Joseph Feury Movies
The harsh realities of war are brought into focus in this documentary fromHBO. Acclaimed filmmakers Jon Alpert and Matthew O'Neill offer an uncensored look at life inside the 86th Combat Support Hospital during the second U.S. war in Iraq, presenting tense moments in the operating room as well as intimate interviews with both doctors and soldiers. Designed as a testament to the thankless job done by the military's medical staff, Baghdad ER went on to win four Emmy awards. ~ Matthew Tobey, Rovi
- 2005
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The rich legacy of cinema legend Kirk Douglas is explored in Academy Award-winning actress and documentary-filmmaker Lee Grant's illuminating look at the personal side of a Hollywood royalty. With roles in such indisputable Hollywood classics as Spartacus, Kirk Douglas achieved the kind of cinematic superstardom that dreams are made of. As the torch was passed to his talented son Michael in such efforts as Romancing the Stone, Wall Street, and Basic Instinct, it became obvious to filmgoers that the Douglas dynasty would continue to thrive. Now, for the first time ever on camera, filmmaker Grant conducts exclusive interviews with both Kirk and Michael, their friends, and various family members to offer the definitive look at both the public and private lives of the father and son who made Hollywood history. ~ Jason Buchanan, Rovi
A legendary theatrical family gather for one final show at their East Hamptons estate in this verbose comedy-drama. Swedish actress Viveca Lindfors takes center stage as Helena, the family matriarch, who has made the difficult decision to sell the estate due to financial problems. A mixed group has come for what will be the last of the family's annual summer performances, a gathering that naturally brings conflicts and rivalries to the surface. Much of the trouble centers on Oona (Victoria Foyt), a financially successful Hollywood actress seeking artistic approval from such theatrical colleagues as avant-garde director Ivan (André Gregory) and gay playwright Jake (real-life dramatist Jon Robin Baitz), who each has difficulties of his own. As in all of writer/director Henry Jaglom's films, the focus is on conversation over action, as the various characters share personal torments and debate their individual philosophies. The talky, intellectual dialogue will be seen by some viewers as witty and perceptive and by others as pretentious and slow-moving. Regardless of one's opinion of Jaglom's idiosyncratic style, Last Summer in the Hamptons is distinguished by the presence of Lindfors in her final film, giving a career-capping performance that addresses the problems of older actresses and looks back fondly on the star's own history. ~ Judd Blaise, Rovi
- Starring:
- Victoria Foyt, Viveca Lindfors, (more)
After her own daughter abandons her child, an ambitious and orderly publisher has little choice but to raise the grandchild as her own. ~ Sandra Brennan, Rovi
- Starring:
- Carol Burnett, George Segal, (more)
After winning an Academy Award for their documentary Down and Out in America (1986), actress-director Lee Grant and her producer-husband Joseph Feury filmed this comedy-drama based on an original script by playwright Monte Merrick. In a small Southern town, the McDermott family has owned and operated a popular chicken restaurant for years. Each of the three McDermott boys, Brian (Tim Quill), Kit (Dermot Mulroney), and Duncan (Sean Astin) expects to inherit part of the business from their father (Jim Haynie). While enjoying liberal amounts of skirt-chasing, marijuana-smoking, and alcohol consumption in their off hours, the McDermotts have big plans for the place, but then dad drops a bombshell -- he's sold the restaurant without consulting his family, leaving each son to struggle with his newfound, unwanted independence. In the meantime, mom (Melinda Dillon) considers reuniting with her old band. Because of the bankruptcy of its producer, Hemdale Film Corporation, Staying Together (1989) was shelved for over a year before its release. ~ Karl Williams, Rovi
- Starring:
- Sean Astin, Stockard Channing, (more)
- 1989
Written with heartbreaking attention to detail by Ara Watson and Sam Blackwell, No Place Like Home was one of the first TV movies to direct itself to the plight of the homeless. Jeff Daniels plays a Pittsburgh apartment superintendent and aspiring electrician who loses his job -- and his home -- when the apartment building burns to the ground. Daniels, his wife Christine Lahti, and his two children (Lantz Landry and Kyndra Joy Casper) move in with Daniels' brother Scott Marlowe, but the resultant family hostilities render the situation impossible. As the family takes the downward journey from welfare hotel to homeless shelter, Daniels searches in vain for an electrician's job, Lahti takes a few stints as a waitress, and son Lantz Landry gets involved with a drug dealer. The film offers little hope or comfort, nor any pat solutions to the ever-growing homeless dilemma. The final shot in No Place Like Home is a stunner, grimly evocative of King Vidor's more upbeat finale in 1928's The Crowd. Lee Grant, director of this numbingly realistic TV movie, had earlier directed a documentary on the same subject, Down and Out in America. ~ Hal Erickson, Rovi
- Starring:
- Christine Lahti, Jeff Daniels, (more)
Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, Rovi
- 1984
A Matter of Sex is the calculatedly misleading title of a based-on-fact TV movie, which originally bore the more suitable title Women of Willmar. In 1976, the women working in a bank in Willmar, Minnesota become incensed because less-qualified men are being promoted over them. Head teller Jean Stapleton, with the help of attorney Peter Dvorsky and the Equal Employment Opportunity Commission, organizes an employee's union. When the chauvinistic bank officers cause negotiations to break down, Stapleton and seven other female employees go on strike--a job action which lasts for two years, despite political and social pressure from the community. Director Lee Grant, whose daughter Dinah Manoff is cast as one of the strikers, had previously helmed a documentary based on the same incident, The Willmar Eight--which was telecast on PBS the night before the January 1984 network premiere of A Matter of Sex. ~ Hal Erickson, Rovi
- 1971
- PG
Pursued by police and rival gangs, a motorcycle gang, headed by Waco (Robert Porter) takes refuge in a convent located in a remote region of the Arizona desert. They smuggle heroin in their motorcycles. They capture one policeman (Billy "Green" Bush) who was following them, taunt him and let him go. This treatment inspires a brutal relentlessness on the cop's part, which serves them poorly. When they are forced to leave the convent, they take a novice nun (Elizbeth "Tippy" Walker) with them as a hostage. By the end of the film, she has fallen in love with Waco, and chooses secular life over monastic life. This film features numerous picturesque sequences of desert motorcycle riding. ~ Clarke Fountain, Rovi
- 1970
Harry Jessup (Victor Sander) is the father who throws weekend parties for his voyeuristic pleasure. His wife Susan (Ann Staunton) loosens up enough to service some of the guests. Also on hand are their son and his girlfriend, and a chauffeur with bisexual tendencies. Angela Martelli and Erika Von Kessler are the lesbians who add a different twist to the erotic proceedings to the delight of their host Harry. Strictly one for the flesh pedlars. ~ Dan Pavlides, Rovi
- Starring:
- Ann Staunton
