Ulrich Felsberg Movies

Two brothers are caught on differing sides of the battle for Irish freedom in this politically minded historical drama from veteran British filmmaker Ken Loach. It's 1920, and Damien O'Donovan (Cillian Murphy) has recently graduated from medical school. Damien plans to leave the small village in Ireland where he was born to take a job in London, much to the annoyance of his brother Teddy (Padraic Delaney), who is an Irish loyalist and wants to see the British stripped of their rule of his land. While visiting Peggy (Mary Riordan), a longtime friend of the family, Damien and Teddy witness a visit by "Black and Tans," British soldiers who supposedly keep the peace in Ireland; the soldiers turn violent and murder Michaeil (Lawrence Barry), Peggy's grandson, when they discover he only speaks Gaelic. Damien is radicalized by the event, and with Teddy joins the local chapter of the Irish Republican Army, who use violence to drive British troops out of the country. While the IRA is a poor and ill-equipped fighting force, their willingness to give their lives for their cause is taken very seriously by the British, who step up their reprisals against the locals; the Black and Tans even begin directing their violence and torture against women and children, including Damien's girlfriend, Sinead (Orla Fitzgerald). In 1921, Britain attempts to end the violence in Ireland by creating the Irish Free State, a compromise government which will give the Irish greater autonomy while Great Britain still retains final political control of the nation. Teddy sees this as a victory and believes it's an important first step to a truly free Ireland, but Damien sees the IRA's goal as nothing short of complete independence, and the brothers and allies soon become rivals in a battle neither side can win. The Wind That Shakes the Barley received the Golden Palm award as Best Picture at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Part of The Blues documentary film series on PBS, Warming by the Devil's Fire is written and directed by Charles Burnett and narrated by Carl Lumbly. This installment explores the tension between the gospel and the blues through the semi-autobiographic tale of a young boy (played by Nathaniel Lee Jr.) who is kidnapped by his blues-loving Uncle Buddy (Tommy Hicks) right before he's about to be saved. Burnett investigates some of the blues women who defied the church by singing racy songs, like Lucille Bogan, Mamie Smith, Ma Rainey, and Bessie Smith. Includes archival performances by Sister Rosetta Tharpe and Reverend Gary Davis, blues performers who managed to work within the church's jurisdiction. Burnett also discusses his fascination with W.C. Handy and Blind Lemon Jefferson. Warming by the Devil's Fire was originally broadcast by PBS on October 1, 2003. ~ Andrea LeVasseur, All Movie Guide

Part of The Blues documentary film series on PBS, Piano Blues is directed by actor, filmmaker, and pianist Clint Eastwood. This installment explores the director's fascination with piano blues and jazz, starting with Fats Waller and the early stride piano sound. The sound evolved into boogie-woogie with expressive players like Albert Ammons and Meade Lux Lewis. Includes the classic "How Long Blues" as interpreted through the generations by Jimmy Yancey, the Count Basie Orchestra, and Dr. John. Features performances by Marcia Ball, Pinetop Perkins, Dave Brubeck, and Jay McShann. Piano Blues was originally broadcast by PBS on October 4, 2003. ~ Andrea LeVasseur, All Movie Guide

Eight master directors of world cinema combine forces for this omnibus film that focuses cumulatively on the subject of time. Bookended by cello interludes, Ten Minutes Older: The Cello presents just one parameter to each of its filmmakers: no final entry can be more or less than ten minutes long. The resulting films run the gamut of styles and moods, beginning with Bernardo Bertolucci's Histoire d'Eaux, which presents an Indian fable about a mentor's impatience. In Mike Figgis' entry About Time 2, the director continues with the experimental structure he pioneered in Timecode; similarly, Jean-Luc Godard uses his time allotment to present a fractured series of clips on youth, death, and love. Another non-narrative entry, Volker Schlöndorff's The Enlightenment presents a series of images on racism. Claire Denis' effort Vers Nancy chronicles a philosophical discussion on time between a teacher and student on a train ride; in Jirí Menzel's Ten Minutes After, the effects of time on aging Czech actor Rudolf Hrusinsky are documented. In perhaps the film's most narrative-oriented segment, director Michael Radford offers up a sci-fi vision of an astronaut returning to earth to find that his son has aged faster than he has. Ten Minutes Older: The Cello is a companion piece to 2002's Ten Minutes Older: The Trumpet, which aired in the U.S. on the Showtime cable network. ~ Michael Hastings, All Movie Guide

Fernanda (Ingrid de Souza) is a transgendered youth who was born and raised in a small town in Brazil; though born a male, Fernanda chooses to live life as a woman, and has pulled up stakes to move to Italy and obtain sexual reassignment surgery. Fernanda discovers that Milan is one of the world's centers for transvestite prostitutes, and despite the religious scruples she was born with, Fernanda is soon nudged into a career as a sex worker. Fernanda is befriended by Charlo (Biba Lerhue), an old friend from Brazil who is now hooked on drugs and sells her body to support her habit. Charlo introduces Fernanda to Karin (Lulu Pecorari), a transvestite madame who, sensing Fernanda is an innocent at heart, treats her with care and introduces her to some of her better clients. One night, Fernanda is hired by Gianni (Cesare Bocci), who doesn't realize at first that Fernanda is biologically male; while Gianni is upset at first, he also finds himself attracted to Fernanda, and in time begins to pursue a romantic relationship with her when she's not working. Charlo and Karin tell Fernanda that Gianni is merely a gay man in deep denial, but she has fallen in love with him, and in time Gianni offers to pay for her sex change operation -- and pledges to leave his wife for her. Gianni and Fernanda move in together, but soon both are developing cold feet; Fernanda becomes nervous with the onset of her surgery, and when Gianni's wife Lidia (Alessandra Acciai) confronts him and announces she's pregnant, he wonders if he may have made the wrong decision. Princesa received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

