John Fante

Adapted from a novel by John Fante, Robert Towne's Ask the Dust stars Colin Farrell as Arturo Bandini, a young writer who comes to Los Angeles during the Great Depression in order to write a novel. As the film opens, he is down to his last nickel and decides to spend it on coffee in a diner. He is served by Camilla (Salma Hayek), a Mexican beauty he is instantly attracted to even though he treats her horribly during their first interaction. Soon the pair is involved in a relationship that finds them sparring with each other at first, but slowly learning to trust each other. Bandini meets the acquaintance of a desperate woman who sees him as the most desirable man in the world. Eventually Arturo and Camilla get away from the city and their love deepens as he attempts to finish his novel. Donald Sutherland co-stars as a seedy but helpful and loyal neighbor. ~ Perry Seibert, All Movie Guide

This interesting genre-jumping sci-fi/horror film plays much like a low-budget derivative of Alien and The Thing with a clever occult twist. The story takes place in lunar orbit, where a maintenance spaceship becomes marooned after a mysterious accident. Cut off from Earth contact and rapidly losing power, they encounter another derelict craft and its dead, mutilated occupant. They board the other ship to draw on its power plant, taking the corpse aboard for study, and soon discover that the ship was part of the U.S. Discovery program, reported lost after splashdown in the Bermuda Triangle -- at a point in direct line with the moon's dark side. Unfortunately for the crew, the significance of this correlation is discovered too late, as the evil force residing within the dead spaceman's body emerges to take possession of the crew's souls. This leads to a confusing game of "musical souls" as the paranoid survivors turn on each other, never sure which of them is acting under demonic influence. Although not particularly an original concept, this is still a very tense, nightmarish film, with high production values, claustrophobic atmosphere and some nail-biting moments. The filmmakers' attempts to communicate the crew's increasing confusion and paranoia are quite effective, though things go a bit overboard at the climax. ~ Cavett Binion, All Movie Guide

In this graphically violent exploitation film, an insane colonel tests out his newly invented virus, HV8-B, designed to significantly alter the behavior of convicts serving life sentences. As soon as they are injected, the unwilling subjects become mad-killers. Later they become slimy walking corpses in various states of decay, constantly oozing highly contagious bodily fluids that infect the whole cellblock. Soon the uninfected inmates begin to riot. Now only wrongly-imprisoned Vietnam-vet Dennis Cole can stop the crazed colonel from turning them into killer zombies. Meanwhile, blonde biochemist Tanya works to find a vaccine to stop the terrifying erosion of humanity. ~ Sandra Brennan, All Movie Guide

This documentary investigates the world of some of the oceans most lovable mammals, the dolphins. In one scene, the filmmaker has someone play an underwater piano for the dolphins' amusement. ~ Clarke Fountain, All Movie Guide

Dan Blocker made his first non-Bonanza appearance in nine years in the 1968 TV movie Something for a Lonely Man. Blocker plays a blacksmith, John Killibrew, who leads several Easterners to a boomtown in the High Sierras -- only to discover that the town is slated for extinction because the railroad has decided to bypass the community. Now the laughing stock of his comrades, Killibrew determines to save the town by turning it into an industrial center. To do this, he "borrows" a derailed steam engine from the railroad and drags it into town. When things look the darkest for Killibrew, he takes comfort in the works of Ralph Waldo Emerson -- and the affections of pretty Mary Duren (Susan Clark). Widely regarded in 1968 as one of the best TV movies to date, Something for a Lonely Man retains its low-key appeal a quarter of a century later. ~ Hal Erickson, All Movie Guide

This was the first film directed by dancer and choreographer Gower Champion, already experienced at directing television and theatrical productions by the early '60s. The routine romantic comedy, somewhat bogged down by the children it features, is centered on overwrought actress Janice Courtney (Debbie Reynolds). She has had it with paparazzi and publicity campaigns and escapes to the Connecticut countryside for a little R & R. At that point, a half-dozen youngsters intrude into her life after they are abandoned by their ne'er-do-well guardians, and though she is anything but enthusiastic, Janice takes them under her frayed wings. The local pastor, Rev. Jim Larkin (Cliff Robertson) has something to do with that, and ultimately, more than a little something to do with Janice's personal life. ~ Eleanor Mannikka, All Movie Guide

This moody and controversial drama takes place in Depression-era New Orleans. Dove (Laurence Harvey) has traveled by bus from Texas to find his wayward lover Hallie (Capucine). He meets young Kitty Twist (Jane Fonda) as the two get off in the crescent city. Teresina (Anne Baxter) gives him a job at her small cafe. In his free time, Dove searches for Hallie and finds her at work as a prostitute in the Doll's House. Dove implores Hallie to return to him but she refuses. When the lecherous lesbian madame Jo (Barbara Stanwyck) discovers Dove's intentions towards Hallie, she has him beaten to a bloody pulp by her hired goons. He is found by Kitty, now a happy hooker at the Doll House, and is taken back to the cafe where the compassionate Teresina heals his physical and emotional wounds. The film taken from the novel by Nelson Algren is much tamer than the original text. The title track, sung by Brook Benton, was nominated for an Academy Award. The "black-cat stalking" opening and closing sequences (by designer Saul Bass) is a perfect little "film-within-a-film." This footage, with its superb lighting, framing, panning, and editing, should be appreciated by anyone who wants to know more about the art of cinematography. ~ Dan Pavlides, All Movie Guide

When Emily Rocco (Judy Holliday) waddles into view at the beginning of Full of Life, her appearance marked a cinematic breakthrough; seldom had so pregnant a leading lady ever appeared on an American movie screen. With her baby's birthdate only a month away, Emily and her husband Nick (Richard Conte) prepare for first-time parenthood. What they aren't prepared for is Nick's Italian-bricklayer father (Salvatore Baccaloni) who descends upon their humble household with the intention of ruling the roost. Most of all, Papa wants Nick and Emily to go through a proper Catholic wedding, since he doesn't consider their civil ceremony valid. This situation is good for a few laughs, but far funnier is the all-too-typical erratic behavior of expectant mother Emily. Adapted by John Fante from his own novel, Full of Life effortlessly runs the gamut from warm family comedy to outrageous slapstick and back again. ~ Hal Erickson, All Movie Guide

In this WW II-era drama set in a small town, most of the adults are so busy fighting the war or working in the local defense plant that they have little time to supervise their children. A sort of juvenile anarchy ensues with the children and teens doing whatever they please. Soon the town is falling into ruin as a boy is run down by a car thief, a runaway girl begins associating with thugs and other mayhem ensues. Fortunately, a returning soldier decides to open up a youth center to give the kids a place to go. He also helps the boys get some useful job training. ~ Sandra Brennan, All Movie Guide

In this drama, set in New York City, two brothers fight it out over a girl. The boys were raised by their Italian mother. The younger brother is adopted and they grow up to pursue very different life directions. The adopted brother goes to college, but the older brother gets involved with crime and ends up going to San Quentin. He is released from prison just as the younger brother graduates. Later the older brother returns home with his girlfriend. It is not long before he is in trouble with the local syndicate. Meanwhile, the girl and the other brother fall in love and decide to marry. The older brother is not amused. Still, when the mob bursts in at the wedding, it is the older brother who keeps them at bay until the ceremony is completed. ~ Sandra Brennan, All Movie Guide