Robert Evans Movies
A 1970s player, a 1980s flameout, and a 1990s survivor, studio executive-turned-producer Robert Evans' flamboyant life is as checkered as his mercurial career. Born Robert Shapera in New York City, Evans was a child actor, but he gave it up and went into the clothing business with his brother at age 21. Despite their success, Evans returned to acting when Norma Shearer chose him to play Irving Thalberg in the Lon Chaney biopic Man of a Thousand Faces (1957). Although Evans had the movie-star looks, he lacked the talent to move beyond a smattering of small roles, including in The Sun Also Rises (1957). Still entranced by the movie business, however, Evans left the clothing company and went to work at 20th Century-Fox.Despite his relative lack of experience, Evans was made the head of production at floundering Paramount in 1966. Under his Thalberg-esque watch, the rejuvenated studio turned out some of the most important hits of the late 1960s and early '70s, including Rosemary's Baby (1968), Love Story (1970), and The Godfather (1972). As skillful at drawing attention to himself, Evans held court at his estate with wife Ali MacGraw, and publicly clashed with Francis Ford Coppola over who was responsible for The Godfather's artistry. Though Evans was humiliated when MacGraw dumped him for Steve McQueen after The Getaway (1972), he still rode high professionally, striking a deal with Paramount that allowed him to produce as well as maintain his executive title. Setting the bar perhaps too high, Evans' first production was the Roman Polanski-directed, Robert Towne-scripted, revisionist noir Chinatown (1974), one of the outstanding works of the 1970s. Though Chinatown brought Paramount Oscar nominations and some box office (though no Best Picture statuette), Evans' dual role became problematic. He turned solely to producing, scoring two more hits with the thrillers Marathon Man (1976) and Black Sunday (1977). Evans also helped resurrect John Travolta's career (for the first time) with the moderately successful, trend-setting production Urban Cowboy (1980).
Evans' downfall began when he was busted for cocaine possession during the production of Popeye (1980), a box-office failure. Evans' real Waterloo, however, was The Cotton Club (1984). Meant to be Evans' directorial debut, Evans called in Coppola early on to save the already troubled production. Instead, the shoot spiraled out of control as the script was endlessly rewritten, the budget doubled, and Evans and Coppola fought publicly, not to mention the fact that Evans was also implicated in the murder of a funding source. Evans beat the rap, but he couldn't beat the bad publicity or The Cotton Club's mediocre performance. After he was fired in 1985 from his co-starring role in the Chinatown sequel The Two Jakes, Evans seemed to be finished. Evans re-emerged in 1990 when The Two Jakes was finally made, but it failed to even approach the original's impact. Still, Evans hung on throughout the 1990s, producing such glossy formula films as Sliver (1993), The Saint (1997), and The Out-of-Towners (1999), and publishing his juicy autobiography, The Kid Stays in the Picture, in 1994. Evans' personal life also attracted attention with his ultra-brief marriage to actress Catherine Oxenberg in 1998. Along with MacGraw and Oxenberg, Evans' five wives have included former Miss America Phyllis George. As always the resilient survivor, Evans was in the spotlight again in 2002 with the release of the documentary film version of The Kid Stays in the Picture (2002). Produced with Evans' full support, and narrated by Evans in his famously gravelly, Noo Yawk-inflected tones, The Kid Stays in the Picture neatly combined still photographs, clips from Evans' most notable films, and an evocative visual tour of his beloved house to paint a dynamic, if not always fully revelatory, portrait of Evans' eventful life in the movies. Well received on the film festival circuit, The Kid Stays in the Picture opened to rave reviews in July 2002 and became an art house success. ~ Lucia Bozzola, Rovi
- 2005
- Add Boffo! Tinseltown's Bombs and Blockbusters to Queue Add Boffo! Tinseltown's Bombs and Blockbusters to top of Queue
Take a walk on the fine line between box-office blockbusters and instantly forgettable bombs as Oscar and Emmy-winning producer/director Bill Couturie sets out to explore just what separates such high-profile hits as Jaws from such room-clearing disasters as Howard the Duck. Executive produced by Variety editor Peter Bart, this documentary includes interviews with such movie industry heavies as Steven Spielberg, Danny DeVito, Peter Bogdanovich, Robert Evans, Pierce Brosnan, and Sydney Pollack, exploring precisely how the road to the Razzies is paved with good intentions. ~ Jason Buchanan, Rovi
- 2004
- PG13
