Cy Feuer Movies
New York-born Cy Feuer has enjoyed a multi-tiered career in music and movies, as a composer and department head at Republic Pictures during the 1930s and '40s and as a stage and screen producer from the '50s through the '70s. A student at the Juilliard School of Music, Feuer played trumpet in the Radio City Music Hall orchestra and the Roxy Theater orchestra (in the days when such theater orchestras were a major part of entertainment) during the '30s. He headed to California at the end of the decade and joined the music department at Republic Pictures in 1938. Starting with the serial Fighting Devil Dogs (one of the greatest chapterplays ever produced), Feuer was the music director for upwards of 125 movies over the next decade, with a three-year interruption (1942-1945) during which he served in the military in World War II. His work as a composer (usually uncredited) also turned up in some 90 feature films and serial releases during this period, including The Adventures of Captain Marvel and Drums of Fu Manchu; some of his music was also later tracked into The Lone Ranger television series. In 1947, Feuer left the studio and headed back to New York, where he became a producer on the Broadway stage. Apart from a short period working on the radio series Escape, his composing credits more or less disappeared in subsequent years, but Feuer was responsible for bringing such musical successes as Frank Loesser's Where's Charley (which he also later produced for the screen), Guys and Dolls, Cole Porter's Can-Can and Silk Stockings, and Loesser's How to Succeed in Business Without Really Trying to the stage, all of which were later adapted into hit motion pictures. Feuer's crowning triumph, however, was the film of Cabaret (1972), which he produced; it became the biggest success of his career, earning tens of millions of dollars and eight Academy Awards. He was also later involved with bringing A Chorus Line to the screen. In 1996, Feuer's early career as a film composer was recalled in a series of CD releases by the CinemaSound Orchestra devoted to Republic's music, issued on the Varese Sarabande label. ~ Bruce Eder, Rovi
Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, Rovi
- Starring:
- Michael Douglas, Terrence Mann, (more)
- 1974
This film biography of the French torch singer Edith Piaf (1915-1963) was made simultaneously with a French and English soundtrack. Piaf (Brigitte Ariel) grew up on the streets of Paris and was a bawdy, powerful character. This film chronicles her rise to vocal pre-eminence, and highlights her career in the '20s and '30s. Some of Piaf's own singing is included in the soundtrack. Among the innumerable songs she made popular in France and the U.S. are "La Vie En Rose", and "Milord". ~ Clarke Fountain, Rovi
- Starring:
- Brigitte Ariel, Pascale Christophe, (more)
Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, Rovi
- Starring:
- Liza Minnelli, Michael York, (more)
- 1952
Where's Charley?, Frank Loesser's hit Broadway musical version of Brandon Thomas' evergreen stage farce Charley's Aunt, was brought to the screen in 1952 with most of its original cast intact -- including, thank heaven, star Ray Bolger. In the original Brandon Thomas version, Oxford undergrad Lord Fancourt Babberly was coerced into disguising himself as "Charley's Aunt, from Brazil, where the nuts come from" so that his roommates Charley Wyckeham and Jack Chesney would have a proper escort for their visiting sweethearts Amy Spettigue and Kitty Verdun. In the musical version, Lord Fancourt is eliminated, and Charley plays his own aunt, making innumerable quickie costume changes throughout the proceedings. Complications ensue when three older characters show up: Jack's father Sir Francis Chesney, Amy and Kitty's irascible guardian Stephen Spettigue, and Charley's real aunt Donna Lucia D'Alvadorez. It goes without saying that Ray Bolger plays both Charley and the faux aunt, brilliantly recreating the sidesplitting comic turns that brought down the house on Broadway. Less successful is his re-creation of the audience-participation song "Once in Love With Amy," simply because it's difficult for a film actor to come "out" of the picture and encourage the audience to sing along. The other Loesser songs -- "Make a Miracle," "My Darling" and "New Ashmoleon Marching Society" are more satisfactorily rendered. For the record, the rest of the cast includes Allyn McLerie and Mary Germaine as Amy and Kitty, Robert Shackleton as Jack, Horace Cooper as Spettigue, Howard Marion Crawford as Chesney, and Margaretta Scott as Donna Lucia. ~ Hal Erickson, Rovi
