Harry J. Essex Movies
A scriptwriter by the '40s, Harry J. Essex wrote such memorable '50s crime films as The Killer That Stalked New York, The Fat Man, and Kansas City Confidential, as well as two which he directed, I, the Jury and Mad at the World. He also scripted Jack Arnold's landmark science-fictioners It Came from Outer Space and The Creature from the Black Lagoon, and several sturdy westerns, including Henry Hathaway's The Sons of Katie Elder with John Wayne. Essex started out in the theater after graduation from St. John's University. During WW II, he served in the U.S. army. In addition to writing screenplays, Essex wrote for the stage and for television series such as The Untouchables and Playhouse 90. He has also written three novels, which became the following films: Henry Levin's The Lonely Man, Man and Boy with Bill Cosby, and the spaghetti western Los Amigos/Deaf Smith and Johnny Ears with Anthony Quinn. Essex died of heart failure at Cedars-Sinai Medical Center in Los Angeles. He was 86. ~ All Movie Guide- 1996
- R
Alien invaders descend upon a peaceful desert community and take over the minds and bodies of the residents. Now only a brave photographer can save them. ~ Sandra Brennan, All Movie Guide
- Starring:
- Brian Kerwin, Elizabeth Peña, (more)
- 1985
Made for television, Hostage Flight fomented a well-publicized controversy when first aired by NBC on November 17, 1985. On a domestic flight headed for Detroit, 65 passengers are held hostage by four international terrorists. The demands of the hijackers are simple: Release their imprisoned leader or the hostages will be executed one by one. Only after innocent blood is shed do the outraged passengers form a united front to rebel against their captors, and, ultimately, to take justice in their own hands. The film's original ending found the passengers, having staged their own "trial" of the hijackers, doling out punishment in a gruesome manner (and a highly unlikely manner, given the limited head-space on a typical jetliner). This denouement proved too horrifying for the NBC executives, who demanded that a modified ending be filmed (though the original climax was shown when the film was released outside the United States). ~ Hal Erickson, All Movie Guide
- 1973
- PG
In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano. ~ Robert Firsching, All Movie Guide
- Starring:
- Anthony Quinn, Franco Nero, (more)
- 1972
- PG
The Cremators is the story of an extraterrestrial sphere that rolls along beaches, "consuming" unfortunate humans by absorbing their energy. Based on a novelette by Judy Kirky, the Roger Corman produced film was shot on a shoe-string $40,000 budget. The film has also been released under the title Dune Rollers. ~ Hal Erickson, All Movie Guide
- 1971
A scientific expedition to a remote Mexican fishing community discovers unhealthy amounts of radiation in the local waters. They also find a small mutant octopus with nearly-human eyes that can crawl on land and make mewling sounds like a baby. In order to receive further funding for their project, Dr. Rick Torres travels back to the States to make a deal with circus owner Johnny Caruso, who is interested in the bizarre mutation as a carny act. They return to the camp to discover that their crew has been slaughtered by someone (or something) and the octopus specimen is missing. A young man from the village says that a local legend about a creature said to be half man and half sea serpent is true, and offers to take the scientists to the lake where it is purported to live. What they find is a seven foot tall walking octopus with amazing strength and a lust for killing, and soon the expedition realizes that the monster is now hunting them. ~ Fred Beldin, All Movie Guide
This western is notable for having Bill Cosby in a dramatic role in his first feature film. Caleb Rivers (Cosby) is a black Civil War Veteran who just wants to clear out his Arizona homestead and live in peace with his neighbors. Instead, he and his son (George Spell) have to track his stolen horse all over the Southwest, fighting bigoted bullies and the hardships of nature the whole way. ~ Clarke Fountain, All Movie Guide
