shown to be just as shallow as her parent's suburban existence. ~ Hal Erickson, Rovi

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1970  
 
Singer/songwriters Tommy Boyce and Bobby Hart, who composed many of The Monkees' best tunes, appear in this episode of The Flying Nun. While appearing in San Juan, the two performers are involved in a minor traffic accident caused by Sr. Bertrille, who willingly takes all the blame for the incident. The boys' lawyer insists upon suing Convent San Tanco, resulting in a outpouring of public outrage which nearly wrecks the singers' careers--to say nothing of Carlos' casino. Boyce and Hart perform their own compositions "I Thank You" and "Crazy Arms". Written by March 20, 1970, "When Generations Gap" first aired on March 20, 1970. ~ Hal Erickson, Rovi

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1970  
 
To qualify for state aid to build a children's day camp, Convent San Tanco must increase their community's popular by 444 residents. Spunky Sr. Bertrille immediately embarks upon a recruiting drive for new citizens-and with equal immediacy, runs afoul of a land-grabbing business tycoon. Pedro Gonzales Gonzales, Hilarie Thompson, Julio Medina and Naomi Stevens appear in supporting roles. First telecast on March 27, 1970, "Operation Population" was written by Arnold Horwitt. ~ Hal Erickson, Rovi

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1970  
 
Having survived seventy years and outlived four wives, old Mr. Montero is as spry and lively as ever. Thus it comes as surprise to the nuns when Montero insists that they arrange his funeral, insisting that he will be dead by the end of the week. Sr. Bertrille quickly deduces that Montero is not ill but lonely, and she begins flying about in search of Mrs. Montero Number Five. Written by Stanley Adams and George F. Slavin, "No Tears for Mrs. Thomas" originally aired April 3, 1970, as the final first-run episode of The Flying Nun. ~ Hal Erickson, Rovi

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1970  
 
Celebrated bullfighter El Charro (Ben Archibek) has entered convent San Tanco under an assumed name. His purpose: to learn to read and write English, without attracting the attention of his adoring fans. Sr. Bertrille enlists the aid of casino owner Carlos in helping the timid toreador keep his secret. First broadcast on March 13, 1970, "A Gift for El Charro" was written by actor Stanley Adams, in collaboration with George F. Slavin. ~ Hal Erickson, Rovi

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1970  
 
Sr. Bertrille becomes a TV star when she is captured on film in a "hidden camera" detergent advertisement. Unfotunately, her sudden celebrity may end up discrediting our heroine in the eyes of a visiting bishop (Ivor Francis. A pre-One Day at a Time Pat Harrington Jr. appears as Harry. First telecast on March 6, 1970, "The Candid Commercial" was written by John L. Greene. ~ Hal Erickson, Rovi

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1970  
 
Back during the Korean War, Carlos Ramirez adopted a 2-year-old orphan girl named Kim, whom he has supported, sight unseen, ever since. Now it is 1970: Kim (Mike Kayama) is 19 years old, a stunning beauty-and intent upon marrying Carlos! Once again, it's Sr. Bertrille to the rescue. Written by actor Stanley Adams in collaboration with George F. Slavin, "Papa Carlos" originally aired on February 27, 1970. ~ Hal Erickson, Rovi

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