- Starring:
- Ray Bolger, Allyn Ann McLerie, (more)
- 1947
In this musical, the fourth entry in a five-film series, three singers come together to form a nightclub act. Their songwriter falls for the female. They become a hit and are soon signed to appear in Hollywood musicals, but when the female becomes a star, the group disbands. Songs include: "Chiquita from Santa Anita," "Is There Anyone Here from Texas?" "I Guess I'll Have That Dream Right Away," "Couldn't Be More in Love," "The Customer is Always Wrong," "The Cats Are Going to the Dogs," "Brooklyn Buckaroos," and "Out California Way." ~ Sandra Brennan, Rovi
- Starring:
- Eddie Albert, Chester Clute, (more)
One of John Wayne's most mystical films, Angel and the Badman is also the first production that Wayne personally produced. The star plays a wounded outlaw who is sheltered by a Quaker family. Attracted to the family's angelic daughter Gail Russell, the hard-bitten Wayne undergoes a slow and subtle character transformation; still, he is obsessed with killing the man (Bruce Cabot) who murdered his foster father. The storyline traces not only the regeneration of Wayne, but of the single-minded sheriff (Harry Carey) who'd previously been determined to bring Wayne to justice. Not a big hit in 1947, Angel and the Badman has since become the most frequently telecast of John Wayne's Republic films, thanks to its lapse into Public Domain status in 1974. ~ Hal Erickson, Rovi
- Starring:
- Joan Barton, John Wayne, (more)
- 1947
Carlotta Duval (Vera Ralston) is willing to help her boyfriend George McAllister (John Carroll) get his hands on his ailing brother Barry's (Robert Paige) fortune. She is willing to marry Barry, knowing full well that he has only been given a few months to live. And when she deviates from the scheme by falling in love with Barry, she is willing to nurse her husband back to health, despite what George has to say about it. But is George willing to prevent slimy blackmailer Ernie Hicks (Broderick Crawford) from destroying Carlotta and Barry's newfound happiness? In terms of both budget and histrionic level, The Flame is one of the most lavish of Republic Pictures' late-1940s productions. ~ Hal Erickson, Rovi
- Starring:
- John Carroll, Vera Ralston, (more)
- 1947
Promoted from Republic B westerns to "A" productions, William "Wild Bill" Elliot found himself in the sort of roles previously essayed by John Wayne, Richard Dix and Errol Flynn. In the Republic "special" Wyoming, Elliot plays Charles Alderson, a wealthy Wyoming Territory ranch owner who takes an adversarial position against the congressional Homestead Act of the late 19th century. Alderson's grown daughter Karen (Vera Ralston, whose foreign accent is "explained" by the fact that she's been educated in Europe!) tries to dissuade her father from his ruinous path, but it is only through the villainy of crooked landgrabber Duke Lassiter (Albert Dekker) that Alderson realizes he's been all wrong about the incoming homesteaders. Only in a Republic picture would a film's supporting cast include both Maria Ouspenskaya and Gabby Hayes! This Wyoming, incidentally, is not a remake of the 1940 Columbia film of the same name. ~ Hal Erickson, Rovi
- Starring:
- Roy Barcroft, John Carroll, (more)
- 1947
In this Republic musical, all heck breaks loose when the girlfriend of an aspiring composer becomes a model for the starving artist who lives next door. The story takes place at the turn of the 19th century and is set in Miss Rich's boardinghouse, the temporary home of many young artists and performers hoping to make it big in New York. Songs include "Have I Told You Lately?" and "A Bluebird Is Singing to Me." ~ Sandra Brennan, Rovi
- Starring:
- Charles Arnt, Jane Frazee, (more)
- 1947