French filmmaker Jean Vigo made only four films prior to his death in 1934 at the age of 29 (only one a full length feature), but all of them are today recognized as landmarks of the European cinema, and Zero For Conduct and L'Atalante are often cited among the greatest films of their time. Vigo: Passion For Life is a dramatic biography that explores his brief life and tumultuous career. Born the son of a famous figure in the French anarchist movement, Jean Vigo (played here by James Frain) suffered from poor health throughout his life; he contracted tuberculosis as a young man, and met his wife Lydu Lozinska (Romane Bohringer) when both were receiving treatment in a sanitarium. Vigo made A propos de Nice in 1929 as an attack on bourgeois French society; the premier led to a riot, the first of many controversies surrounding Vigo's work (Zero For Conduct was completed in 1932, but its anti-authoritarian stance caused it to be banned until 1945). Vigo's fragile health was already beginning to fail him while he was filming L'Atalante; a fall into an icy river while trying to retrieve a camera only added to his ills, and he edited most of the film at home, too sick to leave. However, he was passionate about his art to the end, constantly battling producers and authorities to make films as he chose to make them. He died in 1934, the same year L'Atalante was released. ~ Mark Deming, All Movie Guide

Wim Wenders' documentary Buena Vista Social Club is about the adventures of Ry Cooder in Cuba. Cooder, best remembered by film fans for the wailing slide guitar theme of Wenders' Paris, Texas, went to Cuba in 1996 to meet with some legendary 'soneros' musicians of the '30s, '40s and '50s. The result was the album Buena Vista Social Club, recorded with such colorful characters as the 90-year-old singer/guitarist Compay Segundo, guitarist Eliades Ochoa, baritone Ibrahim Ferrer and Omara Portuondo, "the Cuban Edith Piaf." The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears. ~ Gönül Dönmez-Colin, All Movie Guide

The third feature from popular Spanish filmmaker Juanma Bajo Ulloa is a sprawling and complex action comedy with a touch of Almodovar-esque surrealistic absurdity that simultaneously satirizes gangster movies, film noir, and the Catholic Church. Juantxo is the chief protagonist. Coming from a bourgeois family, he has had all the opportunities to fulfill his father's wishes by obtaining a university degree, getting a high-paying job and making a place for himself in high society. The trouble is, Juantxo is a socially awkward idiot and a mamma's boy. He is, however, engaged to a rich and beautiful woman. A few days before his wedding, Juantxo's buddies Konradin and Paco persuade him to go out for a final night of oat-sowing. They are not long at the stag party when Juantxo falls for an exotic prostitute. Unfortunately he loses his fiancee's expensive engagement ring while messing with the hooker. Later, this valuable ring is discovered by Villambrosa, a gangster/pimp/international drug runner. His enemy Souza finds out about the ring and sends his sexy moll Fatima do Espirito Santo, a new age girl who can levitate, to investigate the situation. Meanwhile, Juantxo and friends frantically search for the ring. They have three days to find it and their journey takes them on a riotous road trip that leads them into the depths of the Mafia underworld. ~ Sandra Brennan, All Movie Guide

In this French thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect. ~ Mark Deming, All Movie Guide

This drama is set in 19th century Prussia and looks at the life and dreams of a teenage girl. The year is 1813 and 16-year old Marie is not leading a happy life. She is regularly beaten by her governess and ignored by her mother. Her mother's friend, a merchant, comes to call with his shy nephew whom his uncle frequently beats. Marie is interested in the nephew until she sees a handsome traveller who seems to be a soldier. The stranger and his friends rape Marie and kill her mother. Marie get revenge. ~ Sandra Brennan, All Movie Guide

In this film, the prolific German documentary director Wim Wenders has taken on the subject of Japanese fashion designer Yohji Yamamoto as he prepares to debut his designs for another season in Paris. The documentary is as much a meditation by the director on the meaning of documenatries and information in the age of electronic data and computerized images as it is about the skill, dedication, philosophy and work of the fashion designer. ~ Clarke Fountain, All Movie Guide

An expectant, ultra-modern mother living in 1913 Barcelona is thrust into a complex and labyrinthine mystery when her psychiatrist husband goes missing and she is forced to seek the help of her conservative brother-in-law in locating her missing spouse in director Joaquin Oristrell's Freudian period comedy. Alma is a modern woman of very modern means; her father Spain's foremost neurosurgeon and her husband, Leon, a devoted follower of controversial Austrian psychiatrist Sigmund Freud. After arriving home one summer afternoon to find her tearful husband mumbling incoherent words of woe, Alma's life is turned upside down when Leon suddenly disappears. With no one else to turn to than her lovelorn brother-in-law Salvador -- likewise a psychiatrist who secretly pines for Alma despite being married to her sister -- Alma's discovery of a strange manuscript on hysteria and female sexuality proves the launching point for a tireless quest to locate her missing husband and discover the true meaning behind his inexplicable disappearance. ~ Jason Buchanan, All Movie Guide