Katinka Farago Movies

The primary two loves of Alfred Nobel's life provide the basis of this Swedish biopic. Alfred Nobel was the inventor of dynamite and the founder of the prestigious Nobel Prize, which he created as a way to assuage his conscience after unleashing such a destructive force upon the world. One of Nobel's lovers was Bertha von Suttner, an Austrian woman he loved, but never made love to. The other was the adulterous Sophie Hess with whom he had a passionate affair. Also examined are some of the things leading up to Nobel's inventions. The big-budget story was shot at many scenic locations in Sweden, France and Austria. ~ Sandra Brennan, All Movie Guide

Written by pantheon Swedish filmmaker Ingmar Bergman, Sunday's Children was directed by Bergman's son Daniel. This intensely autobiographical film takes place when the elder Bergman was a child of eight. In a near-cathartic fashion, the story illustrates the strained relationship between young Ingmar and his minister father, and the understanding (not always a warm one) between them. Though Daniel Bergman pursues his own visual style, this is his father's film through and through, and as such should be given an honored place in Ingmar's body of work. Sunday's Children is, to date, the best of the recent "retrospectives" penned by the far-from-retired Ingmar Bergman. ~ Hal Erickson, All Movie Guide

The dark recesses of a troubled psyche come to the light of day in this psychological thriller. In the story, Richard (Boman Oscarsson) is a young international art smuggler, who moves into the apartment of his cartoonist half-brother, who has disappeared. Once established there, increasingly strange mental states arise in his mind, and he sees (or seems to see) strange things going on around him. In addition, he has difficult encounters with his ailing mother and with a former girlfriend. As the experiences grow more numerous and intense, he decides that it is vital for his sanity that he discover what has become of his missing brother. ~ Clarke Fountain, All Movie Guide

The boisterous good humor of Jurmala (Mikk Mikiver), the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel. ~ Clarke Fountain, All Movie Guide

This historical drama chronicles the struggle of Swedish businessman Raoul Wallenberg (Stella Skarsgard), as he fought valiantly to save the lives of the Jewish residents of Nazi-occupied Budapest. ~ Iotis Erlewine, All Movie Guide

This musical comedy is taken from Torbjorn Egner's best-selling novel from 1955. Police Chief Bastian (Brasse Brannstrom) oversees the law and order of his town, an idyllic toyland. Aunt Sophie (Kjersti Dovidgan) is the local sourpuss who won't let her niece attend the annual festival celebration. A trio of benevolent robbers kidnap Aunt Sophie after they have tempting dreams of delicious food. The robbers are eventually rehabilitated and their pet lion finds a job in a circus. ~ Dan Pavlides, All Movie Guide

This big-budget animated feature from Sweden, drawing upon some of that country's best known performers, is a children's adventure story with a cautionary ecological theme. The director drew his inspiration from such diverse sources as The Tempest by William Shakespeare, Robinson Crusoe by Daniel Defoe, and Machine Island, by ules Verne. In the story, Prospero has been exiled from his home, and is living on the island of Melonia with his daughter Miranda, an albatross named Ariel, and a fruit-monster called Caliban. Just as Caliban has finished creating something called "power soup" from the emanations of a local volcano, a crew of ne'er do wells crash-lands. They are from Plutonia, a polluted industrial planet given over to entirely to making weaponry, and they have come to steal Caliban's creation. Their plan is to take over the world Melonia is on and make it just as ugly as their own. Prospero and his kin band together to rescue the children on the industrial planet, who have been enslaved to work in the munitions factories, and at the same time put a stop to the evil plans of the Plutonians. ~ Clarke Fountain, All Movie Guide

This Swedish version of Giuseppe Verdi's late 19th-century tragic opera tells the story of an Ethiopian princess who is forced into slavery when captured by the Egyptians. The women are depicted in various stages of nudity and the vocals are all sung in Swedish with Lorin Maazel conducting. ~ Dan Pavlides, All Movie Guide

This plodding, depressing drama concerns the 19th-century painters who were collectively know as the Skaw (or Skagen) Colony. The group rejected the Impressionist style of painting, opting for the realism of natural light and using the lives of the poor fishing villagers as their inspiration. ~ Dan Pavlides, All Movie Guide

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music. ~ Eleanor Mannikka, All Movie Guide

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, All Movie Guide