Allan Dwan directs the family-oriented drama Driftwood, starring nine-year-old Natalie Wood. Orphan Jenny Hollingsworth (Wood) is found in a rural small town in Nevada that is ravaged by Rocky Mountain fever. She meets the local doctor, Steve Webster (Dean Jagger), who is working on a research project. Steve plans on leaving the girl with his girlfriend, Susan Moore (Ruth Warrick), while he goes to San Francisco to do research. However, enny's dog attacks a little boy and gets taken away by Sheriff Bolton (James Bell). Jenny develops Rocky Mountain fever from the dog and gets deathly ill. Also starring Walter Brennan as Murph, Charlotte Greenwood as Mathilda, and Jerome Cowan as Mayor Snyder. ~ Andrea LeVasseur, Rovi
- Starring:
- James Bell, Walter Brennan, (more)
- 1947
Though Republic's Winter Wonderland sounds like a vehicle for the studio's resident skating star Vera Hruba Ralston, she's nowhere to be seen in this 71-minute comedy. Instead, Lynne Roberts plays heroine Nancy Wheeler, the daughter of a farmer (Roman Bohnen) whose property is in close proximity to a posh skiing lodge. Nancy falls in love with the lodge's handsome ski instructor Steve Kirk (Charles Drake), leading somewhat circuitously to a series of skating exhibitions, sled races and even a ski ballet. Eric Blore goes through his paces as the droll lodge owner, while the heroine's daughter is played by future Father Knows Best co-star Elinor Donahue. Winter Wonderland was co-written by Arthur Marx, son of Groucho. ~ Hal Erickson, Rovi
- Starring:
- Lynne Roberts, Charles Drake, (more)
- 1947
A man's addiction to gambling almost destroys his life in this racetrack adventure. Joe Grange is nearly broke when he buys an ailing colt and brings it back to health. He then turns the horse into a promising champion. During the big race, Joe places a large amount of money upon the horse. It wins him a fortune, but his wife is still unhappy because he has neglected her in favor of his obsession. She takes off and his lucky streak ends. Soon he has nothing left but his retired horse. Desperate for cash, he brings the horse back to the track, wagers one final bet, and hopes for the best. ~ Sandra Brennan, Rovi
- Starring:
- Don Ameche, Catherine McLeod, (more)
- 1946
In this melodrama, a self-absorbed mother unwittingly teaches her daughter some terrible habits. From her, the girl learns that she should simply take everything she wants without considering the consequences of her actions. Her conniving tactics make her rich, but unlucky in love. Fortunately, her second husband teaches her some important life lessons and the girl changes her ways. ~ Sandra Brennan, Rovi
- Starring:
- James Dunn, Mona Freeman, (more)
- 1946
The 87-minute running time of Plainsman and the Lady was evidence aplenty that this was no mere Republic B western. William Elliot (formerly and latterly "Wild Bill" Elliot) stars as cattleman Sam Cotten, who offers his services-and his six-guns-to the newly formed Pony Express. Erudite villain Peter Marquette (Joseph Schildkraut) is a rival stagecoach owner who'll stop at nothing to keep the mail from going through. Ordering his minions to disguise themselves as Indians, Marquette masterminds a series of bloody raids on the pony express riders. But Cotton, aided and abetted by grizzled sidekick Dringo (Andy Clyde) proves to be more than a match for the bad guy. The lady of the title is high-born Ann Arnesen, played by Queen of Republic Vera Ralston; she's decorative enough, but no match for her talented costar Gail Patrick, cast as Ann's sister and the despicable Marquette's wife. ~ Hal Erickson, Rovi
- Starring:
- Don "Red" Barry, Andy Clyde, (more)
- 1946
Though Republic had decided to forego plans for an annual film edition of Earl Carroll's Vanities, their reciprocal deal with the Broadway impresario was still very much in effect in 1946: Hence the creation of the musical extravaganza Earl Carroll Sketchbook. The highly forgettable plot involves a serious composer named Tyler Brice (William Marshall) who "sells out" to write radio commercials. Artistically redeemed by heroine Pamela Thayer (Constance Moore), Brice decides to lend his talents-both as composer and singer-to producer Earl Carroll's newest nightclub revue (Richard Lane plays the Carroll character, here named Richard Starling). The Jule Styne-Sammy Cahn tunes are hardly classics, though "I've Never Forgotten" has possibilities. The film also revives Harold Arlen and Ted Koehler's "I've Got a Right to Sing the Blues", first introduced in the 1932 edition of Vanities. TV prints of Earl Carroll's Sketchbook have been retitled Hats Off to Rhythm ~ Hal Erickson, Rovi
