Eric Fellner Movies

Based on author Helen Fielding's sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason picks up four weeks after the original film left off, with Bridget (Renée Zellweger) emotionally satisfied at long last with Mark Darcy (Colin Firth), her barrister boyfriend. Stability in Bridget's life, however, quickly becomes a contradiction in terms. Though Mark is openly supportive of Bridget's eccentricities -- and there are many -- she is nonetheless threatened by Mark's young, nubile intern, not to mention irked at finding out that he is, among other less desirable qualities in her eyes, a conservative voter. Complicating issues further is the reentrance of her ex-lover, Daniel Cleaver (Hugh Grant), whom Jones, perhaps mistakenly, thought she had finally gotten over. Before long, the situation escalates into another series of embarrassing circumstances for Bridget, who is faced once again with a crippling feeling of self-doubt and has only her diary and friends to combat it. ~ Tracie Cooper, Rovi

An unhinged parody of James Bond theatrics, Johnny English finds Mr. Bean himself suiting up as the eponymous super spy for a series of wild and silly adventures. A lowly pencil pusher working for the MI7 agency, Johnny English (Rowan Atkinson) is suddenly promoted to super spy after Agent One is assassinated and every other agent is blown up at his funeral. When billionaire entrepreneur Pascal Sauvage (John Malkovich) sponsors the exhibition of the Crown Jewels and the valuable gems disappear on the opening night, and on the watch of English, the newly designated agent must jump into action to uncover the thief and procure the missing valuables. Tracking the thieves' underground escape route with sidekick Bough (Ben Miller), English locks in on Sauvage despite repeated assurances by boss Pegasus (Tim Pigott-Smith) that the respected entrepreneur has nothing to do with the crime. Could the mysterious Lorna (Natalie Imbruglia), who has an odd habit of turning up at the wrong place at the wrong time, hold the key to helping Johnny? A massive hit overseas, Johnny English held its own at the box office in early April 2003, and was slated for wide release in the U.S. If the spoofing in Johnny English strikes especially close to home, that may be because the film was scripted by Neal Purvis and Robert Wade, who teamed to pen such Bond adventures as Die Another Day and The World is Not Enough. ~ Jason Buchanan, Rovi

A team of high-class thieves avenge their mentor's death -- with the help of his own daughter -- in this big-budget remake of the 1969 British caper classic. The Italian Job stars Mark Wahlberg as Charlie, the mastermind of a daring Venice heist overseen by John (Donald Sutherland), a lifelong criminal who plans to retire from the fold with the earnings from his most recent take. Basking in the glow of a job well done at a secluded retreat in the Alps, the thieves -- including the aptly-named Handsome Rob (Jason Statham), tech-geek Lyle (Seth Green), and hearing-impaired quipster Left Ear (Mos Def) -- are ruthlessly double-crossed by one of their own, the taciturn, calculating Steve Frezelli (Edward Norton). Time passes and each member of the group finds himself pursuing other opportunities in the States, until Charlie rallies them together for a revenge-motivated scheme designed to bilk Steve of all his misbegotten earnings. In order to cinch the deal, he even enlists John's reluctant safecracking-prodigy daughter, Stella (Charlize Theron), for an elaborate, incognito Los Angeles heist. But the paranoid Steve proves himself to be one step ahead of them at just about every turn, and Charlie finds that he'll have to make some daring last-minute changes to their plan if the team is to succeed. The Italian Job marked director F. Gary Gray's second 2003 release after the Vin Diesel vehicle A Man Apart. ~ Michael Hastings, Rovi

After a detour into lighter and more compassionate fare with Nurse Betty and Possession, Neil LaBute returns to the themes of his earlier films with this dark and corrosive look at male-female relationships. Adam (Paul Rudd) is a chubby, bespectacled nebbish of a college student who makes money in his spare time as a security guard at the university's art museum. One evening at work, Adam spies another student preparing to deface a statue -- Evelyn (Rachel Weisz), a beautiful art major who is offended by a fig leaf that's been used to "censor" a statue of a nude male, and is prepared to replace the disguised member with spray paint. Adam can't quite bring himself to kick Evelyn out of the museum, and she responds by giving him her phone number. Adam and Evelyn begin dating, and as she challenges his ideas about art and morality, she begins remaking Adam into the sort of boyfriend she'd prefer. Under her influence, Adam loses weight, gets contact lenses, changes his hairstyle, starts dressing better, and assumes a cooler and more confident personality. Adam's pal Philip (Frederick Weller) notices the changes in his friend and isn't happy with the way Evelyn has been molding Adam to her specifications. Adam and Evelyn have dinner one night with Philip and his fiancée, Jenny (Gretchen Mol), and before long Philip and Evelyn are at each other's throats as Adam and Jenny cower along the sidelines. The tensions between Philip and Evelyn exacerbate uneasiness between Jenny and her husband to be, while at the same time, Jenny and Adam begin to recognize a mutual attraction that's long lurked beneath the surface. The Shape of Things was adapted by LaBute from his stage drama of the same name; a selection of songs by Elvis Costello comprise the soundtrack. ~ Mark Deming, Rovi

