Ray Brooks Movies

Ray Brooks stars as a mild young Briton who becomes an overnight hero. He accomplishes this by catching a burglar in the act and trouncing the blighter soundly. Alas, Brooks' hero status is blasted to bits when it is learned that the burglar was a midget. Touch of the Tiny Hacketts was originally filmed for British TV in 1981. It premiered in the US over the Arts cable service (later known as Arts & Entertainment) in 1984. ~ Hal Erickson, All Movie Guide

In this British exploitation film, an elderly husband and wife begin torturing young women whose behavior offends their puritan sensibilities. ~ Jason Ankeny, All Movie Guide

This film brings more ribald nonsense from the British "Carry On" gang. This time the setting is the Spanish resort town of Elsbels. A group of stereotypical British tourists - led by courier Stuart Farquhar (Kenneth Williams) show up for a four-day weekend at a "luxury hotel." There are only two setbacks: the hotel doesn't seem to be finished yet...and it's raining through the roof. Oh, yes...all the staff members look suspiciously like the same person. Stalwart "Carry On" troupers Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Kenneth Connor and Hattie Jacques are in attendance, while the toothsome Barbara Windsor shows up as "Miss Sadie Tompkins". ~ Hal Erickson, All Movie Guide

In this thriller a race-car driver develops mysterious psychic powers that allow him to warn people of impending danger. No one believes him until he meets an understanding parapsychologist who helps race off to warn those he saw in his terrifying vision. ~ Sandra Brennan, All Movie Guide

A star-studded cast highlights this musical adaptation of the classic fantasy tales of Lewis Carroll. One day young Alice (Fiona Fullerton) takes a nasty spill down the rabbit-hole and finds herself in the bizarre kingdom of Wonderland, where she encounters a number of strange and enchanted characters, including the playful White Rabbit (Michael Crawford), the manic March Hare (Peter Sellers), the mysterious Caterpillar (Ralph Richardson), the Doormouse (Dudley Moore), the imperious Queen of Hearts (Flora Robson), and the quizzical Mad Hatter (Robert Helpmann). The cast also includes Spike Milligan, Peter Bull, Roy Kinnear, and Michael Jayston as Lewis Carroll. Alice's Adventures In Wonderland won two prizes at the 1973 British Academy of Film and Theatre Awards -- for Georfrey Unsworth's photography and Anthony Mendelson's costume design. ~ Mark Deming, All Movie Guide

In this grim wartime drama, two vengeful soldiers of fortune engage in a deadly competition to see who can kill the other first. ~ Sandra Brennan, All Movie Guide

Recovering from a broken leg at a private convalescent home, Steed soon learns that he is being stalked by a mysterious assailant. The would-be killer turns out to be an old enemy, who intends to kill Steed exactly seven years after he himself was thrown in jail. Physically unable to repel his enemy, Steed must rely upon Tara for salvation. Blatantly inspired by the American movie classic High Noon, "Noon Doomsday" was written by Terry Nation; it was first shown in America on October 28, 1968, and in England on November 27 of that same year. ~ Hal Erickson, All Movie Guide

British filmmaker Ken Loach began his illustrious career making television movies for the BBC's well-regarded Wednesday Play series. From the beginning, his films addressed social issues from a clearheaded leftist point-of-view. As Cathy Come Home demonstrates, Loach is a true social realist, in that he eschews sentimentality. Cathy (Carol White) is a young, attractive, working-class woman. When she marries Reg (Ray Brooks), they take a larger apartment, thinking that between their two modest salaries, they'll be able to squeak by. Reg expects his lot to improve, but it doesn't. Cathy has a baby, and in short order gets pregnant again, and before long, the couple find themselves in dire financial straits. They lose one apartment to an unscrupulous landlord. They're forced out of a caravan park after a fire. They move in with Reg's mother, but she kicks them out of her cramped flat after an argument with Cathy. The couple ends up at the mercy of the British government's grossly inadequate public housing program. Cathy is forced to live with the children in a women's shelter, where Reg is not allowed to stay. Despondent and ashamed at his inability to provide for his family, Reg visits Cathy and the kids less and less frequently, and the couple begin to drift apart. Slipping into financial destitution, Cathy must now struggle to maintain custody of her children. Loach intersperses his vérité-style black-and-white footage of Cathy's travails with what is presumably documentary footage of the housing system's victims. He also uses voice-overs of people describing their experiences in the housing system, and a narrator gives vital statistics on homelessness, the unfair scapegoating of immigrants, and the slow destruction of poor British families by the housing bureaucracy. ~ Josh Ralske, All Movie Guide

More of a corny propaganda film for a British social engineering policy program of the 1960s than a serious attempt to tackle an issue, this youth drama is notable chiefly because it features an early performance by David Hemmings, four years before he rose to prominence in Blow-Up (1966). Bert (Hemmings), Bill (David Andrews), and Johnnie (Ray Brooks) are a trio of juvenile delinquents in Bristol who lose their driver's licenses after a 100 mile-per-hour accident on their motorcycles. Bored without their speed machines and alienated in their economically-depressed factory town, they assemble a rock band with the aid and encouragement of Smith (Kenneth More), the choir director of a local church who offers his facilities for rehearsal space. The band becomes involved with a youth awards program devised as a community outreach vehicle by the Duke of Edinburgh and the British government, and despite some lingering moments of dissension, they begin to turn their lives around, encouraged all the while by a hopeful adult community. ~ Karl Williams, All Movie Guide