- Starring:
- Constance Moore, William Marshall, (more)
- 1946
Director Allan Dwan moved to Republic Pictures in 1946, there to make the same sort of marital farce he'd been specializing in at United Artists throughout the 1940s. Eddie Albert plays an American pilot stationed in England who pines for his stateside wife (Faye Marlowe). Denied a pass, he goes AWOL to see his wife in New York. The complication? His wife becomes pregnant, and Albert must prove he's the father without admitting to his unauthorized leave of absence. ~ Hal Erickson, Rovi
- 1943
In this musical, a gang of college students decide to play a little trick by creating the perfect student. The fictional gal has everything a university would ever want. The trouble begins when the campus psych professor becomes determined to meet this girl. If the gang cannot bring her forward, they will be expelled. They hire a New York actress to portray the imaginary girl and all is well at the end. Songs include: "It Seems I've Heard That Song Before," "You're So Good to Me" "If It's Love," "Man," "Gotcha Too Ta Mee," "You Got to Study, Buddy." All the songs were penned by Sammy Cahn and Jule Styne who went on to become one of Hollywood's top song-writing teams. ~ Sandra Brennan, Rovi
- Starring:
- John Hubbard, Ruth Terry, (more)
- 1942
A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own. After accidentally killing one of Martin's men, Taggart (I. Stanford Jolley), in a barroom fight, Jerry becomes a fugitive wanted for murder. He joins a gang led by Smoke (Stuart Hamblen), one of Martin's henchmen, hoping to obtain enough evidence to convict the crooked banker. Along with Tommy Holden Jr. (John James), who has replaced his late father as town marshal, Jerry sets a trap for Mason's weak-willed son, Phillip (Rand Brooks). In a desperate attempt to escape justice, Mason kills Phillip, but is arrested by Jerry. The latter is cleared of all charges and elected sheriff by a grateful citizenry. Country gospel songwriter Stuart Hamblen makes a fine villain in one of his infrequent screen appearances and blonde Lynn Merrick is, as always, an attractive adornment to any "Red" Barry vehicle. Merrick, whose contract was held jointly by Republic and Columbia Pictures, appeared in no less than 16 Barry Westerns, one of the longest runs of any sagebrush heroine. Her "leading man" this time around, however, is John James, not Barry. The Sombrero Kid was filmed at the Walker Ranch at Placerita Canyon, CA, a busy location for low-budget moviemaking from 1931-1955. ~ Hans J. Wollstein, Rovi
- Starring:
- Don "Red" Barry, Lynn Merrick, (more)
- 1942
Judy Canova plays Bessie Cobb, a kitchen worker at a Miami hotel who happens to have a crackerjack singing voice. The bell captain, Chick Patterson, learns that band leader Danny Marlowe is looking for a new girl singer, and a contest will be held at the hotel to choose one. Chick sees this as a way to make some significant money, which would allow him to marry his sweetheart, and so he persuades Bessie to enter. Chick takes a recording of Bessie to Marlowe, only to discover that gangster Honest Joe Kincaid is ordering Marlowe to choose his moll, Sugar, instead. Marlowe doesn't want to do this, but he's in over his head with gambling debts. Chick plays Bessie's record, but tells Marlowe that the voice belongs to Sugar. When Sugar comes to town, Danny and his pals kidnap her and Bessie goes on, pretending to be her. Unfortunately, Sugar's former boy friend sends two hit men to take care of her -- and they abduct Bessie, assuming she is Sugar. Things get even more complicated before all identities are straightened out and Bessie emerges the winner of the contest. Songs include the title number and "Barrelhouse Bessie from Basin Street." ~ Craig Butler, Rovi