Following memorable roles in the military action-adventures Pearl Harbor (2001) and Black Hawk Down (2001), young actor Josh Hartnett is propelled to romantic leading man status with this semi-autobiographical comedy from screenwriter Rob Perez. Hartnett stars as Matt Sullivan, a young man smarting over the bitter breakup of his most recent relationship. With Lent approaching, Matt decides to observe the 40-day tradition by abstaining from all sexual contact, including self-gratification. Once his odyssey of discipline has begun, he meets the girl of his dreams, while his ex begins campaigning to get him back. Co-starring Shannyn Sossamon, Maggie Gyllenhaal, and Vinessa Shaw, 40 Days and 40 Nights inspired another round of controversy between distributor Miramax and the Catholic League, which accused the film of being a "vulgar parody" of Lent. The League previously protested the company's releases of Priest (1994) and Dogma (1999). ~ Karl Williams, Rovi

Prolific production designer and art director Catherine Hardwicke makes her directorial debut with the coming-of-age drama Thirteen. Los Angeles teenager and overachiever Tracy (Evan Rachel Wood) is an excellent student in her seventh grade class and gets along well with her mother, Melanie (Holly Hunter). She fears that she's not cool enough to be friends with Evie (Nikki Reed), the most popular girl in school. Fueled with genuine adolescent energy, Tracy follows Evie's lead into the harsh realities of sex, drugs, and hard-edged adventure. Consumed with temptations and conflicting desires, Tracy loses her good-girl identity, greatly affecting her relationship with her mom. Partly autobiographical, Thirteen was co-written by Hardwicke and actual 13-year-old Reed, who are close family friends. Originally intending to write a teen comedy, they ended up creating a hard-hitting drama exposing the contemporary teenage experience. Thirteen was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival, with Catherine Hardwicke taking home the Director's Award. ~ Andrea LeVasseur, Rovi

Britain's satirist-of-all-trades Ali G (aka Sacha Baron Cohen) makes his feature-film debut with this gross-out comedy set against the backdrop of the House of Parliament. Where his British and U.S. TV shows had him conducting absurd interviews with real-life politicians and lawmakers, Ali G Indahouse casts him against Charles Dance as Carlton, an unscrupulous member of the House who's intent on upsetting the current Prime Minister (Michael Gambon) in the next election. Hoping to attract negative attention to the leader, Ali G is promoted as a running mate of sorts -- a tactic that backfires in Carlton's face as the clueless rapper quickly ascends the political ladder. ~ Michael Hastings, Rovi

Based on Helen Fielding's hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel (Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fiancée. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast. ~ Jason Clark, Rovi

Louis de Bernières' best-selling novel of love during wartime is brought to the screen in this story that blends comedy, action, and romance. In 1940, war rages throughout Europe, but the fighting has yet to arrive on the Greek island of Cephallonia, where life continues to follow its own slow, deliberate path until word arrives that Italian troops have invaded neighboring Albania. A wave of anti-Axis patriotism sweeps the island, and Mandras (Christian Bale), a local fisherman, is one of a handful of men who volunteer for the army, leaving behind his aging mother (Irene Papas) and the woman he loves, Pelagia (Penélope Cruz), the daughter of the island's physician, Dr. Iannis (John Hurt). The timing of Mandras and his compatriots proves less than fortuitous, as Italian troops invade Greece in their absence, but the remaining leaders of the island issue an ultimatum -- the people of Cephallonia will surrender, but only to a ranking German officer. Since none of the available German officers can speak a word of Greek, an Italian soldier fluent in the language, Capt. Antonio Corelli (Nicholas Cage), is sent in to serve as translator. Corelli stays on with the Greek occupation forces, and he soon finds himself falling in love with beautiful Pelagia, who believes that Mandras was killed in the fighting in Albania. But as romance slowly blooms between the Italian soldier and the Greek girl, Mandras and a handful of surviving soldiers have joined a guerilla resistance faction, and they join up with Allied forces in a bid to retake Greece; soon, Pelagia must choose between the two men she loves, as the Greeks battle both the Italian occupation troops and German soldiers who have been sent in to replace them. Captain Corelli's Mandolin was directed by John Madden; the project originally began shooting with Roger Michell, but Michell was forced to resign from the film after he suffered a heart attack. ~ Mark Deming, Rovi

