Marty Feldman Movies
Wild-haired, pop-eyed British comedian Marty Feldman dropped out of school at 15 in hopes of becoming a jazz trumpeter. Instead he found steady work as a radio comedy writer, first for the popular BBC weekly Educating Archie (which in the tradition of Edgar Bergen starred a ventriloquist and his dummy), and most famously for Kenneth Horne's Round the Horne, which ran from 1965 to 1969. Round the Horne would become something of a cult favorite when it was rebroadcast on American public radio in the 1970s to capitalize on Feldman's latter-day fame. Toiling away on many of Britain's best satirical TV and radio series of the 1960s, Feldman avoided the cameras, feeling that he was a bit too grotesque-looking for public consumption. Once he did start acting as well as writing, the public loved him and begged for more. His biggest British TV break was The Marty Feldman Comedy Machine, in which he appeared in lightning-paced sketches (often artificially sped up, "Benny Hill" style) with some of the best English comedy talent available, most notably the great Spike Milligan. Feldman was introduced to American TV audiences when he co-starred on Dean Martin Presents the Golddiggers in London, the 1970 summer replacement for The Dean Martin Show (an Americanized Marty Feldman Comedy Machine would be broadcast briefly two years later).Having made his film debut in The Bed Sitting Room (1969), Feldman became a U.S. movie favorite with his role as Igor, Gene Wilder's bemused hunchbacked assistant (whose hump switched shoulders from scene to scene), in director Mel Brooks' Young Frankenstein (1973). Feldman later co-starred with Brooks and Dom DeLuise as a Ritz Brothers-like team of movie producers in Silent Movie (1975); his manic tango with Anne Bancroft, wherein the actress deftly imitated Feldman's cross-eyed squint, was the highlight of the film. In 1977, Feldman followed the footsteps of fellow Mel Brooks alumnus Gene Wilder by directing as well as starring in The Last Remake of Beau Geste (1977), an uneven but hilarious spoof in which Feldman cast himself as the twin brother of Michael York! A second directorial effort, the organized-religion takeoff In God We Trust (1979), was such a disaster that Feldman was obliged to confine himself to acting assignments for the rest of his career. While filming the all-star "comedy salad" Yellowbeard in Mexico City, Feldman died suddenly of heart failure. He is buried at Hollywood's Forest Lawn Cemetery in close proximity to the grave of his lifelong idol, Buster Keaton. ~ Hal Erickson, All Movie Guide
This colorful spoof of pirate movies had all the makings of a classic farce and yet sank straight to Davy Jones' locker at the box-office, for despite it's all-star international cast of famous comedians, and despite the fact that it was largely co-written by "Monty Python"-veteran Graham Chapman and former "Fringie" Peter Cook, the darned thing just wasn't funny. The sketches center around the core story of the dread pirate Yellowbeard's quest for a fabulous treasure, the map for which is tattooed on the head of his prissy son, who wants nothing to do with ships and pirate shenanigans. This was the final film of bug-eyed, beloved comedian Marty Feldman, who died of heart-failure before production finished. ~ Sandra Brennan, All Movie Guide
- Starring:
- Graham Chapman, Peter Boyle, (more)
- 1982
- R
The highlights of two benefit concerts staged in support of Amnesty International are collected in this British performance film, which features ample helpings of both music and comedy. The members of the Monty Python comedy troupe serve as headliners, performing live variations on some of their most famous sketches. Additional humor is provided by such luminaries as Peter Cook, while the musical segments include performances by Pete Townshend, Eric Clapton, and Sting, amongst others. While all of the performers deliver the goods, the film's overall effectiveness is unfortunately limited by the purely functional direction and often poor image quality. ~ Judd Blaise, All Movie Guide
- Starring:
- Pete Townshend, Rowan Atkinson, (more)
- 1982
- PG
This dismal sci-fi comedy is based on a novel by Kurt Vonnegut and features Jerry Lewis and Madeline Kahn in dual roles as wealthy, respected parents who give birth to two gigantic, and ugly twins. The appalled parents try to keep them hidden away for they do not know that their "children" are really alien ambassadors who have come to help make the Earth a better place. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jerry Lewis, Madeline Kahn, (more)
- 1982