- Add The Last Mogul: The Life and Times of Lew Wasserman to Queue Add The Last Mogul: The Life and Times of Lew Wasserman to top of Queue
For the second half of the 20th century, Lew Wasserman was the most powerful man in show business, even if most people had no idea who he was. Born in Cleveland, OH, in 1913, Wasserman started out booking music for mob-controlled night clubs, and soon became an agent for Music Corporation of America, which became the most lucrative music agency in America. As Wasserman rose through the ranks at MCA, he established such innovative business practices as "packaging" talent (booking hot acts only in tandem with other artists who were a harder sell) and took the company into managing acting talent in Hollywood, where he changed the film business forever by negotiating a ground-breaking deal for James Stewart on the film Winchester '73, which reduced the actor's up-front salary in favor of a cut of the movie's profits, earning the actor a fortune in the process. Under Wasserman's tenure at MCA, the company took over Universal Pictures, established the studio's television branch (and made enough powerful friends to make it the most important production outlet in the business), created the wildly successful Universal City studio tours, and expanded MCA's recording branch into one of the biggest record companies in the world. Wasserman was also a man with no small degree of political influence (it didn't hurt that Ronald Reagan was one of his early clients when MCA want Hollywood), and was reputed to have some useful connections to organized crime (his personal lawyer was reputed to be the model for Robert Duvall's character in The Godfather). Wasserman was a secretive man who did not give interviews or commit anything to writing if it could be avoided, but he knew nearly everyone of consequence in show business, and The Last Mogul: The Life and Times of Lew Wasserman is a documentary that through interviews with his friends and business associates paints a detailed portrait of his remarkable career, from his childhood in Ohio to his death in 2002. ~ Mark Deming, Rovi
- Starring:
- Peter Bart, David Brown, (more)
- 2003
Most creator-driven TV cartoon series merely reflect the tastes of their producers. Kid Notorious was the first cartoon series inspired by the life of its producer -- Hollywood movie mogul Robert Evans, the man responsible for such classics as The Godfather, Rosemary's Baby, and Chinatown. Evans himself supplied the voice for his animated alter-ego, just as Evans' real-life butler, Alan Selka, was heard as "Kid Notorious"' faithful retainer "English." Rounding out the cast was the obligatory sassy black maid Tollie Mae, voiced by comedienne Niecy Nash. Befitting its inspiration, Kid Notorious was festooned with inside showbiz references, dripping sarcasm, and casual profanity. Befitting its unsuitability for children, the series was seen on the Comedy Central network, beginning October 22, 2003. ~ Hal Erickson, Rovi
- Starring:
- Robert Evans, Alan Selka, (more)
- 2003
- PG13
- Add How to Lose a Guy in 10 Days to Queue Add How to Lose a Guy in 10 Days to top of Queue
Two New Yorkers fight the battle of the sexes to a standstill (without entirely realizing it) in this romantic comedy. Andie (Kate Hudson) is a young journalist who longs to cover political stories, but in the meantime she finds herself writing for a women's magazine called Composure, where her editor Lana Jong (Bebe Neuwirth) has her writing a fluffy advice column. After hearing of the latest dating laments of her relationship-challenged friend Michelle (Kathryn Hahn), Andie sells Lana on the idea of writing a piece on the things women do to alienate the men they love, which she'll demonstrate by winning and then driving away a man in a mere ten days. Meanwhile, Ben (Matthew McConaughey) is an advertising man who wants to land a prestige diamond account at his firm. Ben is competing with his pals, Spears (Michael Michele) and Green (Shalom Harlow), for the assignment, so Ben tells his boss Phillip Warren (Robert Klein) that he's the man for the job because he understands the fair sex so well he can make any woman fall for him in less than two weeks. As fate would have it, Andie and Ben end up choosing one another for their mutual assignments, with neither knowing about each other's secret agenda as Ben strives to hold on to Andie while she does everything in her power to annoy him. How to Lose a Guy in 10 Days was loosely based on the self-help book of the same name (subtitled The Universal Don't of Dating) written by Michele Alexander and Jeannie Long. ~ Mark Deming, Rovi
- Starring:
- Kate Hudson, Matthew McConaughey, (more)
