John Fiedler Movies

A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, All Movie Guide

Twilight Zone's Yuletide offering for the 1960-61 season was this videotaped episode. Art Carney stars as Henry Corwin, a philosophical, booze-guzzling department store Santa Claus. Dismissed from his job, the disgruntled Corwin stumbles across a strange-looking bag, one that profoundly changes not only his life but the lives of everyone with whom he comes in contact. Reliable TV actors John Fiedler and Burt Mustin spice up the proceedings in this irresistably charming exercise. Written by Rod Serling, "Night of the Meek" first aired December 23, 1960. ~ Hal Erickson, All Movie Guide

While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, All Movie Guide

The only episode of The Alfred Hitchcock Hour directed by Hitchcock himself (though he'd previously helmed several of the anthology's half-hour installments), "I Saw the Whole Thing" draws its suspense from the reliability -- or lack of reliability -- of eyewitness testimony. Arrested on suspicions of causing a fatal car accident, mystery writer Michael Barnes (John Forsythe) insists upon acting as his own attorney. Five witnesses insist under oath that they saw Barnes run a stop sign -- and in each case, Barnes discredits their testimony by proving that the witnesses only thought they saw what they saw, based on their own experiences and personal prejudices. Things take an unexpected turn when a sixth witness offers a sixth version of the accident. ~ Hal Erickson, All Movie Guide

A reworking of the first-season Twilight Zone episode "Mr. Bevis," "Cavender Is Coming" was, like its predecessor, the pilot for a proposed comedy-fantasy TV series. Carol Burnett stars as klutzy Agnes Grep, whose combination of overeagerness and ineptitude costs her job after job. Enter Agnes' guardian angel Cavender (Jesse White), who, as big a screw-up as the heroine, has been assigned to Agnes to see if he is worthy of earning his wings. Transforming Agnes into a poised, sought-after fashion plate, Cavender discovers that she was happier when she was a "loser" -- meaning that Cavender will be stuck on Earth a long, long time, in search of someone whose life he can really turn around. Written with a heavy hand by Rod Serling, "Cavender Is Coming" benefits from the play between its two stars and from a rich and varied supporting cast including John Fiedler and Donna Douglas; in the final analysis, however, it is defeated by CBS' decision to add a raucous laughtrack, which is at its loudest when absolutely nothing funny is happening. "Cavender Is Coming" was originally telecast May 25, 1962. ~ Hal Erickson, All Movie Guide

Mrs. Brown's daughter Angela (Ann Marshall), in her final series appearance) is assigned to write a school paper on the theories of Professor Newton Jennings (John Fiedler), who believes that Mars is inhabited only by primitive amoebae and inverterbrates. Hoping to get the facts straight, Martin (Ray Walston) helps Angela finish her paper--and as a result, the girl gets a failing grade! Infuriated, Martin decides to expose Jennings as a fraud, but the results are not quite what anyone expects. ~ Hal Erickson, All Movie Guide

Perennial loser Claude Miller (John Fiedler) becomes a winner overnight when he strikes a rich silver lode. Determined to get even with the people who had previously subjected him to ridicule, Claude buys out his tormentors' mortgages. Alas, once a loser, always a loser: Claude's plans for revenge are undermined by his new partner, a crooked deputy. The supporting cast includes Florence Sundstrom as Daisy, J. Pat O'Malley as Clancy, Jay Lanin as Slauson, Ken Mayer as Tarbosh, and Ken Drake as Claude. First shown on May 12, 1963, "Rich Man, Poor Man" was scripted by Richard P. McDonagh and Barbara and Milton Merlin, from a story by Arnold Belgard and Robert Fresco. ~ Hal Erickson, All Movie Guide

Sleazy movie producer Tony Fry (Richard Carlson) plans to raise money for his next picture by threatening to reveal the sordid past of Joanne Pennington (Constance Towers), the wife of millionaire J.J. Pennington (Paul Stewart). What Tony doesn't know is that his fiancee Kathy (Mimsy Farmer) is actually the daughter of a man whose career he ruined years earlier, and who hopes to use Tony's extortion scheme to destroy him. But things don't quite work out that way, and by the episode's halfway point Perry Mason (Raymond Burr) is defending Kathy on a charge of bludgeoning Tony to death with a film-award trophy (no, it isn't an Oscar; evidently the Motion Picture Academy was not about to allow its sacred statuette to be used as a murder weapon!) ~ Hal Erickson, All Movie Guide

Decked out with another of his American accents, Peter Sellers plays self-centered concert pianist Henry Orient. While Henry's active libido sends him off on pursuit of married woman Paula Prentiss, a pair of preteen boarding-school chums, played by Tippy Walker and Merrie Spaeth, worship Orient from afar. The girls' overworked imaginations, manifested in pursuing Orient about and recording their fantasies in their diaries, leads Walker's mom, Angela Lansbury, to conclude that Henry has "had his way" with her underaged daughter. The World of Henry Orient was later musicalized for Broadway as Henry, Sweet Henry. ~ Hal Erickson, All Movie Guide

One of Elvis Presley's most popular vehicles, Girl Happy is also one of the most typical. Elvis plays Rusty Wells, the leader of a four-piece rock group, consisting of Gary Crosby, Joby Baker and Jimmy Hawkins. Hired by Chicago gangster boss Big Frank (Harold J. Stone) to protect the virtue of Frank's cute daughter Valerie (Shelley Fabares), Rusty and his buddies follow Valerie to Fort Lauderdale during Spring Break. The girl falls in love with Rusty, then falls out of love when she learns that he's in her dad's employ. Valerie then becomes involved with a slick Italian playboy (Fabrizio Mioni), forcing Rusty to break up the romance lest he end up in a cement overcoat. It all ends happily, of course: after all, Elvis hadn't died on screen since Flaming Star. A bikini-watcher's dream, Girl Happy is less successful as a musical; of the many songs, the title number is the only one with lasting value. ~ Hal Erickson, All Movie Guide

After suffering a minor head injury, the Enterprise's chief engineer, Scotty, is ordered by Dr. McCoy to take a brief leave -- as part of his recovery process, of course -- in this episode of the popular sci-fi television series. Reluctantly, Scotty puts aside his workaholic tendencies and joins the doctor and Captain Kirk in traveling to a planet that bears a strong resemblance to 19th-century London. At first quaint, the parallels to Earth culture become frightening when the society proves to have its own variation on Jack the Ripper, and Scotty is accused of the crimes. The other officers attempt to defend their friend against the charges, but mounting evidence refutes their arguments for innocence. Even worse, Scotty not only lacks an alibi, but has begun suffering from blackouts which leave him with no memory of his activities during the times of the murders. The script for Wolf in the Fold was written by Robert Bloch, best known for the novel that inspired Alfred Hitchcock's Psycho. ~ Judd Blaise, All Movie Guide

John Fiedler guest stars as Fergus F. Finglehoff, a frog who has been transformed into man. Having fallen in love with a female amphibian, Fergus demands that Samantha return him to his original frog form, but only the witch who cast the spell in first place can do that. Sam's solution is to change Fergus' froggy girlfriend, Phoebe (Corin Camcho), into a human -- a bit of magic which, alas, does not alleviate the crisis. Written by Ruth Brooks Flippen, "Nobody but a Frog Knows How to Live" originally aired on April 27, 1967. ~ Hal Erickson, All Movie Guide