Frank Fenton Movies

In this musical, the fourth entry in a five-film series, three singers come together to form a nightclub act. Their songwriter falls for the female. They become a hit and are soon signed to appear in Hollywood musicals, but when the female becomes a star, the group disbands. Songs include: "Chiquita from Santa Anita," "Is There Anyone Here from Texas?" "I Guess I'll Have That Dream Right Away," "Couldn't Be More in Love," "The Customer is Always Wrong," "The Cats Are Going to the Dogs," "Brooklyn Buckaroos," and "Out California Way." ~ Sandra Brennan, All Movie Guide

S.S. Van Dine's gentleman detective is reduced to an ordinary "hard boiled" gumshoe in this inexpensive mystery. Philo Vance (Alan Curtis) is hired by a magazine publisher, ostensibly as a technical advisor for a crime periodical. This is a cover for his "secret mission": to learn the truth behind the death of the publisher's former partner seven years earlier. When the publisher is himself killed, Vance learns that practically everyone who came in contact with the dead man had a motive. Vance gets to the bottom of things with the dubious help of his pretty secretary (Sheila Ryan). Philo Vance's Secret Mission was the fourteenth and final Hollywood film based on Van Dyne's creation. ~ Hal Erickson, All Movie Guide

With Robert Riskin as screenwriter, director William Wellman proved in Magic Town that it was possible to make a Frank Capra-esque picture without Capra himself at the helm. James Stewart plays Rip Smith, a cynical pollster who comes across a small American town named Grandview, which represents a "perfect" balance of ethnic types, professions, political beliefs, and personal opinions (a parody of the then-current "Middletown" study). Smith publicizes this discovery, leading to a barrage of media attention and an onslaught of get-rich-quick entrepreneurs. Not surprisingly, all of this has an adverse effect on the heretofore "average" citizens of Grandview; it also seriously threatens Smith's blossoming romance with local girl Mary Peterman (Jane Wyman), who feels that her friends and neighbors are being used, exploited, and in some cases, corrupted. The satirical thrust of the film bogs down into sentimentality toward the end, but it's fun while it lasts. One of the colorful supporting characters is played by screwball-comedy favorite Donald Meek, who died during production, necessitating a number of hasty and not altogether successful rewrites. Though it pleases audiences today, Magic Town was a financial disappointment in 1947, prompting James Stewart to seek out "tougher" and more challenging roles to restore his box-office appeal. ~ Hal Erickson, All Movie Guide

This adventure, set upon the mighty Mississippi, features two former Tarzans. One of them is a river-boat captain who was shell shocked in the war. The other is an evil trapper. The trouble is caused by their shared affection for a pretty young woman. Their rivalry climaxes as the two wrestle it out in an alligator hole. This was the only film in which one of the Tarzans (Johnny Weismuller) did not play a man from the jungle. ~ Sandra Brennan, All Movie Guide

French Key is a Republic Pictures murder mystery with all of the studio's genre trademarks: Good cast, reasonably good direction, fairly good sets and middling story values. Albert Dekker plays a private eye who is framed for murder. With the police breathing down his neck, it's up to the detective to solve the mystery himself. The supporting suspects include such reassuringly familiar faces as Evelyn Ankers, Mike Mazurki, Richard Arlen, Frank Fenton and Byron Foulger. Some prints of French Key have been cut from 64 to 54 minutes in order to fit into a TV "hour". ~ Hal Erickson, All Movie Guide

Getting Gertie's Garter is an updated adaptation of the venerable stage farce by Wilson Collison and Avery Hopwood. Dennis O'Keefe, newly married to lovely Sheila Ryan, is in a jam. O'Keefe's former girl friend, exotic dancer Marie McDonald, has in her possession an expensive, jeweled garter given to her by O'Keefe in his bachelor days. McDonald intends to show the garter to O'Keefe's suspicious wife, so Our Hero must retrieve the embarrassing accouterment without tipping off the missus. Previously filmed in 1927, Getting Gertie's Garter was one several enjoyable films produced by Edward Small and directed by Allan Dwan, all based on popular stage comedies. ~ Hal Erickson, All Movie Guide

Stan Laurel and Oliver Hardy play janitors for a detective agency who pose as super-sleuths when they're hired to protect inventor Alva P. Hartley (Arthur Space). Moving bag and baggage into Hartley's gadget-laden house, Stan and Ollie must first contend with the inventor's bratty son Egbert (Bobby Blake, aka Robert Blake) and much-married Aunt Sophie (Esther Howard). More problems ensue when Hartley's next door neighbors Charlton (Frank Fenton), Hartman (James Bush), Dutchy (Phil Van Zandt) and Mayme (Veda Ann Borg) reveal themselves as the crooks they really are. Entrusted with Hartley's latest invention, super-bomb called "The Big Noise", Stan and Ollie skeedaddle to Washington, just one step ahead of the criminals. Escaping the villains, the boys take flight in a balky airplane, only to find that they're the targets for Army gunnery practice. Our heroes save themselves-and the day-when they use the bomb to destroy a Japanese submarine. Long regarded as the worst of Laurel & Hardy's feature films, The Big Noise has in recent years been championed by several of the team's fans, not least because the admittedly patchy storyline incorporates several of their classic routines from such earlier 2-reelers as Habeas Corpus, Wrong Again and Berth Marks. Arguably the film's best scene finds Stan and Ollie trying to gorge themselves on a "banquet" consisting of dehydrated food capsules. ~ Hal Erickson, All Movie Guide