Henry Hathaway directs the 1965 psychological Western The Sons of Katie Elder. Four sons reunite in their Texas hometown to attend their mother's funeral. John (John Wayne) is the gunfighter, Tom (Dean Martin) is the gambler, Matt (Earl Holliman) is the quiet one, and Bud (Michael Anderson Jr.) is the youngest. They soon learn that their father gambled away the family ranch, leading to his own murder. The brothers decide to find their father's killer and get back the ranch, even though they are discouraged to do so by local Sheriff Billy Wilson (Paul Fix). When the sheriff turns up dead, the Elder boys are blamed for the murder. Deputy Sheriff Ben Latta (Jeremy Slate) joins forces with the only witnesses of the murder: Morgan Hastings (James Gregory) and his son Dave (Dennis Hopper). A gunfight breaks out between the Hastings gang and the Elder gang. After his brother Matt is killed, John decides to settle the ranch dispute in a court of law with a judge (Sheldon Allman). However, Tom decides to take matters into his own hands by kidnapping Dave. After the final climactic gunfight, John and the wounded Bud retreat to a rooming house owned by Mary Gordon (Martha Hyer). ~ Andrea LeVasseur, All Movie Guide
- Starring:
- John Wayne, Dean Martin, (more)
- 1965
While working as a technical consultant on a film about astronauts, Tony (Larry Hagman) begins going out with the star, gorgeous Rita Mitchell (Nancy Kovack). Seething with jealousy, Jeannie (Barbara Eden) decides to win Tony back by going into the movies herself. There's only one teeny-tiny problem: Genies can't be photographed! This is the first episode to open with the now-familiar animated "Dancing Genie" credit titles. ~ Hal Erickson, All Movie Guide
- 1961
Racketeer Larry Fay (Sam Levene) gains control of New York's dairy industry, forcing the price of milk to an astronomical (for 1933) price of 13 cents a quart. Hoping to put Fay out of business, Elliot Ness (Robert Stack) appeals to the better nature of singer Sally Kansas (Claire Trevor), star attraction of Fay's popular nightclub (Sally is a thinly disguised caricature of real-life entertainment Texas Guinan, of "Hello, suckers!" fame ). Though she has managed to steer clear of her boss' criminal activities, Sally isn't about to bite the hand that feeds her--until Larry goes one step too far and orders the murder of Sally's kid brother Tommy (Tommy Cook). ~ Hal Erickson, All Movie Guide
- 1960
Jack Weston guest stars as Ciro Terranova, a neurotic gangster who takes over New York's wholesale produce business. Any wholesaler who refuses to purchase Terranova's artichokes at twice their value is roughed up or worse, and of course Elliot Ness (Robert Stack) is unable to persuade any of the victims to testify against the mob. Meanwhile, the tight-fisted Terranova has troubles of his own whe such rival thugs as Frankie Yale (Al Ruscio) and Felix Burke (Robert Ellenstein) muscle into his territory. Ultimately, Ness sends fellow Untouchable Enrico Rossi (Nick Georgiade) undercover in an effort to play one side against the other, culminating in a near-surrealistic showdown at a Halloween party. This episode was originally listed in TV Guide as "Murder by Contract". ~ Hal Erickson, All Movie Guide
Based on a 1941 movie entitled Shepherd of the Hills, this is the story of a gunfighter who decides to return home after 17 years to make amends with his son. The son blames him for his mother's death and the reconciliation is difficult. Although there are many side action lines -- old enemies still gunning for him and new friends not sure who to root for -- the main theme is that of the interaction between father and son. The push toward one last battle is made secondary. Short on plot, this film features good performances by Jack Palance and Anthony Perkins. ~ Tana Hobart, All Movie Guide
- Starring:
- Jack Palance, Anthony Perkins, (more)
- 1956
Raw Edge is a modest Universal western from the peak of the double-feature era. Rory Calhoun plays a rancher whose "equal opportunity" hiring policies backfire. Calhoun learns that several of his ranch hands plan to kill him and take over the property. The treacherous employees further intend claim Calhoun's widow-to-be (Yvonne de Carlo) along with the ranch. Mara Corday plays the other woman in Calhoun's life: Can she, or anyone else in this picture, be trusted? While the plotline of Raw Edge has its esoteric moments, the film is brought down to earth by the perfunctory direction of John Sherwood. ~ Hal Erickson, All Movie Guide
- Starring:
- Rory Calhoun, Yvonne De Carlo, (more)
- 1955