The genuine love felt by the people of France for American comedian Jerry Lewis has become something of a topic for incredulous humor in the United States over the years, but if there was any doubt as to whether the many jokes overstated the case, this exhaustive six-hour hagiography from director Robert Benayoun quickly erases it. Nothing less than an adoring outpouring of idolatry, Bonjour Monsieur Lewis is simultaneously affectionate and reverential toward its subject, presenting hundreds of rare clips, outtakes, interviews, and tributes from Lewis' estimated six million feet of tape and film housed in his obsessively complete basement library, a collection of nearly everything he has ever done. In between highlights of his film career, there are talks with Martin Scorsese (who directed Lewis in 1982's The King of Comedy), Steven Spielberg, John Landis, Mel Brooks, and Louis Malle, among others. There are also a number of rare films of Lewis on-stage at French venues, singing "Sonny Boy" with his own father and son, reuniting with Dean Martin at a Muscular Dystrophy telethon, and engaging in some raunchy ad libs cut from his early films. The film clips are varied and fairly thorough, even excerpting Lewis' rare TV version of The Jazz Singer, but, alas, virtually ignoring the Holy Grail among Lewis completists, his aborted concentration-camp project The Day the Clown Cried. Other segments deal with his highly praised charitable efforts and relationship with children. More of a tribute than a real documentary, the film is nevertheless a treasure trove for anyone remotely interested in this talented and enigmatic comedy legend. ~ Robert Firsching, All Movie Guide
- Starring:
- Jerry Lewis, Dean Martin, (more)
- 1980
- PG
Comedian Marty Feldman directed and co-wrote this satire of the less-scrupulous side of organized religion. Brother Ambrose (Marty Feldman) is a monk who has spent nearly his entire life within the walls of his monastery and knows little of the outside world. However, when he learns that the monastery has fallen on economic hard times and may be forced to close, he takes it upon himself to raise the funds to save his home. Ambrose ends up on Hollywood Boulevard, where he solicits donations from passers-by and gets a crash course in life in the fallen world from Mary (Louise Lasser), a smart-mouthed hooker. Ambrose and Mary soon encounter Armageddon T. Thunderbird (Andy Kaufman), a fire-and-brimstone televangelist who agrees to help Ambrose by making him a partner in his house of worship, The Church of the Divine Profit. However, Thunderbird's methods don't agree with Ambrose, and eventually he turns to God Himself (Richard Pryor) for help. In God We Trust was Feldman's second and last directorial assignment; the supporting cast also includes Peter Boyle, Wilfrid Hyde-White, and Severn Darden. ~ Mark Deming, All Movie Guide
- Starring:
- Marty Feldman, Peter Boyle, (more)
- 1977
- PG
Beau Geste, the classic adventure story of a young man's dangerous journeys as part of the French Foreign Legion, becomes the subject of broad parody in this slapstick comedy. The original tale, best known to film lovers from William Wellman's 1939 classic, tells of several brothers who join the Foreign Legion after claiming responsibility for the mysterious disappearance of an invaluable family heirloom. Eventually, brothers Beau and Digby find themselves in conflict with their vicious commander, leading to a potential mutiny. The plot here is similar, with Michael York assuming Gary Cooper's role as Beau, and first-time director Marty Feldman co-starring as Digby. However, following the lead of former collaborator Mel Brooks, Feldman plays strictly for laughs, loading the story with jokes ranging from the satirical to the vulgar. A cast of notables keeps things lively, with Peter Ustinov and Ann-Margret mocking their own images as the sadistic commander and lusty Geste stepmother. ~ Judd Blaise, All Movie Guide
- Starring:
- Ann-Margret, Marty Feldman, (more)
- 1976
- PG
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide
- Starring:
- Mel Brooks, Marty Feldman, (more)
- 1975
Taken from the television series "When Things Were Rotten," this collection includes three episodes from the Mel Brooks Robin Hood spoof. ~ Iotis Erlewine, All Movie Guide
- 1975
- PG
- Add The Adventures of Sherlock Holmes' Smarter Brother to QueueAdd The Adventures of Sherlock Holmes' Smarter Brother to top of Queue