Robert Evans' rise from second-string actor (who really was discovered while lounging by the pool at the Beverly Hills Hotel) to head of one of Hollywood's biggest movie studios is told from the viewpoint of Evans himself in this documentary, adapted from his autobiography (and featuring Evans' own narration). In 1957, Evans had already achieved success in the garment business when actress Norma Shearer spotting him at poolside and suggested he should play her late husband, legendary producer Irving Thalberg, in the movie Man of a Thousand Faces. While Evans knew he wasn't cut out to be an actor, he discovered he liked the movie business, and after becoming a film industry executive, Evans was named head of production at Paramount in the late '60s. Under Evans' leadership, Paramount produced such classics as Rosemary's Baby, Love Story, and The Godfather. He also married actress Ali McGraw; however, McGraw left Evans for Steve McQueen after they starred together in The Getaway. After leaving Paramount to become a producer (and racking up hits like Chinatown and Marathon Man), Evans' golden touch began to elude him; an arrest for drugs seemed to put an end to his career, until he made a comeback as a freelance producer in the 1990s on such films as Sliver and The Saint. Part of the narration for The Kid Stays in the Picture was drawn from the book-on-tape version of Robert Evans' autobiography of the same name, which featured Evans reading his own work; the audio book has developed a cult following of its own, and legend has it Dustin Hoffman based his performance in Wag The Dog on Evans' reading style on the tape. ~ Mark Deming, Rovi
- Starring:
- Robert Evans
When Frank Sinatra sang "If I can make it there, I'll make it anywhere, it's up to you, New York!" he probably didn't have the same odds in mind that line up against Henry and Nancy Clark in The Out-Of-Towners. Henry (Steve Martin) is an advertising man from Ohio who runs his life on an exacting schedule. His wife Nancy (Goldie Hawn) feels the spark has gone out of their lives together. After 24 years of marriage, their children are grown and nothing is tying them to their old home, so they decide to take a stab at relocating to New York City. Henry arranges a job interview in the Big Apple, they schedule a flight into Manhattan, and from that point on, anything that can go wrong does go wrong. Henry and Nancy's flight is delayed, their luggage is lost, their hotel reservations are cancelled, they're accosted by muggers, the cab they're riding in gets in a wreck, Henry is accidentally drugged and Nancy ends up in a group therapy meeting for sex addicts. The Out-Of-Towners is an updated remake of the 1970 comedy scripted by Neil Simon; the original version starred Jack Lemmon and Sandy Dennis as the hapless Midwesterners. ~ Mark Deming, Rovi
- Starring:
- Steve Martin, Goldie Hawn, (more)
First, a little background: in 1955, the Director's Guild of America created the pseudonym Alan Smithee, which film directors are allowed to use if they feel their work has been tampered with to such a degree that they no longer want the credit. (For example, if you look at the credits of the expanded and heavily narrated TV version of Dune, you'll notice the director is not listed as David Lynch, but as Alan Smithee.) An Alan Smithee Film: Burn Hollywood Burn is a comedy about a film editor (played by Eric Idle) who finally gets his big break -- he's given the opportunity to direct a big-budget action film starring Sylvester Stallone, Whoopi Goldberg, and Jackie Chan. But filming does not go well (the budget eventually balloons to 200 million dollars) and the producer, James Edmunds (Ryan O'Neal), tampers with the final cut of the film. As a result, the hapless neophyte director doesn't want his name to appear on the credits. But his real name is Alan Smithee, so what's he supposed to do? In a stunning example of art imitating life, director Arthur Hiller was supposedly unhappy with the interference of screenwriter and producer Joe Eszterhas on this project and chose to remove his name from the credits -- so An Alan Smithee Film carries the directorial credit of none other than Alan Smithee. Rappers Coolio and Chuck D appear as the filmmaking Brothers Brothers; Chuck D also contributed to the film's score. ~ Mark Deming, Rovi
- Starring:
- Ryan O'Neal, Coolio, (more)
Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller. Val Kilmer is Simon Templar, a classy, cunning master thief and "man of a thousand faces" who cribs his phony names from those of obscure saints and sells his illegal services to the highest bidder. Hired by an ambitious Russian politician (Rade Serbedzija) to steal the formula for cold fusion, Templar falls in love with Dr. Emma Russell (Elisabeth Shue), the frail Oxford scientist who has unlocked the secret of the process. Back in Moscow, the thief debates whether to betray his new love or the powerful madman who is paying him millions, until he discovers that his client is concealing oil reserves that could save his freezing people. Often seen as an also-ran to the legendary James Bond, Templar, the creation of author Leslie Charteris, in fact predated the first Bond novel by decades and probably inspired Ian Fleming in his creation of the debonair agent. ~ Karl Williams, Rovi