The "juvenile delinquent" film cycle of the 1950s, sparked by The Blackboard Jungle, resulted in such hastily assembled B-flicks as Columbia's Teenage Crime Wave. The "crime wave" of the title consists of the criminal activities of teenager Mike Denton (Tommy Cook). After escaping from reform school, Mike goes on a statewide shooting spree, accompanied by his girlfriend Terry Marsh (Mollie McCart) and victim-of-circumstance Jane Koberly (Sue England). Most of the film takes place in the farmhouse of middle-aged Tom Grant (James Bell), as Mike, Terry and Sue hold the Grant family hostage. Since Sue is really a nice kid at heart, the audience can rest assured that she will foil Mike's perfidy before fade-out time. One noted film critic has bestowed a "BOMB" rating upon Teenage Crime Wave, though it's certainly no worse than the others of its ilk. ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Cook, Mollie McCart, (more)
- 1955
In this downbeat exploitation drama, a vengeful father vents his wrath on the teenage terrors who bashed his baby's head with a booze bottle. With the hospitalized infant teetering toward death and the cops unable to catch the offending punks, the father suffers a blind rage and goes after the goons himself. Fortunately, a detective is hot on his trail and shows up in time to save the father's life. Unfortunately, the baby is not so lucky. ~ Sandra Brennan, All Movie Guide
- 1954
In this western, a forward thinking hero joins in on the promotion of camels as the perfect desert pack animals. He embarks upon a journey with a group of others. Among them is a fugitive bankrobber and his girl friend who are trying to outfox a posse. One of the hero's men recognizes the desperado and begins blackmailing him in exchange for silence. During the journey, a band of angry natives attack. Later, the group loses their water and face the prospect of dying of thirst. The picture was originally released in 3-D. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joanne Dru, Rod Cameron, (more)
- 1954
Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D. The story involves the members of a fossil-hunting expedition down a dark tributary of the mist-shrouded Amazon, where they enter the domain of a prehistoric, amphibious "Gill Man" -- possibly the last of a species of fanged, clawed humanoids who may have evolved entirely underwater. Tranquilized, captured, and brought aboard, the creature still manages to revive and escape -- slaughtering several members of the team -- and abducts their sole female member (Julie Adams), spiriting her off to his mist-shrouded lair. This sparks the surviving crewmen to action -- particularly those who fancy carrying the girl off themselves. Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace. The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons. The creature was played on land by stuntman Ben Chapman and underwater by champion swimmer Ricou Browning -- who was forced to hold his breath during long takes because the suit did not allow room for scuba gear. The end result was certainly worth the effort, proven in the famous scene where the Gill Man swims effortlessly beneath his female quarry in an eerie ballet -- a scene echoed much later by Steven Spielberg in the opening of Jaws. ~ Cavett Binion, All Movie Guide
- Starring:
- Richard Carlson, Julie Adams, (more)
- 1953
Mike Hammer, author Mickey Spillane's brutal-but-eloquent private eye, made his screen debut in this cleaned-up cinemadaptation of the Mickey Spillane best-seller I, the Jury. Galvanized into action by the murder of a friend, Hammer (Biff Elliot) barges into the rarefied worlds of art collecting and psychoanalysis. Along the way, he gets beaten up several times by nameless thugs, and also administers several bloody beatings himself. He also indulges in Spillane's standard gay- and commie-bashing, with nary a "politically correct" moment in the film's 87 minutes. The finale is lifted directly from the deathless final pages of the original novel, right down to Hammer's laconic "It was easy!" The cast includes the requisite bosomy females, including Peggie Castle, Margaret Sheridan, Frances Osborne, Mary Anderson and twin sisters Tani Seitz and Dran Seitz. The male supporting players range from Preston S. Foster as Hammer's "friendly enemy-" police-department contact to an unbilled Joe Besser as an elevator operator. Originally filmed in 3D, I the Jury was released in 2D in most theaters. The property was remade in 1982, with Armand Assante as Hammer. ~ Hal Erickson, All Movie Guide
- Starring:
- Biff Elliot, Preston S. Foster, (more)
- 1953