At least 30 percent of Universal's "vest-pocket" musicals of the 1940s included the word "Hi" in the title. Such was the case of 1944's Hi, Good-Lookin', an agreeable vehicle for songstress Harriet Hilliard and her bandleader husband Ozzie Nelson. The barely existant plot finds aspiring singer Kelly Clark (Hilliard) falling in love with incognito radio star King Castle (played by future Sky King star Kirby Grant). As a punch line, Castle, working under an assumed name, is hired as his own summer replacement, with Kelly in tow. Eddie Quillan provides chuckles as talent agent Dynamo Carson (who evidently doesn't lack for self confidence), while the Delta Rhythm Boys show up for a mellow rendition of "Paper Doll." ~ Hal Erickson, All Movie Guide

No slouch himself at rearranging the facts to make a good story, Colonel William F. "Buffalo Bill" Cody would probably have enjoyed this Technicolor version of his life and times. Well played by Joel McCrea, Cody is first seen as an army Indian scout, pursuing peaceful coexistence despite the animosity of Chief Yellow Hand (Anthony Quinn) and the obstruction of anti-Indian politicians. He also takes time out to court the lovely Louisa (Maureen O'Hara), the well-bred Eastern girl who will become his wife despite her initial (and quite justified) distaste for the West. Under the tutelage of impresario Ned Buntline (Thomas Mitchell), Cody follows up his military career with a more spectacular one as a larger-than-life super-showman, touring throughout the world with his spectacular Wild West show. In later years, Buffalo Bill director William Wellman would wince at the liberties taken with Cody's life -- especially the film's now notorious closing line, "God bless you, Buffalo Bill!" But Wellman allowed that, in terms of sheer entertainment, it was smarter to emulate Cody by perpetuating the legend rather than debunking the Buffalo Bill image with cold, hard facts. Or, as John Ford put it in The Man Who Shot Liberty Valance, "When the legend becomes fact, print the legend." ~ Hal Erickson, All Movie Guide

When director Julien Duvivier's episodic, all-star drama Flesh and Fantasy proved a bit too long in previews, Universal decided to remove the film's opening segment, which dealt with the foredoomed romance between an escaped criminal and a blind girl. Because this segment was too good to waste, the studio hired screenwriter Roy Chanslor to come up with additional material and Reginald LeBorg to direct a few new scenes, so that the episode could be released as a separate feature film. The result was the 65-minute Destiny, a curious melange of the sublime and the banal. The Duvivier-directed footage stars Alan Curtis as fugitive-from-justice Cliff Banks, who hides from the authorities in the farmhouse owned by kindly Clem Broderick (Frank Craven). Clem's daughter Jane (Gloria Jean), blind from birth, "sees" only the good in the outwardly unsavory Cliff, so it isn't surprising that the two fall in love. This tender little episode was supposed to have ended tragically, but Universal insisted upon a few "framing" scenes, directed by LeBorg, wherein Cliff is shown to be innocent of the crimes for which he has been imprisoned, and which allowed Cliff and Jane a happy denouement The stylistic schism between the "old" and "new" scenes is glaringly obvious; still, what's left of the original Duvivier footage is terrific, with Alan Curtis and Gloria Jean offering the finest performances of their screen careers. ~ Hal Erickson, All Movie Guide

Cult-favorite director Edgar G. Ulmer has quite a disparate cast to work with in Isle of Forgotten Sins. The story is typically brawny adventure fare, concerning a band of hardy South Sea pearl divers. But instead of a group of he-man protagonists, the leading players include the likes of pudgy Frank Fenton, scrawny John Carradine and septugenarian Sidney Toler. They play their parts well, but they aren't terribly convincing as rough-and-ready adventurers. For the record, the plot is motivated by $3 million in gold, which went down to the bottom of the sea during a storm. A second monsoon wipes out most of the cast members, though enough survive for a happy ending. The female cast members are as curiously chosen as the males, with Gale Sondergaard as a cabaret girl and Veda Ann Borg as a villainous native. ~ Hal Erickson, All Movie Guide

Barbara Stanwyck shines in her second portrayal of a showgirl in less than two years (the first was in Howard Hawks' Ball of Fire in 1941). In Lady of Burlesque -- which, at times, has a Hawksian edge to the dialogue -- she portrays Dixie Daisy, a striptease artist at a Broadway theater in New York at the end of the 1930s. In the course of fending off the unwanted advances of brash comic Biff Brannigan (Michael O'Shea), with whom she is teamed in several numbers, and staying clear of the dressing room feuds of her fellow dancers -- including a very nasty dispute between Dolly Baxter (Gloria Dickson) and Lolita La Verne (Victoria Faust) -- she finds herself up to her neck in trouble when one of the women is found strangled with her own G-string. The police don't know what to make of it, especially as the victim was already dying of a fatal dose of poison, which means that there are two murderers somewhere in the theater; and when a second woman turns up strangled inside a prop that Dixie was supposed to be hiding in onstage, she looks like a good suspect. Between the backstage comedy-drama, and the songs, dances, and on-stage comic routines, with the police breathing down both their necks at different times, Dixie and Biff manage to solve the mystery and find each other in this briskly paced, funny, yet amazingly gritty comedy-thriller. Lady of Burlesque was allowed to fall out of copyright in 1971, and since then it was seen in substandard editions until the May 2001 DVD release from Image Entertainment. ~ Bruce Eder, All Movie Guide