- Starring:
- Val Kilmer, Elisabeth Shue, (more)
The first superhero ever, created by Lee Falk in 1936, gets another shot at movie stardom 60 years after achieving fame in comics and serials. Billy Zane stars as Kit Walker, who discovers that he's the 21st in a line of purple-clad African superheroes known as "The Phantom" or, to superstitious Bengalla Island natives, "the Ghost Who Walks." When he's not fighting the evil Singh Brotherhood with his faithful wolf Devil and white horse Hero, the Phantom lives in the hidden Skull Cave. Kit discovers that Xander Drax (Treat Williams), a slimy industrialist, is plotting to take over the world by uniting the three long lost magical Skulls of Touganda. So he travels to New York, where he finds allies in crusading newspaper publisher Dave (Bill Smitrovich) and his niece, Diana (Kristy Swanson), who's also Kit's ex-girlfriend. Kit and Diana tackle Drax's forces, including the conflicted Sala (Catherine Zeta-Jones), in a quest for the Skulls that brings both sides back to Bengalla for a showdown. The Phantom's mixture of elaborate stunts with liberal doses of tongue-in-cheek humor was characteristic of screenwriter Jeffrey Boam, whose previous films included Innerspace (1987) and Indiana Jones and the Last Crusade (1989). ~ Karl Williams, Rovi
- Starring:
- Billy Zane, Kristy Swanson, (more)
An investigator seeking the truth behind the death of a noted art dealer uncovers a web of sexual deception in this erotic thriller. David Caruso plays David Corelli, a San Francisco District Attorney who faces a potential conflict of interest when he learns that the prime suspect in the murder is psychologist Katrina Gavin (Linda Fiorentino), an old flame who eventually married Corelli's close friend (Chazz Palminteri). Despite this, he continues on the case and discovers that the dealer owned a series of photographs showing prominent public figures in compromising positions with an enigmatic prostitute known only as Jade. As Corelli searches for the identity of this unknown woman, believing she holds the key to the murder's solution, he uncovers further secrets that ultimately threaten his own life. ~ Judd Blaise, Rovi
- Starring:
- David Caruso, Linda Fiorentino, (more)
Phillip Noyce directed Joe Eszterhas's adaptation of Ira Levin's novel about voyeurism, starring Sharon Stone as Carly Norris, a book editor on the rebound from an emotionless seven-year marriage. Carly decides that a change of location will help her in the healing process, so she moves into a sleek Manhattan high-rise. In her new apartment, she meets a collection of curious neighbors --Vida (Polly Walker), who snorts cocaine along with ingesting all the dark secrets of the building and its tenants; Jack Landsford (Tom Berenger), a successful writer who also wants to also be successful with Carly; and Zeke Hawkins (William Baldwin), Carly's new landlord. Carly is attracted to Zeke, but she sees that he is hiding something from her. Unbeknownst to Carly, Zeke, an obsessive voyeur, watches his tenants from a bank of television screens at his headquarters. But when Carly discovers Zeke's voyeurism, she herself becomes obsessed with the daily lives of her neighbors. ~ Paul Brenner, Rovi
- Starring:
- Sharon Stone, William Baldwin, (more)
The Two Jakes is the much-delayed and rather convoluted sequel to the 1975 classic Chinatown. Released in 1990 after an abortive stab at shooting that began in the mid-'80s, the film was the subject of a creative feud between its principals, star Jack Nicholson, producer Robert Evans, and screenwriter Robert Towne. Private eye Jake Gittes (Jack Nicholson) is a middle-aged war hero, paunchy, snobbish about his golf game, and about to marry a lovely and much younger woman. Then a fleeting reference to a woman he once loved that he heard on a wire recording plunges him into a past he has tried to escape. It comes while he was spying on a philandering wife (Meg Tilly) and her paramour in her motel room for her husband, Jake Berman (Harvey Keitel). Then Berman shocks Gittes when he shoots his wife's lover. Gittes is doubly stunned when he learns that Berman was partners with the dead man in a subdivision that may contain huge oil deposits. So now Gittes wonders, was it justifiable homicide or murder? The answer lies in the wife (Madeleine Stowe) of the dead man, her shady oil baron friend (Richard Farnsworth), and in the past he has tried to avoid. ~ Nick Sambides, Jr., Rovi
