Hope Alexander-Willis Movies
This teen comedy from Disney is based on a popular novel by Meg Cabot and directed by Garry Marshall. Mia Thermopolis (Anne Hathaway) is a teenage klutz who's openly mocked by the popular Lana Thomas (pop singer Mandy Moore). In fact, Mia's only friend at her exclusive prep school is the socially outcast Lilly (Heather Matarazzo). Mia's life takes a dramatic turn, however, when her mom announces that her late biological father was in actuality the crown prince of a small European nation, Genovia. Now Mia is the sole heir to the throne, and her grandmother, Queen Clarisse Renaldi (Julie Andrews) wants to tutor the awkward teen in royal behavior. It's a daunting task given Mia's lax table manners, poise, and hair care, but the girl perseveres with some makeover help from her grandmother's security chief Hector Elizondo) and a style expert (Larry Miller). In the meantime, Mia's romantic affections are torn between the handsome, popular Josh (Erik Von Detten) and the more appropriate Michael (Robert Schwartzman), who also happens to be Lilly's brother. The Princess Diaries is the second film from Whitney Houston's production shingle after the television version of Rodgers and Hammerstein's Cinderella (1997). ~ Karl Williams, All Movie Guide
- Starring:
- Anne Hathaway, Julie Andrews, (more)
A hybrid cross-pollination of a Martin Scorsese and Frank Capra film, this feel-good comic fantasy is loosely based on the real-life story of a New York lottery winner. Anthony LaPaglia stars as Frank Pesce Jr., a New Yorker with a good-luck streak that is unmatched in his Little Italy neighborhood. When Frank throws a pair of dice in a game of chance, he doesn't just toss a winning hand, the dice land on top of each other. When he's stabbed in the chest by a girlfriend's brother, his doctors find a pre-cancerous tumor. Although he tries again and again to get rid of a vehicle he no longer wants, it is retrieved every single time by the authorities. So when New York announces its first statewide lottery in 1976, Frank buys one ticket and immediately becomes everybody's best friend. Unfortunately, Frank's good luck is matched by the equally bad luck of his hard-working father, Frank Sr. (Danny Aiello), who has run up a gambling debt to a local mobster. The wise guy is willing to forgive the note if Frank Jr. will just hand over his sure-to-be lucky ticket, leaving the city's luckiest Italian-American in a bit of a moral quandary. The real Frank Pesce Jr. executive produces and co-stars in 29th Street as his own police officer brother, Vito. ~ Karl Williams, All Movie Guide
- Starring:
- Danny Aiello, Anthony LaPaglia, (more)
Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide
- Starring:
- Al Pacino, Michelle Pfeiffer, (more)
History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeff Bridges, Joan Allen, (more)
- 1977
- PG
Director Robert Clouse, maker of the martial-arts masterpiece Enter the Dragon returns with The Pack, a well-directed, interesting little horror film about a pack of pugnacious puppies who run amok on an island resort. Veteran action star (Joe Don Baker) plays the marine biologist forced to deal with the dilemma when the dogs begin to exhibit their killer instincts by hunting down and killing resort patrons, a result of neglect by their human owners. Although the prospect of dying in the jaws of a West Highland Terrier may seem improbable, Clouse imbues the film with genuine suspense and provides a few legitimate shocks, a testament to his skill at the helm. Released around the same time as Jaws amidst a slew of killer animal rip-offs, The Pack was undeservedly dismissed by critics. ~ Jeremy Beday, All Movie Guide
- Starring:
- Joe Don Baker, Hope Alexander-Willis, (more)
- 1977
Two separate plot strands are loosely entwined in this episode. At the office, Bob consuls a ventriloquist named Danny James (Sam Kwasman), whose dummy wants to break up the act. And on the domestic front, Jerry is terrified of being dumped by his "perfect" girlfriend, Jackie Windsor (Hope Alexander-Willis). Also in the cast are Roger Etienne as the waiter, Sondra Theodore as Girl #1, and Jordan Michaels as Girl #2. First telecast on October 8, 1977, "A Jackie Story" was written by Lloyd Garver. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Newhart, Suzanne Pleshette, (more)
- 1976
Jessica Walter guest stars as Maggie Jarris, the wife of former Mob bookkeeper Ben Jarris (Harry Guardino). Slated to testify against her husband's criminal bosses, Maggie is forced to adopt several alias and move from one "safe house" to another to avoid being murdered. Placed in charge of Maggie's safety is detective Mike Stone (Karl Malden), who in so doing becomes a marked man himself! ~ Hal Erickson, All Movie Guide