RKO Radio's second 3D production, Devil's Canyon is a combination western and jail-break picture. The scene is Arizona Territorial Prison, wherein 500 desperate men are incarcerated. The inmates become even more desperate when female outlaw Abby Nixon (Virginia Mayo) is likewise locked up. As the prisoners draw up plans to escape, Abby is attracted to handsome but psychotic ringleader Jessie Gorman (Stephen McNally)--and to U.S. marshal Billy Reynolds (Dale Robertson), who is serving time for manslaughter. The climactic bust-out threatens to get out of hand until the marshal calms things down with a Gatling gun. Available for many years only in washed-out black-and-white prints, the original color version of Devil's Canyon was finally telecast over the American Movie Classics cable service in the late 1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Dale Robertson, (more)
- 1953
U.S. security agent John Ireland suspects that someone is smuggling atomic devices into America. When he makes his report, Ireland is assured by his superiors that nothing untoward is going on. In fact, the higher-ups have had the wool pulled over their eyes by a clever Communist saboteur, who is assembling a super-bomb, with plans to detonate the doomsday weapon somewhere in the States. If we had to have cold-war thrillers, replete with Commie bad guys wearing baggy suits and calling everyone "Comrade", it's too bad that all of these films weren't as entertaining as Columbia's The 49th Man. The original story was written by Ivan Tors, later the producer of such classic TV series as Science Fiction Theater and Sea Hunt. ~ Hal Erickson, All Movie Guide
- Starring:
- John Ireland, Richard Denning, (more)
It Came From Outer Space is one of a handful of science fiction films from the 1950s that plays as well today as it did on its original release, this despite the fact that its original 3-D elements seem to be lost. It was also the first science fiction effort of director Jack Arnold, and one of three excellent 3-D features that he made (the others were Creature From the Black Lagoon and Revenge of the Creature) during that format's short-lived history. It was also, along with The Incredible Shrinking Man, one of the two most sophisticated films he ever made in that genre. Additionally, it was Arnold's first opportunity to use the desert setting that seemed to inspire him in some of his best subsequent movies. Based on a story by Ray Bradbury, the movie starts off in a gentle, lyrical mode, almost reminiscent of Our Town, as the narrator introduces the tiny Arizona town where the action will take place. Writer John Putnam (Richard Carlson), a new arrival to the town and an amateur astronomer, is looking at the skies with his fiancée, schoolteacher Ellen Fields (Barbara Rush), when they see what looks like a huge meteor crash into the desert. Putnam and Ellen go to the site of the crash and find a huge crater. When he goes down inside, Putnam sees what is very obviously some kind of vehicle or device embedded in the ground, but before he can show it to anyone, a rock slide buries what he saw. He reports that a spacecraft of some kind is buried there and is duly ridiculed by the local press and some of his own colleagues in the astronomical community, and even Ellen has her doubts. The local sheriff, Matt Warren (Charles Drake), is downright hostile because he believes that Putnam is not only an interloper, but has also taken Ellen away from him. Putnam is at a loss as to what to do, and doing something -- or, perhaps, not doing anything -- becomes a critical matter when various townspeople start to disappear, including Ellen, to be replaced by alien "duplicates." A small but significant part of this action is told from the standpoint of the aliens, who are only glimpsed in brief flashes as they move through the desert and the underground caves where they are hiding. Putnam ultimately comes to understand that the aliens are actually benign and only need time to repair their ship and leave; but by then, the sheriff and the rest of the town have started taking his original warning seriously and their intervention threatens the lives of everyone. Reason and a peaceful approach prevail, but only just barely, and the space travelers are allowed to go on their way -- in return, they restore the real townspeople. The movie ends on a hopeful note as Putnam predicts that someday, when we're ready here on Earth, the visitors will be back to make formal, peaceful introductions. ~ Bruce Eder, All Movie Guide
