Charles E. Evans Movies

Kay Francis stars as Stella Parish, a London stage favorite who suddenly disappears without a trace. British news correspondent Keith Lockridge (Ian Hunter) girdles the globe in search of Stella, who has left her beloved daughter Gloria (Sybil Jason) in the care of an aunt (Jessie Ralph). Finally locating his quarry, Lockridge learns that Stella dropped from view to hide the fact that she once served a jail sentence as an accessory to murder. He promises to kill the story for Gloria's sake, but his dispatch is inadvertently published away, forcing Stella into a tawdry career as a "freak" stage attraction (not unlike Evelyn Nesbit Shaw). After hitting rock-bottom in a burlesque show, Stella is rescued by her old director Stephan Norman (Paul Lukas), who invites her to revive the show she was starring in at the time of her disappearance. Little does she know that this comeback has been arranged by Lockridge, who hopes to atone for betraying her trust. All roads lead to a tear-stained reunion between Stella and her daughter, a denouement as inevitable as death and taxes. For years, it was believed that Errol Flynn played an unbilled bit in I Found Stella Parish, but a researcher in the late 1960s discovered that the Flynn look-alike was actually Francis X. Bushman Jr. ~ Hal Erickson, All Movie Guide

George Arliss plays Nathan Rothschild, the head of a family of celebrated 19th century Jewish bankers. Despite the anti-semitic efforts of a powerful politico (Boris Karloff), Rothschild moves in the best European social circles. He is ultimately knighted for his services to the English crown, which include the financing of the Duke of Wellington's battle against Napoleon at Waterloo. This being a Hollywood picture, the political and financial intrigues have to be offset by romance--in this case the love affair between Rothschild's daughter (Loretta Young) and a handsome military officer (Robert Young). The final scene was photographed in the newly perfected three-strip Technicolor process, though for many years the TV distributors either removed this sequence or reprinted it in black and white. Designed in part as an attack against the burgeoning anti-semitism movement in Hitler's Germany, House of Rothschild was ironically exploited by Nazi functionary Joseph Goebbels, who redubbed and re-edited the film to serve as anti-Jewish propaganda! ~ Hal Erickson, All Movie Guide

In this comedy drama, a wealthy shoe magnate is bored with his life. The trouble really begins when his chief rival dies. His company was on the brink of financial ruin and now the bored shoemaker finds himself without even the joy of competition to motivate him. The fellow decides to take a vacation. He leaves his eager-beaver nephew to run the company. During the holiday, he meets a free-spirited and rambunctious brother and sister. As they are the heirs to his rival company, he decides to masquerade as an impoverished hobo. They hire him to work in the factory. Soon he takes the place and turns it into a financial success and a genuine competitor to his smarty-pants nephew. He also teaches the carefree brother and sister a few lessons about real life when he forces them to begin working in their own factory. Eventually he becomes their legal guardian. At the story's end, he reveals his true identity and allows his new step-daughter to marry his chastened nephew. ~ Sandra Brennan, All Movie Guide

George Arliss is a world-renowned pianist, engaged to a young woman (Bette Davis) much younger than himself. An explosion renders Arliss completely deaf, but he soon becomes an expert lip-reader. To practice this skill, he looks out his window through binoculars, reading the lips of those who pass through the public park below. He learns that many people have problems far worse than his own, so he secretly arranges to solve the financial and emotional crises of those whose words he has read. Arliss' talent backfires on him when he spots his fiancee in the park with another man; she reveals that she does not love Arliss, but is staying with him out of loyalty. Though broken-hearted, Arliss expansively allows his fiancee to marry the man she truly loves, and even arranges for their future security. The Man Who Played God was based on a stage play also starring George Arliss, which he'd previously filmed in 1922. It was remade in 1955 as Sincerely Yours, starring the inimitable Liberace! ~ Hal Erickson, All Movie Guide

George Arliss is the millionaire of the title, a retired auto tycoon who's been ordered by his doctor to rest and avoid exercise. Arliss is shaken out of his sedentary existence by an insurance salesman who advises him to pick himself up and enjoy life. The old man heads to California, where he conceals his identity and goes to work for a service station. Given a new lease on life, the millionaire amuses himself by playing matchmaker with his own daughter (Evelyn Knapp) and the go-getting young service station manager (David Manners). Barely distinguishable from George Arliss' other non-historical vehicles, The Millionaire is given an added dimension by James Cagney, who shows up for three wonderful minutes as the friendly insurance agent. ~ Hal Erickson, All Movie Guide

Filmed in "Fox Grandeur," an early widescreen process, Happy Days was the immediate follow-up to Fox Studios' Movietone Follies of 1929. Most of the film takes place on the showboat of Mississippi entrepreneur Colonel Billy Batcher (Charles E. Evans). When the Colonel faces foreclosure after several failing seasons, soubrette Margie (Marjorie White) stages a fund-raising revue on the boat, enlisting the aid of all the big stars who got their start with Batcher. By an amazing coincidence, virtually all of the showboat alumni are under contract to Fox Studios! Janet Gaynor and Charles Farrell perform "We'll Build a Little World of Our Own," Victor McLaglen and Edmund Lowe kid their roughneck screen images in the novelty number "Vic and Eddie," Sharon Lynn and Ann Pennington offer the "hot" dance routine "Snake Hips," and "Whispering" Jack Smith offers a rendition of the title tune. Also on hand are Will Rogers, El Brendel, Walter Catlett (who also staged the musical numbers), Lew Brice (Fanny's brother), Dixie Lee (Mrs. Bing Crosby) and Georgie Jessel -- not to mention an uncredited 14-year-old chorus girl named Betty Grable. ~ Hal Erickson, All Movie Guide

In the early days of sound film, one of Warner Bros.' big box-office draws was the aging stage actor George Arliss and, in Disraeli, Arliss scored his biggest box-office hit. He is at his best as the foxy British prime minister (in a role he created on-stage and re-created earlier in a 1921 silent film version of the same play). The film concerns the machinations of Disraeli in his efforts to secure the Suez Canal for England. After his liberal opponent Gladstone defeats Disraeli's attempt to raise a line of credit to buy the Suez Canal, Disraeli retires to his country estate to plot a new strategy. When he intercepts a coded telegram from an Egyptian potentate indicating Egyptian financial problems and a willingness to make a deal on the canal, Disraeli jumps on the chance to secure funding from the Bank of England but is denied the credit. Searching for another funding source, he obtains the services of international banker Hugh Meyers (Ivan Simpson). However, when Disraeli's emissary arrives in Cairo with a check to purchase Suez, it is discovered that Meyer has gone bankrupt. Now Disraeli must enlist all his charm and wiles to persuade the Bank of England to honor the bad check. ~ Paul Brenner, All Movie Guide