The writing, directing, and producing team of Joel Coen and Ethan Coen created this picaresque comedy (inspired in part by Homer's The Odyssey) set in the Deep South during the Depression. Suave and fancy-talking Everett Ulysses McGill (George Clooney), dim-witted Delmar (Tim Blake Nelson), and easily-excitable Pete (John Turturro) are serving time together on a prison chain gang. Everett knows where $1.2 million is hidden that's theirs for the taking, and the three manage to escape; however, a stranger soon warns them that they'll find treasure, but not the sort they're looking for. As Everett and his partners hit the road, they happen upon a gluttonous bible salesman, Big Dan Teague (John Goodman); meet up with Baby Face Nelson (Michael Badalucco) as he robs a bank; encounter three Sirens doing their washing; run into Everett's estranged wife Penny (Holly Hunter), who has told everyone her husband was killed in a train wreck; find themselves in the middle of a heated campaign between political boss Pappy O'Daniel (Charles Durning), and reformist candidate Homer Stokes (Wayne Duvall); and even find time to make a hit record as The Soggy Bottom Boys. Noted songwriter T-Bone Burnett helped compile the songs (combining vintage country blues tunes with originals in the same style), while Carter Burwell composed the background score. Incidentally, the title O Brother, Where Art Thou? is a reference to the classic Preston Sturges comedy Sullivan's Travels, in which a director plans to make a serious "message picture" with that name. ~ Mark Deming, Rovi

A historical comedy that applies a 1990's mindset to a tale of crime in the 1740's, Plunkett and Macleane stars Robert Carlyle as Will Plunkett and Jonny Lee Miller as Capt. James Macleane. Plunkett is a druggist who has gone broke and turned to robbery to pay his bills, while Macleane was a minor member of the aristocracy who has resorted to similar means to support himself. The two meet while serving time in prison, and after comparing notes they set out together for a career in crime. They soon discover they make a good team; Plunkett understands the nuts and bolts of theft well enough, while Macleane has the charm and connections to get them into places where they might find things worth stealing. When Macleane manages to wrangle an invitation to a night of gambling at the estate of Lord Rochester (Alan Cumming), he uses the occasion to his advantage, making the acquaintance of the lovely Rebecca (Liv Tyler) at the party and donning a mask to relieve her of her winnings on the way home. The charm and panache with which the pair commit their crimes give them a widespread reputation as "The Gentlemen Highwaymen," but Rebecca's uncle, Lord Chief Justice Gibson (Michael Gambon) is not amused, and when an especially ruthless lawman, Chance (Ken Scott), is sent on their trail, Plunkett is eager to quit while he's ahead and flee the country. Macleane, however, is too busy wooing Rebecca to listen to reason. Plunkett and Macleane is the first feature film from director Jake Scott, who has a background in commercials and music videos and is now moving forward in the family business -- his father is Ridley Scott, while his uncle is Tony Scott. If you think you've seen leading men Carlyle and Miller together before, you have -- they were also co-stars in Trainspotting. ~ Mark Deming, Rovi

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed '60s refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude's life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire's sexy young wife Bunny (Tara Reid). Later, Jeffrey ("The Big") Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine -- except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski's daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers. ~ Bhob Stewart, Rovi

Peter Hewitt (Tom and Huck) directed this $30-million family film, an adaptation of Mary Norton's classic children's novels about a miniature family of wee folk, four inches high, living beneath the floorboards of an English cottage. The Borrowers family, so labeled because they "borrow" from the house's kitchen, consist of Pod Clock (Jim Broadbent), mother Homily (Celia Imre), and children Arrietty (13-year-old Flora Newbigin) and Peagreen (Tom Felton). Their adventure begins when they're almost caught in the kitchen by the Lenders, the tenants of the house, so they run for cover. When lawyer-Realtor Ocious P. Potter (John Goodman) discovers the owner of the house has died, he makes plans to evict the Lenders and demolish the building -- a situation where one would want to "neither a Borrower nor a Lender be." Fortunately, young Pete Lender (Bradley Pierce) has become friends with Arrietty -- an alliance leading toward a method of thwarting Potter. ~ Bhob Stewart, Rovi