- 1942
In this musical comedy, a country bumpkin spends most of his free time watching movies and becomes such an expert that he can accurately predict which ones will be hits and which will fail at the box-office. An employee at a failing Hollywood studio finds the fellow and takes him back to Tinsel Town. Trouble ensues when the rube convinces the studio to put a no-talent gangster in the leading role of an upcoming gangster movie because he is involved with the mobster's sister. Eventually, the hayseed extricates himself from it all and happiness ensues. Songs include: "Comes Love," "It's Me Again," "Let's Make Memories Tonight," "I Can't Afford to Dream" (Lew Brown, Charles Tobias, Sammy Stapt), and "Jim" (Caesar Petrillo, Nelson Shawn, Edward Ross). ~ Sandra Brennan, Rovi
- Starring:
- Albert Dekker, Joan Davis, (more)
- 1942
Hi, Neighbor is a Republic "regional," spotlighting many of the 1942 stars of radio's Grand Ole Opry. Jean Parker and John Archer are among the rather mature coeds of a financially strapped college. In order to raise enough funds to remain open in the fall, the kids decide to turn the college into a vacation resort during the summer. Providing the necessary entertainment for such a venture are Jack Benny Show announcer Don Wilson, Bob Hope Show regular Vera Vague (aka Barbara Jo Allen), and country-western favorites Roy Acuff, Harry "Pappy" Cheshire and Lullubelle and Scotty. Hi, Neighbor was scripted by Dorrell and Stuart McGowan, of Death Valley Days fame. ~ Hal Erickson, Rovi
- 1942
A collegiate football player becomes the campus laughing-stock when he scores the winning touchdown--for the wrong team. The bungler's life doesn't get much better when a gangster, the only one who is happy about the player's mistake because it earned him a bundle, hires him and hands him a fortune worth over $100,000 to transport from California to Chicago. While at the airport the player gets distracted by a lovely reporter and misses his flight. He then rents a private plane. The fun really begins after he accidentally fumbles the cash and it plummets into the midst of a prison yard. Now he must somehow retrieve every penny lest he lose more than another game. ~ Sandra Brennan, Rovi
- Starring:
- Bill Henry, Sheila Ryan, (more)
- 1942
In this western, brave Roy Rogers and his pals take on high-tech big city gangsters who fight their battles with airplanes and tommy guns. The trouble begins as Rogers is taking three important investors to see some land. At the same time, a crime lord endeavors to kidnap the investors and leave poor Rogers to take the fall. Guns blaze and somewhere in the midst of it all, old Rogers sets himself down and sings some songs. ~ Sandra Brennan, Rovi
- Starring:
- Roy Rogers, George "Gabby" Hayes, (more)
- 1942
Crooked mail clerk Charles Haney (Emmet Lynn), coveting his boss' stagecoach line, tips off a gang of outlaws whenever a new gold shipment is due. Hero Dave Gregory (Don "Red" Barry) suspects that the subsequent rash of the stage holdups are the work of an "inside" man, but he can't prove it. Dave takes a job as a stagecoach driver in hopes of flushing out the bad guys. That's just what happens, but not without the aid of reformed gambler Griff Williams (Robert Kent). With Emmet Lynn playing the bad guy in Stagecoach Express, it's up to Al St. John to provide comedy relief. ~ Hal Erickson, Rovi
- Starring:
- Don "Red" Barry, Lynn Merrick, (more)
- 1942
The Man from Cheyenne is Roy Rogers, who does his best to squash a gang of cattle rustlers. What Roy doesn't know is that the mastermind behind the gang is a beautiful woman, East Coast socialite Marian (Lynn Carver). Making Marian's job easier is the fact that all the local cattlemen are crazy about her, and have a tendency to tip off the times and locations of their impending cattle drives. But Rogers is not so easily flummoxed-after all, he's a government man. Man From Cheyenne was hailed at the time of its release as the film in which Roy Rogers received his first screen kiss, which was certainly not the case. ~ Hal Erickson, Rovi
- Starring:
- Roy Rogers, George "Gabby" Hayes, (more)
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