- Starring:
- Richard Carlson, Barbara Rush, (more)
- 1952
The Las Vegas Story features two of Hollywood's most impressive physiques. Victor Mature stars as Dave Andrews, a gambler, while Jane Russell plays Linda, the love of his life. Assuming that Andrews has forgotten her, Linda marries Lloyd Rollins (Vincent Price) on the rebound. All three main characters are reunited in Las Vegas, where they become enmeshed in a robbery scheme that results in murder. Clearly inspired by Casablanca, the film even includes a philosophical piano player, portrayed by Hoagy Carmichael who also wrote the film's incidental songs. Though Las Vegas Story was largely scripted by Paul Jarrico, producer Howard Hughes refused to give Jarrico screen credit because of the latter's alleged pro-communist sympathies. Jarrico promptly sued Hughes and RKO, sparking one of the more famous cause celebres of the Blacklist era. As it turned out, nobody came out ahead with The Las Vegas Story: the film posted a loss of $600,000. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Victor Mature, (more)
Kansas City Confidential, Phil Karlson's low (low) budget, B-grade film noir, opens on a Kansas City armored-car robbery perpetrated by cynical, corrupt ex-policeman Timothy Foster (Preston S. Foster). Foster devises an outrageous scheme: he will recruit three of the most vicious and unrelenting criminals he can find (screen heavies Lee Van Cleef, Jack Elam and Neville Brand) to undertake a robbery, blackmailing them into the heist with incriminating evidence from other "jobs." As an eccentric and clever conceit, Foster forces each of the perpetrators to wear masks, thus concealing their identities from one another and preventing the old pitfall of the men squealing and backstabbing. The heist comes off without a scratch, but a complication arises when the ignorant cops pick up an unrelated fellow, Joe Rolfe (John Payne) for his ownership of a van similar to the one used in the caper. In time, Rolfe is cleared, but he grows irate over the accusations and sets off to find Foster and co. and teach them a lesson. He finally happens upon one of the perpetrators in Mexico, beats him nearly to death, and assumes the victim's identity - and that's when things really get complicated. Though produced under the Hays Code censorship regulations, Kansas City Confidential constituted one of the most brutal and violent crime pictures made up through that time; as such, it retains historical significance. It also claims a strong cult following. ~ Nathan Southern, All Movie Guide
- Starring:
- John Payne, Coleen Gray, (more)
- 1952
The direction of Reginald LeBorg and the cinematography of Stanley Cortez go a long way to dissipate the essential tawdriness of Models, Inc. Colleen Gray stars as seductive Rusty Farraday, who maneuvers model-agency owner John Stafford (John Howard) into marriage. Once the matrimonial knot has been tied, Rusty's no-good former boyfriend Lennie Stone (Howard Duff) reenters her life. Stone comes up with a plan to exploit Stafford's gorgeous models for the purposes of what journalist Walter Winchell used to call "feelthy peectures." The girls are forced to pose in the near-nude for the pleasure of the low-lifes who pay Stone for the privilege. Models Inc was hastily assembled by a firm called Mutual Pictures for the grind-house circuit; less than a year after its theatrical release, the film was making the TV Late Show rounds. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Duff, Coleen Gray, (more)
- 1951
The popular radio detective series The Fat Man was brought to the screen in 1951, with the series' original star J. Scott Smart retained in the title role. Smart plays porcine sleuth Brad Runyon, who tackles the mystery surrounding the murder of a Los Angeles dentist. With the assistance of general factotum Bill Norton (Clinton Sundberg), Runyon follows the trail of clues all the way to a three-ring circus. Famed Barnum & Bailey clown Emmett Kelly makes his screen debut as one of the suspects; others essential to the action are such up-and-comers as Rock Hudson, Julie London and Jayne Meadows. The film's flashback-within-flashback structure helps to enliven its more verbose passages. For the most part, The Fat Man plays more like a radio show than a movie--at least until the exciting climax, inventively staged by director William Castle. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Smart, Julie London, (more)
