Fernando Fernán Gómez Movies
Popular Spanish actor and director Fernando Fernán Gómez was born in Lima, Peru, while his mother, noted stage actress Carola Fernán Gómez, was on a South American tour. Since the birth was registered in Argentina, Fernán Gómez considered himself an Argentine citizen. He moved to Spain in 1924 and though he began acting on-stage in 1938, he didn't garner much notice until 1940. In 1943, Fernán Gómez entered films as an actor in Cristina Guzmán (1943) and went on to specialize in fast-paced comedies, though he would occasionally essay dramatic works such as Carlos Saura's Ana y los Lobos/Anna and the Wolves (1972) and Victor Erice's El Espiritu de la Colmena/The Spirit of the Beehive (1973). Fernán Gómez made his directorial debut with Manicomio/Asylum (1952), which he co-directed with Luis M. Delgado. In addition to feature films, Fernán Gómez has also acted and directed in the theater. In 1980, he was honored with a National Cinema Award. ~ Sandra Brennan, All Movie GuideThis sequel to the 1957 comedy La Vida Por Delante does not quite match the humor in the original. Fernando Fernan-Gomez, also the director, and his co-star Analia Gade portray a married couple with a new baby. This little bundle of happiness comes with a high cost, and so both parents have to suddenly scramble to find more income. While the husband juggles several part-time jobs, the wife decides to hawk her on-the-spot training in the most modern methods of bringing up baby. The comic tension created by these extra-curricular activities diminishes as the talk increases in the second half. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Fernando Fernán Gómez, Analia Gade, (more)
- Starring:
- Fernando Fernán Gómez, Jose Marco Davo, (more)
- Starring:
- Fernando Fernán Gómez
Per its title, Faustina is a distaff variation on the Faust legend. In this case, Mexican film favorite Maria Felix plays a woman who sells her soul to the Devil in exchange for beauty and wisdom. Actually, she bargains with the Devil's assistant (Fernando Gomez), who happens to be one of the woman's former lovers. The would-be demon spends the rest of the film trying to thwart the poor woman's happiness, but eventually declares that he's still in love with her. Not to be taken seriously, Faustina was an enjoyable digression from the usual portentous fare at the 1957 Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Maria Felix, Fernando Fernán Gómez, (more)
Alberto Sordi plays the title character in the Spanish-Italian Lo Scapolo (The Bachelor). Forever on the verge of marriage, our hero is invariably "rescued" by an inbuilt mental quirk. He is convinced that he is thoroughly satisfied with his bachelorhood, but eventually realizes he's been lying to himself. When he finally succumbs to matrimony, it is with the woman that neither he nor the audience would ever have predicted as the winner. Weaving in and out of the proceedings as a sort of Greek chorus are bandleader Xavier Cugat and his then-wife, sultry vocalist Abbe Lane. ~ Hal Erickson, All Movie Guide
- Starring:
- Alberto Sordi, Sandra Milo, (more)
La Voca del Silenzio (Voice of Silence) was the only Italian production of fabled German director G. W. Pabst. Based on a concept by neorealism specialist Cesar Zavattini (fleshed out by a team of =12= prominent writers, including Pabst himself and Jean Cocteau), the film follows a small group of very troubled men during a three-day spiritual sojourn. One is a politician, laden with guilt over his comportment during WW II. The second is a war veteran whose wife has "grown away" from him. The third is a writer of detective novels whose works might have inspired a real-life killing. The fourth is a thief who has come to the spiritual retreat to avoid capture. And the fifth is a candle merchant whose livelihood is threatened by modern technology. One of the few concessions to popular taste is a striptease sequence involving Rosanna Podesta. In keeping with the film's title, few words are spoken in La Voca del Silenzio; in this respect, the film is an intriguing throwback to Pabst's classic silent films. ~ Hal Erickson, All Movie Guide