- Starring:
- Jack Nicholson, Harvey Keitel, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, Rovi
- Starring:
- Richard Gere, Gregory Hines, (more)
"You a real cowboy?" John Travolta traded disco for a mechanical bull in this adaptation by James Bridges and Aaron Latham of Latham's article on Western nightlife. Texas country boy Bud (Travolta) moves to Houston to work on an oil rig with his Uncle Bob (Barry Corbin), and he swiftly becomes indoctrinated in the nighttime rituals of drinking, dancing, and showing off cowboy duds at Gilley's, the enormous local honkytonk. There he meets and marries the sassy Sissy (Debra Winger), but the honeymoon quickly ends when Sissy starts spending too much time learning the men-only skill of mechanical bull-riding from ex-con Wes (Scott Glenn); Bud throws her out and hooks up with slumming Pam (Madolyn Smith). Under the paternal tutelage of Uncle Bob, Bud then learns not only how to master the bull but also what it takes to be a real man rather than just an ersatz cowboy. With a story, cast, and setting that were essentially Saturday Night Fever country-style, Urban Cowboy was poised to be a summer 1980 hit. Although its box office did not live up to Fever's legacy, Urban Cowboy did spawn a soundtrack album of country-and-western hits and helped spur a Western fashion vogue; people from all regions began sporting cowboy boots, and mechanical bulls started replacing passé disco floors. The first of Travolta's many comebacks, Urban Cowboy provided the star with a more "manly" image after his Moment by Moment (1978) fiasco, but it was neophyte co-star Winger who got even better notices. With its Western milieu and retro view of relationships, Urban Cowboy stands as a sign of the nascent Reagan era, as '70s icon Travolta learned bull-riding himself and replaced his white polyester with a black Stetson. ~ Lucia Bozzola, Rovi
- Starring:
- John Travolta, Debra Winger, (more)
Based on the long-running comic strip created by E.C. Segar (and less on the animated cartoons created by Max Fleischer, which were decidedly different in tone and approach), Popeye follows the sailor man with the mighty arms (played by Robin Williams in his first major film role) as he arrives in the seaside community of Sweethaven in search of his long-lost father. Popeye meets and quickly falls for the slender Olive Oyl (Shelley Duvall, in the role she was born to play), but Olive's hand has already been promised to the hulking Bluto (Paul Smith), of whom Olive can say little except, well, he's large. Eventually, Popeye and Olive are brought together by Swee' Pea (Wesley Ivan Hurt), an adorable foundling, and Popeye finally meets his dad, Poopdeck Pappy (Ray Walston). Director Robert Altman in no way tempered his trademark style for this big-budget family opus, crowding the screen with a variety of characters and allowing his cast to overlap as much dialogue as they want. ~ Mark Deming, Rovi
- Starring:
- Robin Williams, Shelley Duvall, (more)
- 1979
- PG
A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future. Players is loaded with cameos from major tennis stars, including John McEnroe, Guillermo Vilas, and Ilie Nastase; Pancho Gonzales has a major supporting role as Chris' coach. ~ Mark Deming, Rovi
- Starring:
- Ali MacGraw, Dean Paul Martin, (more)
Bruce Dern is ideally cast as Lander, a crazed Vietnam veteran, in Black Sunday. Lander joins terrorists Dahlia (Marthe Keller) and Fasil (Bekim Fehmu) in a plot to create a bloodbath at the annual Super Bowl. Piloting the ubiquitous Goodyear blimp, Lander is to ram the aircraft into the capacity Orange Bowl crowd, then fire thousands of poisoned darts into the fleeing spectators. Israeli military officer Kabakov (Robert Shaw) struggles to thwart Lander's plan before it comes to fruition. ~ Hal Erickson, Rovi
- Starring:
- Robert Shaw, Bruce Dern, (more)
Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Laurence Olivier, (more)
"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, Rovi
- Starring:
- Jack Nicholson, Faye Dunaway, (more)
A star-studded cast enlivens this glossy '50s soap opera, based on a novel by Rona Jaffe. The action unfolds at the Gotham-based Fabian Publishing, where numerous women work as typists under the aegis of power-wielding, shark-like editor Amanda Farrow (Joan Crawford). Farrow has achieved wealth and success, but is far from idolized by her underlings, who understand clearly that their boss has chalked up all of her accomplishments at the expense of a satisfying personal life. Caroline Bender (Hope Lange) is a recent graduate of a prestigious women's college whose sole desire in life is to marry her college sweetheart Eddie (Brett Halsey; she admits openly that she cares little for power, ambition or career advancement. She gets a job in the secretarial