Comic actor Gene Wilder made his debut as a writer and director in this period comedy in which he plays Sigerson Holmes, the older bother of famous detective Sherlock Holmes. For years, Sigerson has been living in his little brother's shadow, and he is convinced that he must constantly prove his superiority to his brother in all things at all times. Of course, he often fails, but one can't argue with his determination. In this story, Sherlock (Douglas Wilmer) and his faithful assistant, Watson (Thorley Walters), are called away from England on an assignment, and Sherlock asks Sigerson if he wouldn't mind looking into a case for him. With typically misguided enthusiasm, Sigerson is hot on the trail of a cache of missing government documents, whose theft may be the dirty work of the wicked Moriarty (Leo McKern). Sigerson is assisted in his investigation by Olville Sacker (Marty Feldman), a bumbling Scotland Yard detective who claims to have photographic hearing, and the mysterious and seductive Jenny Hill (Madeline Kahn). Gene Wilder rose to fame in the offbeat comedies of director Mel Brooks, so it was fitting that, for his first film as a director, Wilder cast Brooks in a cameo role (he's heard but not seen after discovering that the door he chose had the tiger, not the lady). ~ Mark Deming, All Movie Guide
- Starring:
- Gene Wilder, Madeline Kahn, (more)
Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gene Wilder, Peter Boyle, (more)
- 1971
A collection of English humor in the form of sketch film are provided on this film which was assisted by comedians Feldman and Chapman. ~ All Movie Guide
- Starring:
- Bruce Forsyth, Joan Sims, (more)
- 1970
- R
This offbeat comedy finds Teddy (Marty Feldman) as a television advertising man given a seemingly meaningless project. Slated to make frozen porridge commercials, he comes up with the idea to find an erotic Goldilocks to sell the product. Soon a nationwide search is launched for the female spokesperson. He has trouble at home because his wife is the leader of the "Keep Television Clean" movement. Teddy dreams up a wild bunch of commercials and his daydreams harken back to silent era comedies. This was the first full length film for Feldman, the bug eyed comic who parlayed his television success in Britain into a comedy film career in Hollywood. ~ Dan Pavlides, All Movie Guide
- Starring:
- Marty Feldman, Shelley Berman, (more)
- 1969
The specter of atomic warfare raises its head once again in this bizarre 1969 black comedy, directed by Richard Lester and hatched from the mind of twisted British comic Spike Milligan. England lays in ruins after World War III, and a number of dazed survivors try to carry on as if nothing is wrong, even when one woman (Rita Tushingham) announces that she is seventeen months pregnant, and others begin to mutate into parrots, wardrobes, and bed-sitting rooms. The often slapstick comedy provides a surreal foreground for the bleak, devastated settings, portions of which were filmed in actual, environmentally blasted industrial areas in Wales. The comedy duo of Dudley Moore and Peter Cook appear as hapless government officials, while Marty Feldman makes his screen debut in a film that could best be described as England's answer to Dr. Strangelove. ~ Don Kaye, All Movie Guide
- Starring:
- Rita Tushingham, Ralph Richardson, (more)
- 1967
The sketch comedy series At Last the 1948 Show was the first big break for rising young British comedians and friends Marty Feldman (Igor in Young Frankenstein), Tim Brooke-Taylor, and future Monty Python's Flying Circus writer/performers John Cleese and Graham Chapman. Prior to the show, they had worked at local comedy clubs and had written and acted in The Frost Report. The show was executive produced by David Frost and aired on the ITV network for two runs of six and then seven episodes in 1967. Described by Brooke-Taylor as a combination of the cutting edge satirical stage revue Beyond the Fringe and British music hall, the show's sketches work within conventional structures and strive for a high degree of professionalism in both writing and performance. The most popular and well-known sketch is "The Four Yorkshiremen," later adapted by Monty Python, where a group of middle-aged businessmen brag about their ridiculously awful childhoods. The sketches are connected by short bits starring Aimi Macdonald, who plays a carelessly vain and occasionally cruel showgirl. Eric Idle made several appearances in bit parts. The Python troupe would essentially be formed from the creative minds behind At Last the 1948 Show and a popular children's sketch comedy series from the same period, Do Not Adjust Your Set. ~ All Movie Guide
- Starring:
- Tim Browne, John Cleese, (more)
- 1965
The British sitcom The Walrus and the Carpenter originated on December 14, 1963, as a one-off episode of the BBC's Comedy Playhouse. Having nothing to do with Lewis Carroll despite its title, the series detailed the misadventures of a pair of mismatched old friends, played by eminent British character actors Hugh Griffith and Felix Aylmer. The scripts were written by Barry Took (one of the guiding forces in bringing Monty Python's Flying Circus to the small screen) and future comedy star Marty Feldman. The six half-hour episodes of The Walrus and the Carpenter were originally broadcast from March 2 to April 6, 1965. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Griffith, Felix Aylmer, (more)