pool of Fabian Publishing and soon takes an apartment with some female co-workers. Caroline quickly realizes that she has a catbird seat to witness the romantic entanglements and office politics of Fabian's many female employees. Farrow is having an affair with a mysterious married man, and Caroline's roommates have tales of their own to tell: April (Diane Baker) has become pregnant by the unscrupulous Dexter (Robert Evans), who suggests she have an abortion; and Gregg (Suzy Parker) has become involved with smooth-talking Broadway director David Wilder Savage (Louis Jourdan), not the most faithful man in the world. Robert Evans's career as an actor came to an end after this film, and he later enjoyed success as a studio head at Paramount Pictures in the 1970s, supervising The Godfather, and serving as producer of such films as Chinatown and Marathon Man. ~ Mark Deming, Rovi
- Starring:
- Hope Lange, Stephen Boyd, (more)
- 1958
This off-beat western is a freely-adapted remake of the violent film noir Kiss of Death. The story centers on a naive thief, Dan Hardy, who is captured after a bank robbery and placed in a jail cell alongside the maniacal, vicious Felix Griffin. O'Brian gets himself into deep trouble when he tells Griffin where he hid the loot, a location that only O'Brian's partner knows. As soon as Griffin is released, he begins a shocking, and graphically depicted, killing spree as he tries to get to the cache of cash. In desperation, the lawmen arrange to release Hardy so he can find the psychotic O'Brian and stop him. ~ Sandra Brennan, Rovi
- Starring:
- Hugh O'Brian, Robert Evans, (more)
One screen legend tips his hat to another as James Cagney portrays horror film icon Lon Chaney in Man of a Thousand Faces. Joseph Pevney's bio-pic takes a somewhat whitewashed view of Chaney's career, but Cagney is nothing short of riveting in the lead. The film begins as Chaney, the son of two deaf parents, is tasting success in vaudeville as a knockabout juggler, mime, and quick-change artist. Chaney meets Cleva Creighton (Dorothy Malone) and hires her as his assistant. They fall in love and marry, but when Chaney reveals his parents are deaf mutes, she recoils in revulsion. When she gives birth to a son, she refuses to look at him, thinking their child will also be deaf. Chaney proves her wrong, but Cleva reveals an underlying psychological affliction that grows in intensity as Chaney's vaudeville success increases. When Chaney becomes a vaudeville star, Cleva walks out on both Chaney and her son. Chaney's son is sent to a home, since after Cleva's departure, he hasn't the money to support him. To get his son back, he travels to Hollywood and takes every bit role available, using his gift for creative disguises to land several roles in one film. Chaney becomes well respected for his talents and his popularity becomes greater, and he eventually becomes a superstar. Along the way, he meets Hazel Bennett (Jane Greer) and they fall in love and marry. But his happiness is shattered when Cleva comes back into his life and demands the return of her son. ~ Paul Brenner, Rovi
- Starring:
- James Cagney, Dorothy Malone, (more)
For its time, The Sun Also Rises was a reasonably frank and faithful adaptation of the 1926 Ernest Hemingway novel. Its main concession to Hollywood formula was the casting of star players who were all too old to convincingly portray Hemingway's "Lost Generation" protagonists. Tyrone Power heads the cast as American news correspondent Jake Barnes, who, after incurring a injury in WW I that has rendered him impotent, relocates to Paris to escape his troubles. Barnes links up with several other lost souls, including the nymphomaniacal Lady Brett Ashley (Ava Gardner), irresponsible drunkard Mike Campbell (Errol Flynn) and perennial hangers-on Robert Cohn (Mel Ferrer) and Bill Gorton (Eddie Albert). In their never-ending search for new thrills, Barnes and his cohorts trundle off to Spain, where they participate in the annual Pamplona bull run and act as unofficial "sponsors" of handsome young matador Pedro Romero (played by future film executive Robert Evans). Additionally, Lady Brett pursues a romance with Jake, despite her engagement to the dissolute Campbell. Filmed on location in Pamplona, Paris, Biarritz and Mexico, The Sun Also Rises was budgeted at $5 million; like many "big" pictures of the era, it tended to be hollow and draggy at times. The film's best performance is delivered by Errol Flynn, though it can be argued that, in taking on the role of the hedonistic, hard-drinking, burned-out Mike Campbell, he was merely playing himself. A vastly inferior version of The Sun Also Rises was produced for television in 1984. ~ Hal Erickson, Rovi
- Starring:
- Tyrone Power, Ava Gardner, (more)
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